 Okay, I'm gonna check this guy out here. Move this a bit. Alright, so it's cool to see now, all splined out, because you can now see your timing, some timing issues. Oh, it's mostly okay though, just through here. Yeah, it's cool. I think the main issue to me is beginning and the ending. So this, you can see how this is very, very slow, very, very floaty. You're up to here and you're ready to change this to three seconds in, probably almost four. So this should be done. That would be done. That's the timing of your sleeve bringing back, right? Okay, ready? Sleeves and go. Up until here, all this section, you know, it could be almost like twice as fast. So, you know, now it's kind of starting to get your timing down on, like, what's kind of the attitude you want to do is it kind of, you know, given that he goes, it's gonna be very decisive and then very quick move back for his sleeves. So that's your character moment there. Goes down and then, yeah, down there. That's all cool. I like all this. And this is getting there, too. I like this. That, the amount of speed is great. This is just a bit too fast still. Probably maybe twice as speed or, I don't know, 30%, 50% more. I don't know. That would go twice and then go down. But at the beginning here, it's good. It's just the transition is still fairly abrupt where if you look at your curve, it would be like, your Y would be something like this. And it's something like that. So really give it time to go to have a nice steady lift there. Oh, then here, I'll make sure that once you get to, boom, there's no pause here. This is going to go immediately back. So I bring down my quick time here. And you have this guy here, and I will go directly into something like this. And then this would be from here on. I'm going to cut this. It would be something like, whoa, like that. So the moment it hits him, whoa, go back. And then you would have to go like one, two, and quick steps right now. It's over even one, two, three, four. So give this kind of a one, two, you know, slow, slow, fast. So you have some contrast there, like, whoa, what's happening? And then we're getting control. It goes forward. Same thing here, like that. And then it's would be like the first big one because he is going momentum is going this way. Now he has to go this way. So that's going to be like a going to be a long, long stretch or he has to, you know, fight against gravity and everything that's going to be so slow, slow, fast, fast, fast, slow, fast, fast, fast. That's kind of the idea. And then you go, that's too fast. That's definitely going to be like, maybe twice, but frames. And then the pause here is good. Then start to go back. I think once you go back here, it will be in something more like that. Like it's really pulling him back. And not so straight. I mean, this is just the beginning. So it really has to be fairly back to pull him backwards here. And then the drop, this needs to be out twice as fast too. Or now that's too slow. Feel the physics there. And the landing will be, you know, as you get into this for detail, like I wouldn't make this flat. Like your guy will probably be something more like that. And then potentially his arms down and the head here. And then it would flatten the way you have it here and have go up and his arms would come with it, you know, kind of ragdoll and all awesome physics there. But that's it. I would definitely work on, you know, it's get those broader strokes of timing in there. I wouldn't worry too much about, you know, feet sliding and stuff like that. This is all, you know, this is all detail stuff to me. It feels like you got to have the main timing and the contrast and have a nice flow to the whole thing. And then we can go down and start breaking down poses, you know, like here, I'll probably bring down the knee a bit more in so that you have a nicer bent. So you don't want to have knees straight towards you, same with elbows. If you do a squint test, it looks like it's just a straight leg and short. Anyway, stuff like that. We'll get to that later. Okay. Thank you. All right. There's an email you can sign up. You can start whenever you want. You can submit whatever you want. You get 16 submissions. Either way, a like and subscribe would be awesome. All right. Thank you.