 What's up guys welcome to today's video so on the video today what I want to focus on with you guys is how to take somebody that has overly processed blonde like I think we're guilty in the salon sometimes of over highlighting just keep it going everybody just wants to be blonde but really taking that overall picture of a blonde that canvas that you created and then adding dimension toning it down a little bit bringing it back to a beautiful natural looking blonde so that's what we're gonna do today I'm gonna showcase this brand new color from Joyco which I'm really excited to show you guys so this is a new color series from Joyco Luma Shine this is youth lock so it's gonna give you a hundred percent gray coverage and also check out this right here this is a built-in bond builder on Joyco's hair colors so check out the Joyco hair color delivers two times the shine and you also get that shine for up to 30 washes in between hair color so youth lock basically stands for the fact that it's gonna give you a hundred percent gray coverage but the reason I love using on blonde hair is blonde hair is missing pigment as well so we're gonna use that you get a hundred percent great coverage if you're going for that but you also can get some beautiful shades beautiful tones of blonde hair as well so hope you guys like this video let's get started here we go all right guys so for today's video what I'm gonna be doing is mixing up the level 9 and level 10 brand new tone NNG from Joyco Luma Shine youth lock it's a repair plus permanent cream hair color I'm gonna mix them both with 10 volume the reason I'm mixing them with 10 volume is we're gonna do this as a double process blonde technique so we already have blonde hair what I want to do is go in there and create dimension what I find happens too much in the salon is that people over process over highlight hair becomes one-dimensional blonde with roots and what I want to do is show you guys how you can really mix up blonde tones create movement and give a more natural look so we're starting off obviously with the blonde canvas this is about a level 9 ish so the level 10 for me is just gonna kind of soften it and the level 9 is gonna actually deposit that actual tone so what I do is I create a circle on top of the head and then a zigzag pattern from the parting down to behind the ear that's gonna separate the front and the back so I got the top sectioned away and then the side sectioned away and now I go through I cut a little bit on that top fringe area and I sectioned that away and then I'm gonna draw my zigzag from that point so the top is completely separate from the rest of the technique so zigzag through behind the ear section all that away front and back so now the key thing here is I want to get the back out of the way the back's gonna be the easiest part it's gonna be very one level because it's the underneath and the sun doesn't really reach the underneath naturally what we're gonna do here is I want to start by painting a deeper root on the underneath section here so I'm doing the 9 NNG on the root pulling it through slightly to mid shaft in some areas but just painting that nice nice and saturated on the technique first so I do the roots first then I go in and I paint everything onto the ends after that what I'm gonna paint onto the ends is the 10 NNG so I'm creating multi-dimension now my thought process on this is that I want to pop that brightness on the ends around the face that's also where the sun hits the face so for me I always think about hair color that way where does the sun reach it where would it naturally be the lightest so underneath obviously at the root it's gonna be a little deeper now on the ends and on this section here I'm going all 10 NNG so a level 10 softening the whole thing not having a deeper root because naturally you don't have to have a deeper root on the top of the head that would be where somebody that's naturally blonde it would be the brightest so 10 NNG all the way through that section so I'll paint that through work it all the way to the end scalp to ends and then here's where things get a little bit interesting as well not that complicated but where they change a little bit I'm gonna go 9 NNG on the root on this on the left side which I'm about to get to but for this first piece what I wanted to do is create 10 NNG all the way through it because that's what's gonna lay to the left side of her head and then everything underneath I'll go 9 NNG on the base and then 10 NNG through the mid shaft to ends so just mixing it up a little bit I obviously know that hair that's on the top it's exposed to the sunlight it's gonna be the lightest and then everything underneath is gonna be a little bit deeper so that's how I work through it so just painting everything through working that base color and then going in at the very end and I'll paint mid shaft to ends and work my way through so I like to do the base first I just feel that it's easier for me to keep it organized and really I'm just kind of trying to overall tone the mid shaft to ends so I don't need to take small sections through there depending on the situation but in this situation I feel that way now the back I'm gonna go all 9 NNG it's all underneath it's all gonna be the deepest tone and I really want those highlights to pop through the top when they fall over the 9 NNG so understand guys that a level 9 level 10 is not that different but it is different so that's why I like mixing it up and using it this is a quick technique that you should do very fast you could even bring a client out and if you don't feel like you need to blow them dry and then apply this technique then just do it on the wet hair comb it through really nice detangle it and then work your way through fully on the wet hair and you can have the same technique so the last little bit I go roots 9 NNG and then mid shaft to ends I go 10 NNG I wanted to have a little bit of depth towards the back so bread us around the face a little bit of depth at the root towards the top crown even though that could be lighter you could do this all the 10 NNG if you want to but like having a little bit of depth of movement in the top crown area and that is the technique you could see all the different patterns you could see the brightness in the depth in the 9 NNG compared to the 10 level 10 process that for 30 minutes and here is the end result so notice how it goes from looking like straw to looking like honey like buttery honey love this tone there's a brand new tone from Joyco so check it out go to joyco.com to check that out thank you so much for watching this video hope you liked it let me know in the comments if you have questions thanks for watching