 This study examined six samples taken from the San Pantholo Church in Tornempart, Italy. It used optical microscopy, scanning electron microscopy coupled with energy dispersive spectroscopy, SEMEDS, X-ray fluorescence, XRF, and infrared and ramen spectroscopy to analyze the paintings. The results showed that the paintings contained lead white, red ochre, yellow ochre, and vermilion, as well as other organic pigments such as matter, indigo, and azurite. Additionally, the paintings had been varnished or protected with a layer of wax, which could be seen under SEMEDS. The paintings also exhibited signs of previous restorative work, including the use of fillers and retouching materials. This article was authored by Francesco Armetta, Dario Jufrida, Rosina C. Pontario, and others.