 Miku Metallurgis is a series of artworks which includes mythological stories, biotechnological installations, entitled raptures and patterning, an on and off-line performative workshop, storytelling circle, and a video essay called Infrastructure. In my work, I researched and experimented with the idea of how multi-species symbiotic super-connective organisms such as fungi actually teach us about connectivity, networks, inclusivity, and caring practices across species. I worked in art and science field, and the past two years before the pandemic, I have been part of the Artists in Residential Programs at two institutions, at Mathias Relic Laboratory, at Institute for Biology in Berlin, and Tobikiers Laboratory at Free University in Amsterdam. While I was there, I was exploring and experimenting with fungal networks, and I noticed that scientific facts get their social dimensions and understanding through various stories and also metaphors as a wood-wide web, as some of you have maybe heard of, and these stories and metaphors usually serve a particular social and political and also economical agendas. They are never really neutral. Because of that, I decided to write a mythology for and as much as possible with fungi. The preparations for the exhibition at Prago Gallery are going pretty well because two most complicated artworks, the biotechnological installations, rapture and patterning, have actually been already exhibited three times in the past year in Slovenia, in Croatia and in the Netherlands. So at the moment, I'm mostly finalizing a video essay called Infrastructure, together with fellow Michael Phil and artist Katelyn Bryson. Mycometologists in the form of biotechnological installations unfortunately will not be presented at Prago Gallery. The series will be presented as a large-scale video documentation due to exhibitions I need to attend at Center for Contemporary Culture in Barcelona and Nova Tritite Co Gallery in Moscow. Mycometologists challenge at the moment is translating three-dimensional immersive installations into two-dimensional space by trying to preserve ambiental qualities of installations which are an important part of the artistic language that mycometologists use. Fortunately, mycometologists will be realized in Prague in July and at the time I imagine it as this vast biotechnological landscape of networks of electric circuits, whispering voices, contaminated petri dishes, AI controlled microscopes and of course mycelial threads and murmurings of nutrient flows in those mycelial threads and pixel bleeding mycometological screens, biomes of blood, sweat and tears, nurtured mushrooms and all these connected in some sort of entanglement where it will be possible to actually think about what kind of networks we are part of. So please come to Prague Aca Gallery to see the exhibition of our class and take time and immerse yourself in the thought processes that created them. I'm sure you will have an exciting and meaningful experience. And if by any chance you're in Prague in summer, I invite you to the immersive biotechnological landscape of mycometologists which will hopefully bring you a bit closer to this alien world of fungi that actually support and sustain a very big part of our ecosystem.