Pier Paolo Pasolini's film "Salo" got me into Orff's take on the "Carmina Burana", and before long I got to thinking how fitting "Olim Lacus Colueram" is for the content and themes of the film (as well as that of the book it was based upon, "The 120 Days of Sodom" by the Marquis de Sade). The countertenor perversion of the typical male vocal range seems to go well with Pasolini's images of dehumanization I think! And so I pieced this fan-trailer together in these wee hours of the morning. Enjoy!