 Hey, what's up guys? Welcome to my channel. Today I'm going to uni. I haven't actually been in on Tuesday because I have appointments. This is my first day going in on Tuesday. So come with me to uni. Day five. It's what it sounds like on the floor again. I have to really get dressed the rest of the day. Kitchen drama series. Good. I would say this is in the realm of... I mean five of the producers are reading the log line and I just see this. In the realm of kitchen, some sort of transmission, or in any case a thriller of a personal drama. Okay? As you say drama. Drama means... In the industry a drama doesn't mean it's a tragedy necessarily. It's just the opposite of family. So a thriller is considered a drama although it's a thriller. So if I see this, I think either some kind of a thriller having to police or maybe even, you know, company, but something to do with the thriller. This, you know, this dark white-ish thing. This perspective to people in this strange, closed place. That looks like mentality. This is not even an interior. This interior is the interior of either a big company or a factory or one of these places where James Bond always ends up. So I can think of that. But I couldn't think of a personal drama. In no case I would ever think of a psychological drama or whatever. So now let's see the log line. And then the title, Highway. Yeah, log line. After two brothers run the van, they can no longer hide. So they must run out every obstacle they are faced with until they can't. Okay. Yeah, so this one, this gives a little bit more information because we know it's two brothers that made the robbery and now they are on the run, escaping. But the moment will come when they won't be able to escape anymore. So in a way it's giving me the idea that this is going to be like an adventure. Thriller, action, adventure, okay. Until they can. So this is appealing. So this is a log line, okay. It gives enough information, doesn't reveal everything. And you continue in the same line of corridors. Okay. Alright. Okay, that's really good. I like it a lot. Alright, so let's have ten minutes and two minutes break. And then you will, and then you... So we're doing great work. We're very lucky. Okay. Then just do the next episode. The wife is on the side of that. She's doing it again to come back. He has to pick between whether he's going after this one or if he stays along with the problem. If he goes back his wife and he's probably going to go after this one. He's gone. It turns total to the person now. So because, okay, the resolution is, yeah, the police gets them because of the call. They trace them and locate them. But in the midst of the raid, Shannon shoots the brother. And then she's, you know... So you are, you're like, getting into a more personal or a personal revenge on the part of the wife you should have chosen immediately. So, yeah, it's okay. This is okay, all right. Yeah, but it's a shift, I would say, in general. So now when you deal with characters, it will be very important to create characters that... Because usually you create the characters first. You think of the characters and then how... And then you'll create the plot because you already know the characters. But I wanted you to do it the other way around. I'm absolutely exhausted. I'm going to order some food. Get ready for bed. Thanks for watching this vlog. Peace.