 Alrighty, let's play this in full You mentioned email you out of the headband Which is super cute, I think this works really well kids in more of that sporty look Excuse me, what a way to start a critique. It's super cute. I really like it I think when I watch is the first time there were there were three areas That stood out and not that they're shop breaking But I was wondering hmm. That's interesting. I wonder what's going on there I won't I'm not quite sure what's going on and one and then the other two I kind of know So the first one is this is also be cute and in here. I'm back to thinking are we What is going on through here? It's not like his feet are sliding It's not like he's too off-balance. I mean he has a lean Forward I wonder if that could be if there could be a bigger Curvature in his in his body to stay more balanced Maybe it's the momentum of like how quickly the route Changes stops and goes this way and goes this way to be honest. I can't quite point this There's something that seems oh Wait, I think it's this here He comes forward and when he starts moving left and right here there, I think that's what I'm reacting to He has all the steps right and he got nice breakup Between everything and he got the lower neck here involved. That's cool. I want to get to here This whole body the heads the upper body down to the legs see all of this Excuse me is moving as one Here again, it's moving as one forward. There's a little bit of a change in the head there But then again, it feels like I see a little bit of a drop in the chest But maybe that's what I'm reacting to is potentially this only moving as this one unit Yeah, I think that's what it is you get to here and then the head rotates up and bam locks kind in there and then it's just kind of Static through there at least there's a movement there, but even through here I Feel like the rotation is the same and you're getting into this IK head Where it just kind of translates down I wonder if that's what I'm reacting to You could probably take this out a bit further for a silhouette Yeah, I think that's what it is. I Have to profess some ignorance. There's something. I don't know if that's also in the I don't know what kind of camera you have if that's just the warped lens You know, I don't know if you want to bring that leg Further here and this one stays there. So it's You know, even this feels a bit better where you have this triangle that gives him more Stable balance. Maybe that's what I'm reacting to that This goes in like this and they both have an angle this way and that gives me that that off balance feel I mean, you could also take a step here and then as he takes those little steps here All through this will end up with him having the foot here So that you can somehow Get into a pose like that where They are a bit further apart But giving you that triangle for for like a stable pose look and maybe maybe a bit more bent over Maybe that's what I'm reacting to that. This is going in so far Something that seems just seems off and again apologize for being so vague But a technical thing of this only moving as one unit is make sure it's a bit more broken up And I think it might be cute to do to do and then Steps that pretty have like big steps out to give him, you know, that balance like I said And then you can do the little ones at the end Then the two other ones were I think that jump Who I think could have just a bit more zip And I wonder if that's just like two three frames and this could just be getting a bit higher Same timing just going a bit higher, which will make this a bit zippering faster But you don't want to sacrifice hang time. It's just it feels like you want to just go a bit zippier Just and I'm really talking a Frame or two. Yeah, I feel just a bit but it's also This is so prominent and it's and it's constant bent That for a second you miss what the other leg is doing, but even the other leg doesn't have a full extension It's where that's what I'm reacting to. I wish there was a bit more of a Push-off extension. I think that's why this feels ever so slightly Not punchy enough because visually select wise. It's always always in this bent pose We don't get a push-off leg extension And the last one was that these two arms kind of come down together I wish just was a bit more offset. He goes. Yay, and then on that land You know, like whatever you want to do one would be still up here And this one starts to go down and rest a bit lower. I would just offset that a bit more Now that I'm framing on it make sure that dad looks looks up at the kid because like once you're in the here he's kind of Not quite interested so a bit of a look up and follow down so the kid would be good and the kid looks here So it's such out that this is connected. This is big keep because we're all looking here, but I would still push that Just look at the kid. You're asking for picky notes. I think all that and that is good stuff I think all the connection points are good here. There's nothing to IK On the dance arm. I like your finger offsets It's just always cute when you have like this ginormous hand and this little hand holding this I think that's cool Bounces are cute his face is cute Eyebrows are definitely more expressive there. We can see her down and that's all cute Get your eyebrows leading the blink just good. I wonder if here you could ease Out of that war just cut that in half and then you have one more and get into this And then on that opening Your brows go up. I wonder if just could just be a No need to go more because we know that you want that stern look No, I think it's okay. I'm