 All righty, let's play this in full first as always What is it you want Barry? What do you want? You you want the moon? Just say the word and I'll throw a lasso around and pull it down Alright turn this down a bit for me. It's not destroying my ears. I think overall This is cool. I got just minor notes for the middle part I still would find a way to just cut out that beginning There's a way so it doesn't have that electrical craziness What is it you want Barry? What is it you want Barry? And then as you continue on I think this is ready for spline And then you can start adding a few more details like at the beginning if you look at head accents What is it you want like you know once could have a bigger push there You know, it's it's fairly even through here there I mean, there's some movement because it's step but I think there will be a good opportunity in your spline version to explore There What is it you want and then also offsetting a few things more so you don't have the look over to the left So it's basically it feels like the look over to the left shoulder and remote control Oh Kind of go up post-to-post so just kind of fine-tuning that stuff once you get into spline What is it you want Barry? What do you want? I do like that. I do like the timing of this With the voice I think this matches pretty well the energy of it Same thing here, you know, he's moving all at once post-to-post so you can have to look at what do you want to lead? Maybe maybe he goes forward and maybe just it like the head raises like the nose goes up and that's the lead Into like an arc down and then the body follows and then legs off So whatever you want to do, I would I would think about stuff like that as you fine-tune this You you want the moon? I think this works better having that expression But I would I would take this out and go straight into this. There's still just a moment of Surprise, I know it's very subjective But to me I would take that out and go from because that's his current mood And then that way you have it there too, but then I will continue and take it out of there So again to me, I will bring this into a frown and almost an angry look And maybe unless so you can be relaxed there just I'm mostly reacting to those big white eyes where it's more Panic and ah Like you're mad. This is like the phone is young again. You're fired or like something like ah to me This freaking out thing doesn't quite match the The energy and the tone of the voice over there When something to find to when he goes back here You might want to bring in maybe the knees a bit more and then relax when you're done It's a little polished stuff as you continue on since this is already pretty far along and stepped But to me the biggest thing is this just that that seems like he does hurt what? Versus you know that type of attitude all of this to me just such a doesn't quite match this I would still massively tone this down And you can again explore you know just to me will be this eyebrows and eyes and The body could stay So I like that little dismissive throw you have here And the only other thing I would say is that I will probably make this handoff from this Into this a bit more Casual and I know he's looking here, but it hasn't ever so slight feel like he's looking at the remote Just for a second and it's almost like he has to really think about okay, okay So I got a hold this remote I got to put my hand down there, and I'm gonna hold this remote Okay, and now I'm gonna grab the popcorn cup here So I would just make this a lot more casual where one of things would help to just not have that look You the clothes and head a bit higher or head turn faster to look you know somewhere here or here already and Probably not have this hand so like the remote is so floating in space here that I would bring something You know if he already brings that remote up then it would be like a move here And then maybe he would grab that remote the room would be already here like you have a an overall Translate while you switch hands to make this feel a bit more casual That's cool, but I do like to grab there I think that should work and now we talked about Moving it forward here with the body, but I think you mentioned that it's a bit tricky with the with overall posing But if he goes forward, I Mean you know one thing you can explore is that? Well, no he has a bucket. It's gonna say put the bucket on the knee, but that would fall over, but It'll be interesting to explore when he grabs this I Think I mean I'm you know I'm harping on this and I think we're pretty set on leaving it like that But it would be interesting if you would try on your end like for just for ten minutes if you grab this and you put the bucket here Which then will give him that that lean over I'm just curious what that would look like, you know and then the remote and Maybe bring a brain will bring in that that foot a bit more. Maybe maybe he would have a bit more relaxed leg out there I don't just curious but Maybe if you want you can save me the Maya file I'm still in Switzerland. So I would be would be next week or in two weeks Kind of tricky how we will coordinate this But still I'd be curious to just see how far you can push this because I like that He's leaning here and he has all of this here I still wish that we could for the very end push this overall pose more forward But yeah, let me know in the hashtag in the email. Maybe you want to email the scene And you can just start splining splining splining splining until here You know that came couples emissions, and then maybe by the time I'll be back and I can look at the end And maybe do something just kind of see what we could do with that end All right, let me know in the email and other than that that's it from me I think you're ready to go into spline and really fine-tune everything. Thank you All right, there's an email you can sign up you can start whenever you want You can submit whatever you want to get 16 submissions either way a like and subscribe would be awesome. All right. Thank you