 What's going in? How often do you know, hip hop get pushed off into the rodeo set? Never. Yeah, we on boss talk, one on one, one on one. Yeah, we gon' talk. You know what I'm saying? So thank you. She was on last night, it was crazy. You did it last night? What, at the rodeo? Oh yeah, I was mad about- I saw it all over the internet. Man, Bubba Lutian had called me. Man, I'm gonna eat, I'm gonna say, where you going? Abundant called me. I said, nigga, you couldn't have called me. Beautiful. Bro, I saw it kind of came early. Epic moment last night. You said sold out show, right? Sold out show. How hard- 70,000. I know there ain't been many of y'all in that rodeo like this going in. How often do you know, hip hop get pushed off into the rodeo set? Never. So you've never seen it ever. This is the first time. Never. This is the first time, you talking about us? Yeah. This is the first time. And this is the thing, we was gonna go to rodeo anyway. Okay. We were part of, you know, we're not into the end. People, this is a staple, and I would say that you either going to the carnival, to the rodeo, taking your kids, you're a part of a total to be a part of black hair since they can actually get to perform in the middle of the stadium. This was epic. How did they come at you about it, Teeba? Well, Byron put it together, you know what I'm saying? Byron did. That's what I tell people too, man. We all get opportunities in different spaces to be great. Yeah. You know, I do this, I do that. And for him to get that opportunity, man, he was around the right folks. They gave him an opportunity. At the right time. And a lot of people just find out about it. And I kind of knew a little bug about it a minute ago. Yeah. And it transpired, it came together. And he reached out and he could have done something and made it all about him. And he gave an opportunity for it. The city came out, man. Yeah, that's dope. Like crazy. So who all performed? You, Byron? Me, Slim, Fun, Zero, Willi D, Flip, Pokey, Pow Wow, Latoya Lucky. Y'all shut that up. H-Town. H-Town? Knockin' the bootchips. Lay Lay, ESG, they brought him out. 70,000 cents. I'm gonna be a boy. I'm gonna tell the public. Baby Bash. I'm for the top baby when I see him. He wronged for that, man. Mine can bring anybody out. Yeah, I know it. But I'm talking about Bo-Bo. This nigga came on my show. This nigga's gonna leave me. Nigga left me. You know he left that. When I get back, he gonna do the show. But no, we not doin' it no more. You gonna mess that all the way up. It was nice, bro. I heard it, I know it would be. He sent me the picture what they had to calculate. Millionaire. That boy performed. No, this is the second time he done performed in history, you know what I'm sayin'? Since he called himself to the left. Yeah, it was my guy who came out, man. It was epic. It was epic, man. Man, so how do you process, like when you go into the studio and you for to do your thing, or I could talk about the road, but how do you process the music? Like, do you write a lot? Or do you go in there and you hear a beat, or how do you do it? My process is a little different from it used to be like I'm not in the studio all night. Okay. I don't do that. People tell me, yeah, we's in the studio, man. 12 to six in the morning, I hear them with what's I was doin'. You know, like I don't know. Like I kinda, this is what I do. I get the, like I'ma call my producers and I'ma get the music. They gon' either send it or I'ma go do it. I'ma vibe. I'ma get the vibe and most of the time I'm vibing in my space where I'm cooler if I'm smokin' here, if I'm doin' this, whatever. And when I go to studio, I'm at work. Man, my engineers will tell you, man, like, I'll be havin' to tip them. Yeah, yeah. You know, because just say it's 50, 60 dollars an hour, man, I been in Kamen and got three songs done an hour. Four. Wow. You know, run through it, you know what I'm sayin'? So I been in, shit, they been in done 12 songs on me and been in made 150 dollars. What was the first studio that you went to when you was young? And how did you feel walkin' into the first studio? It was crazy because we had came from nothing but screw tapes. Okay. And screw house was just like this. We turned tables in the microphone. Yeah. And people really thinkin' that we rappin' on these beats slow, they goin' fast, just like record, they goin' just like that. And then we slow it down. So my first transition was goin' to the studio was really goin', I wanna say it was and he had real to real. Okay. See, boys, I'm from everything. Yeah. Real to real, A-dat. Yeah. See, I really rapped on this shit. Well, you really had to, but get ready to do a song, you had to put four VCR tapes in. Yeah, yeah. To hit up. Yeah, I'm from that. And draped up and dripped out the big three in the morning, I done that in the middle of a room on a microphone with no headphones, no booth. And that whole went hard. And that's one of the biggest songs of my life. Went hard. We was young, we got introduced to the studio, now in the studio as much, even my whole album, Don't Mess with Texas, we recorded that in a box about this big, that was the bathroom. We had a little room, the back part was the studio and the front part of it was the bathroom. We went in there and shut the toilet out of there and made it to the booth. Recorded the whole album, Southside, everything right there. Yeah, we on Boss Talk 101. 101.