just focusing on Being picky for picky's sake Maybe I'm just already getting used to this. There was something about that blink that's felt Slightly mechanical, but I might be totally wrong. Yeah, I feel that jump needs to be That's a bit more like yay, like he's really into this And this is a bit A bit half-hearted there. I mean you might argue we have what he's not quite confident yet Maybe I don't know what he seems so excited that he really wants to jump Something that might be cute is if you look at the dad, right? He looks at the kid looks like the kid Does this thing so the couple things two things here He seems to there's something rocky here pop up right there How that body changes I feel like that upper body Well rotation towards us and then how he locks into this position in real time is a bit fast Especially that stop Watch his nose He all kind of comes to stop the quickly and has a slight feel again of chest and head Especially through here all locked as one So you have kind of a separate shoulder arm move up All the body goes more away from us while the head is locked to the chest So watch out for a bit of a stiff feel there But I'm wondering if he looks at the kid, right? gets ready and it's almost Very subtle almost mimicking what he's doing meaning that He gets ready and he might even close his mouth a bit sooner I maybe open his eyebrows and his eyes a little bit. It's always like Is he doing this and on the jump he goes back to his face You know almost like you watch him go When he has that reaction that it's kind of tied to what the kid is doing maybe Just throwing it out there. That could be interesting Maybe it'll subtle thing on him with the dad right now just feels like All right, you know, there's no emotional reaction to him jumping taking that leap So maybe you could mirror that and do something with it I contact at the end Rest is really cute Yeah, it's cute. Make sure there's some shoulder impact there as well I think there is but just double check on your end So it doesn't just feel like you got those soft arms down Why do you have it in the head? I think even have a bit of eyebrow Eyelid thing. Yeah, that's cute. It's really good. I think this all works, especially since it's so fast Sometimes framing through things Is a bit too much. I like that your thumbs come together Yeah, it's really cute. It's just kind of my My picky things Yeah, and mainly how he comes to a stop. So look at all those lines here how they just end It's all a bit even though it can continue especially through here You're not resting on this for too long But I think we can look at how these come to a stop But yeah, I think the big ticket issues I mentioned at the beginning and I think the more I watch this The more I would like to see some sort of reaction right there on him Just anticipating and into this just to kind of be more in the moment with the kid Since you're picky. I mean since I'm picky you might even just open up his eyes more a bigger smile You know and again eye contact, but like they're both happy. It feels like he has this constant sub dude I'm still kind of sleepy squinty. Look maybe Through here you could already push this a bit more. I see the change in here But you know, he seems pretty tired at this point. So maybe at this point already opening his eyes a bit more So that here it leads into Yeah, I'm exaggerating, but you know, maybe a bigger emotional change. He seems much more excited about this And the dad the dad's going Come on kid. I don't have time I think that's it Again, sometimes, you know, I look for picky things because people ask me to but then I'm probably focusing on all the wrong things Like is this foot landing Could be a bit more tilted this way with the foot. So it's not a flat landing Maybe the surface is a different color. So we have a nicer silhouette between the foot and the surface Same thing here, it's a bit flat. Maybe turn it away from us a bit more You know, every step is always slightly offset for more complexity. So it's not this flat Lover coming down You know stuff like that I mean, you know, you could argue you could talk about this I mean, it feels like that shape and that angle is almost kind of similar through here You might want to bring in some rotation this way to the angles this way or this way I don't know, you know, I watched it and I go straight to this kid And again, it doesn't stand out because of the coloring and all that but you know, I don't know Is that worth a picky note? There's a bit of a jiggle in the knee Right there You know, sometimes you just be picky forever and forever forever and never let a shot go Which is definitely what I do. It's so rare that I tell people in my workshop, you're done. I constantly see things But you know, again, my main points I address at the very beginning I always kind of look at when I see when I look at the shot What makes me cringe and not cringe in a bad way, but in like that and it's fixing up that and it's fixing and everything else I think No one else would notice If you watch this in a movie, you know, if there's a shot before and a shot after you would look at the kid You look at what the kid is doing. You wouldn't really look at the feet at all or ever So this is just something for you if you have time if that's what you want to address Um, but just know that your shot overall works and it's really really cute Alrighty, thank you All right There's an email you can sign up you can start whenever you want you can submit whatever you want You get 16 submissions either way and like and subscribe would be awesome. All right. Thank you