 All righty, there is sound at the end New version here. I'll wait until the end here and Cool Question for you is I still feel like the There's some ambient movement here, but I still feel like I don't know this question for you Are you gonna take out that exhale or put that into your animation? Is that something that's going to be taken out of the audio or being put into the animation Other than that, I think I still see To me, there's still that sudden hiccup in the forward translate Right there And I think we can still be a bit snappier on those legs when they go on that I Think on the tail instead of one axis turn like that could be a bit more Elaborate not to make it overly complex by just giving it one more axis of Orientation there and I think See if you can move make that eye a bit bigger just so we can really see that it's looking over there and Potentially push the incandescence of the eyeballs. It really stands out. I think that could help. It's nice. I like that Look there tilt and then that's fine This might be a bit far with this I could be wrong. There's something in this where I first ever bring it. Just maybe a bit here Or a split the difference The other guys find how it looks. I think you are just borderline tangent there with the tip All of that so either curve them down or bring them down or switch out how that the tip of those ears are there now I would like to profess ignorance in terms of Years of horses This feels a bit soft to me. I could be totally wrong It's felt like they move. They're just a bit more solid a bit faster than moves This feels a bit spliny, but I could be wrong Like the detail stuff already on your stirrups there, that's what it's called and then you go This could have a little bit more of a It feels like everything kind of stops at the same time. I'd be careful. I know the camera stops before the horse Maybe I'm reacting to The body is kind of stopping at the same time as the legs are moving Maybe that's that's kind of this is a slight feel of everything just kind of two-stopping at the same time Find a little bit of offset there Like that look I think I will push the connection a bit more where when this goes up here It feels a bit separated. Anything can do maybe with a roll or something in the chest So that that massive neck is affecting the chest as well This is totally fine as a cheat coming up Maybe I don't know if you have a control to move that ridge down or move that pupil bit over So it's not so lost. I know these are over fast frames, but even here I will bring that lower a little bit lower So we're not cutting too far into The pupils Find that frame again You like see how much we see of the eye of the white and Then the iris I think this gets to me almost a bit too far because you're almost 50% there And then that breathing at the end if that's something you're planning on putting in let me know School though nice progress. We'll like it like what you have Like your anticipation on the shape before he talks And as much as I want Couple frames taken out of this. I feel like we can add one or two frames to That moment mainly because you were so close to camera Or you might want to slow this down just as smidgen Yeah, it is overall be cool. It's I feel like this gets kind of lost anything we can do to show that pupil a bit more But I'll leave it at that. All right. Thanks. All right There's an email you can sign up you can start whenever you want you can submit whatever you want You get 16 submissions either way a like and subscribe would be awesome. All right. Thank you