 This is a time of enormous opportunity for any arts organisation that has an archive in whatever format because the computers are fast enough, the network is there and the technology is around to enable you to digitise almost anything and get it to an audience. I think the opportunities are vast and enormous but you need to think what would be the most exciting single thing for us to do with our archive. You're actually transforming yourself as an organisation because you're beginning to open up your own past gyda ni'r eisteddol ddiwylo sy'n gwybodol lleolol ddim yn gweithio a'r cyfathorol arall. Mae'r ymgwc Fyglwyddon Ysbryd yw'r model a'r Fyglwyddon yn gweithio Cymru bobl ym mhyself iawn, yn cael ei cael ei fod yn gweithio, mae'n gweithio fel y gwaddoedd ffilydd yn gweithio nad o beryddoedd i'n wych o'r bydd nifer yw bod yn cychwyn. Felly wedi bod ymddurio'r cyfrifio, mae'n mynd i'ch gwybenant gweithio ar y pethau. Gwylfa archu o gwaith i ddweud yn fiersidol i gweithio i ddweud at flwyffau â gwaith golleg drwy oedgaid, ond yn fawr ac yn fawr adeg, felly bynn gwylfa'r busnes yng Nghymru yn enw. Felly, mae'r gweithio i ddweud eirio'r gweithio i gweithio i gweithio i gweithio'u gweithio sy'n bwysig cofodol ar gyfer y calculau cyflau Gwylfa arniadthau ac fel i gweithio eu gweithio. Felly, o'r ddweud o ddechrau, mae hynny'n defnyddio'r ysgol o'r ddweud, mae hynny'n gallu ffostabilitau ar hyn. Ond yw'r ddweud o'r ddweud, mae dyma'r cyhoedd yn dda i'w ddweud o'r ffurf y maen nhw'n ddweud o'r archifau sy'n ddigon. Mae yna fydd yn fwy o'r gweithio'r ddweud o'r gyflwyno i'r gweithio'r ddweud, mae hynny'n ddweud o rhai. Mae'r adnod yn gallu bwysig, oherwydd i ddweud y gorwbeth sy'n gwneud arnyn. Mae'n gwneud o'r adnod, oherwydd i ddweud, oherwydd i ddweud. Mae'n gwneud o'r adnodau sicrhau ei wneud yn y cwriadau ac arno. Mae gweithio ar y gweithio. Mae gweithio gyda'r ddweud ac, mae'n gweithio, mae gweithio ar y gweithio ar gyfer gweithio ddweud yw gweithio. Rydyn ni wedi gweithio cyntaf yn gylawn iawn mugwau ar y rhan o'r ll ace lens. Rydyn ni i gwael i'r gweithio ffordd tóa gydag i bod yn gweithio'n gweithio ddeunydd. Rydyn ni'n golygu i am ddefnyddio yn gwybod y cwmwynt yw'r gweithio y cwmwysig a fydd yn gweithio'n gweithio ar y mynd, gallwn ni'n gweithio sgwrs o'i defnyddio yn eu cyfleoedd oedd oedd y dyfodol a'r cyflos y gallwn ein byddol. It's the reverse and we've seen that happen with music publishing online and so on that what you do is increase the interest of informed audiences who then actually want to come into the venue. You can see a dance artist progress their practice of performance and of making over a period of 10 or 15 years on my archive and that means that the world of dance is dismantled and opened up in a different way for observers. One of the key benefits of creating digital assets is that it begins to change the nature of the organisation itself. And if that's going to happen, then the whole organisation has to become involved. Lots of people who are responsible for artworks and galleries or for recordings and performances are very, very worried about the possibility of user comments, user reviews, people adding either inappropriate facts to websites, all those sorts of things. And it is a legitimate fear. But the expectations of the audiences of the viewers are very high now. Not giving them some way of communicating is going to make them feel locked out. We have to find a way of letting go of branding and our ownership of how those objects are represented. And that involves a level of trust of the audience and a level of trusting relationship with the audience. My view is that it's very much that you provide tools through the archive for the user to think about their own curatorial process. But that doesn't necessarily mean that they therefore change what is then available for the world through that archive. In fact, I think that's problematic because in a way then you bring into the whole mix how do you manage that process, how do you edit that process. The digital world has brought with it another way of the public engaging with everything and us engaging with the public. How specific can we be? Can we not be drawn down the language made by those people who invented the digital world? Can we bring our own language to it? Can we bring our own assessment and particularity to it?