 ¿Cómo está todo el mundo? Bienvenidos a mi canal. Esta semana voy a hacer una cultura de paz dedicada a Puerto Rico. Es un cover-up de la suerte y va a incorporar los taínos, los vejigantes, coques y la garita. Así que con eso vamos a empezar. ¡Vamos! ¿Te hiciste el tatuaje? 2003. 2003. Ya es tiempo. Pero puedes ver el ojo. ¿Qué pasa? Puedes ver el ojo, ¿no? El ojo es... ¡Oh, esta! 20 años después. ¡Vamos! ¡Vamos! ¡Vamos! ¡Vamos! ¡Adiós! ¿Cómo te sientes nervioso? Estoy bien, bro. Excitado? Estoy muy emocionado, bro. ¡Vamos! ¿Cuál es la última vez que llegas a Azure? Creo que... 2010? 2010. 13 años. 8 años, 8 años. 11 años. 13 años. Oh, sí. Son todos los mismos. Chau, chau, chau. Se va a sentir igual que hace 13 años atrás. Sí. Sí. Sí. Sí. Sí. Sí. Sí. Sí. Mucha información. Mucha información. Garita del muro. Garita. También hay otro que se llama Garita del Diablo, ¿verdad? Sí. Garita del Diablo. Estaba mirando la historia de esa y dije... Ok, listo. Listo. Vámonos recibo. Let's go, let's go. Vámonos recibo. Esos otros. Vámonos recibo. Es chéales. Bobo. Que mirá, Bobo. Que mirá, Bobo. Ah. Ese video, mi... Tan tierno. Para nosotros decirle, Bobo, ay, ¿en cómo es? Eso no es ni un insulto. Eso... Y para nosotros también, Bobo, es algo... Como dorky. Sí, dummy. Like dummy. No seas Bobo. Para nosotros sería que... Que tú miras. Tú miras, huevuta. So now that I got the flow going, I already started doing the face area, the chin, the neck area. I wanted to get into a specific rhythm on how I wanted to approach the face. Now that I got it, the sequence that I'm using is first applying, mixing my brown and my black first, then slowly mixing my brown with my lighter brown and then I have my white and I just keep going back and forth, back and forth. So the sequence is going from my black, mixing it with my brown, my brown to my lightest brown, so I can make sure that I'm having like a smooth transition between the wrinkles and transitioning from the chin to the mouth to the nose and making sure that I can see the contrast because if I don't have the contrast on the face, it's going to be hard to separate the browns throughout the whole thing. So now... Oh, and I'm using my 14 round liner for the whole entire face. It's giving me the leverage to navigate nicely without irritating the skin and I'm able to add a few layers. So I'm using my 14 round liner with a voltage of a 5.0 and I'm going to keep doing the same thing across the whole entire face because it's working for me. And, yes, let's continue. Oh, I hate that song. I hate it. No puedo. Esta canción me molesta. No sé por qué. No sé por qué. Vamos a poner reggaeton pesado. Ay, Darryl Yankee. ¡Eso es pesado! ¡Eso no es pesado! Pero ella elevando, elevando. So what I'm thinking with this part of the piece is I'm going to be using my 14 round liner to start executing the eyes. All I did was add the black first just to kind of give me an idea of where the contrast is. And then after that, I'm going to be adding my darkest brown and create that shadow underneath the eye socket and then on the side of the head just to give it that three-dimensional look and slowly start transitioning to my red because my red is going to be my brightest color in here so I've got to make sure that I make that my priority color. I ended up, I'm going to be using two different needles, two 14 round liners because one is going to be for my black and my brown and I want to peep the other 14 round liner clean so I can make sure I use it just for my red so I don't consaminate it with my brown or my black because I want it pure and I want it bright. ¡Ah bueno! ¡Ay que enseñarlo! ¡Ay que enseñarlo! ¡Egura que le sirve! ¡Ah bueno! It's not crusty, no tiene nada. ¡No! ¡No, no tan bro! Nothing bro. Fucking perfect bro. ¿Cómo dormiste anoche? Oh good. Ghana. No. No, no tan Ghana. Pero es el hotel. Nosotros estamos acostumbrados a dormir con el fan. ¡Oh! El hotel no se escucha ni madre. I'm like, it's too quiet. We try to put the fan on high. No, no, no. Nothing dude. Huella el aroma de mi piel sobre tu piel. Canela, si estamos distanciados mi alma se congela. No. Don't like it. Ok, ahora sí. Hola. Venga. Venga, venga, venga. Esta es la buena. Donde muchos quieren llegar y no pueden. ¿Esa es? ¿Esa es la buena? ¿Esa es la buena? Ahora sí, tiene sentido. Ahora sí. Perfecto. Check out no despejo. Verificar que a ti te gusta. Day number two. De otra batalla. De otra batalla. Day number two. Ya se armó. So here we are second day. This is day two and we're going to be doing the forum area. And on the bottom here we have the frog Koki. So I'm going to be doing the bottom part first. Full color. We got Koki holding on to a leaf because the frog is literally super tiny. If it's on your hand, extremely tiny animal. So that's why the leaves look extremely huge. So what I'm going to be doing is doing the green behind the frog. The color choice for this piece is going to be... I have yellow... ¿Qué? How do you pronounce that? A-C-H-R-E. Oakery. Oakery. Oakery. Yellow oak... Oakery. Algo así. Yellow Oakery. Looks like this. The next one is umbleach white. And the other one that I'm going to be using is zorn flesh light. And these three colors are by the brand of revolution. And I really like them because it's almost like oil painting with them. And as far as the top I'm going to be applying like an orange, red, yellowish sunset. And then we have la garita here on the top. And I like the view that I picked because it reflects like... The vision that I have is making it look like we're taking a photograph from the bottom point of view. And capturing Koki. And right in the background we have a garita. I'm very excited for this. ¿Cómo te sientes? Agusto. Agusto. Ready for war. Venga, venga, venga. I'm using my 14 round liner just to kind of start testing out the area. Start seeing how I was going to start packing in my contrast. And then I realized that my 14 round liner was a little bit too thick. So I ended up switching to my 7 round liner to give me the sharpness that I was looking for. And it is a really tight area. So that is why I decided to switch to a 7 round liner with a voltage of a 5.0. The process, the sequence that I ended up mixing my colors was starting mixing my solid brown with my black. Just to kind of give me the darker brown and slowly transitioning to my yellowish brown. And ended up mixing it with my white. Just to give me all these different shades that I was trying to accomplish to make sure that I match my reference picture. As far as the belly area, I ended up using my 3 round liner to create those kind of scale looking texture on the belly area. And then switched to my 7 round liner to pack in my colors. Moving on up with the face, I did a 7 round liner with a 3 round liner. And continued doing the same sequence to make sure that I made the whole thing look even. And with a nice transition across the whole entire thing. This was a really fun project for me because you guys know I love culture, I love history. And I was able to put something original and unique together for my client. And my client was extremely happy. He just had good vibes. He set like a rock. The whole 2 days was just full of good vibes. So it was a really fun weekend. And anything else? Nope. So if you're a tattoo artist, I hope you learned something from this video. And if you're a tattoo enthusiast, I hope we were entertained. Thank you so much for watching. I'll see you guys next week. Peace.