 Hey, what's good y'all shit boy down for a down short friends and we're back for another k-pop reaction And I got the road back in the building. What's good y'all? I Do not have a catchphrase, but it is all good. I'm excited to be here been a while. I've been living life Trying to get it man. Take care of my mental health Fun fact been losing weight 430 last year. I'm down to 384. I know it don't look like it Sexual chocolate in the building anyways, though I'm really excited to be here with my home boy my homey ice man We'll be watching today. So today. This is what we got. So what we're gonna do is BTS might drop Steve Aoki's remix and official music video years ago. Yeah Yeah, yeah, you got a nice place in Vegas, too. Oh, wow So listen check this out. So we're gonna knock this out for y'all Let me know if y'all enjoyed this we trying to get our more music videos plain and simple So we just gonna go from there and get started and leave your comments and let me know why did you like this video? All right, so let's get started in three two one Which know what's funny I'm about to tell you my topic now Everybody uses that that video area. Yeah, like they did Batman in that and I'm ready about that DC life Yeah Now y'all know I know y'all know I know this choreography So I'm really gonna see what they do with the shots Yeah Okay, okay, okay, so one I love I like yeah, so I don't I don't do music videos But they use this type of setup more a lot It's it's really a good way to minimize your space. I guess it's it's and it's beautiful You have all of that like just shining down on your subject But I just love like how they start off and you know, it's this is these man It's okay. So, you know, you know what it is, but I love the close-up here I just I love all of that man. I'm sure him and his sister look just oh, yeah They definitely do but I love shout out to the fog machine that they used here You can see the two nights right in the corner right there And then I was wondering what they were gonna do with this now. It's called my drop So I'm sure it's about the is gonna be some cold stuff. Yeah, um, there was some symbolism of like They was in a room like they was being questioned and then it was Mike's and then it was a whole bunch of people in there Just bobbing in here. Yeah. Yeah. Yeah. Yeah, so they own you think they own trial or something, but I like Like, you know the transition though and seamless transition Well, you use the keyboard Push in wow Yeah Okay, I like that and they disappeared and they go home. All right. Oh, yeah. Okay. They protest But it looked like they had more in in the edits of fall. Yeah, you can tell it looks like Yeah Okay, so check this this transition is dope right there Look, it goes and I know what you know the color the color balance on there is a little bit more warm on this one Mm-hmm. Looks like they are in Was this a prison? To me like a prison Yeah, that's what I just wanted to see that I love that pop in. Yeah Yo, so you know why I always tell you all the time I like why it's so important to have your choreography together because when you have the camera crew recording That also plays an effect on the edits of the light in my opinion not speaking no facts of the transitions Yeah, because I'm a dancer and I really love that dance life that I do So when I since I know the choreography already, so when they doing the transitions what I'm paying attention to now Is that the camera get it? I'm not gonna lie to y'all I have seen a lot of film work where the camera crew was not connected to the choreography You gotta be connected and it's important for dancers with a choreography to be downpack Yeah, which is why y'all practice so much because just like y'all are blocking. Yeah as camera crews We have our own choreography as far as like how we're moving the camera So there's a certain way that you have to move to make the elements right pop or to make to really emphasize some of the Movements that y'all are doing so we're blocking our movements a lot of time We might have a steady cam but we're blocking how we're moving if we're gonna be tilting down Yeah, we're gonna be panning if we're gonna be pushing in or we're gonna be on a dolly Everything has to be very in sync It has to well on our end We have to we make sure we hire the best of the best of the camera operators But for the editor, right? Because every everything is like on a schedule or everything is like organized Down to the team right color gonna look like what's the shot? Seriously, you know, okay, what moving are they doing here? Okay, so when they do this We gonna be doing this and a lot of times we storyboarding too. So we're getting with the creative director Yeah of the music video. Yeah, and they're like, okay, so when he does that. Yeah, I need you to Because you notice I muted it for y'all cuz what he's breaking down. He's talking about these parts Yeah, so what he's saying is like how this is so important Y'all know we do that mute part where we just now we just watching it But just pay attention to like Choreography and don't worry. Oh, we're gonna go back with the music But just notice how clean the choreography is and the camera know Yeah, so you see Boom, right. Yeah, okay, and then he's about to yep now look at that. But you notice you see Hold on you see that like and on and it has to be so on point when we do the text that you So when he did it on that take when he did his hand like that on the next take He basically did the same exact movement. So there you go cut There you go be very seamless that transition could be very seamless. Mm-hmm. I love it. Yeah, I love it Let's run it. Let's run it back. Yeah, so let's go back y'all now. Let's just watch it with sound Just so y'all can understand how it makes sense because this is y'all love this band And it's like for us coming in we're we're telling y'all from our perspective like what we are what we know We work hard to do so let's get it So now watch it check it out No, it's the choreography knows the transitions and that's choreography on counting. Oh my gosh Oh my gosh, we're moving and everyone else. Yeah emotion behind them. Y'all see it This is what I mean. Everything got to be on we know this choreography y'all so we know with this space Oh, you see you see in the back Yeah, I like that. It's like It's like the last what's what's that guy the lack of some office is kept. Oh, yeah I'm in the behind them. I love yeah galactus. Yeah Look at that Hey, the camera crew really get in the choreography seriously mmm That transition is still tight It's still tight. So here's one thing. I really like I really like so one thing that I've been noticing At least in this in this is from other people that I've looked at I'm still a growing Really awkward One of the things I've noticed with dance is that there are certain levels that you want to have the camera In order to emphasize certain things. So a lot of times in group shots You either want to have it up But if we're trying to emphasize and show that the whoever we're showing has power You know saying you want to do more of a lower angle. So So you see It's see how it started off high, but I was low So you really you're really emphasizing the power in their moves. Yeah, and then I'm a That might that is more than likely a cut that they did in the post. Yeah Where it just jumps in but it's all it's all synchronized From the choreography Mm-hmm from the way it's shot and from the way that is edited the different cuts a lot of times They're cut on different parts of the beat There is a there is a pacing that goes with it. So I'm sure in dancing. There are certain So if you if it's a if you're trying to really emphasize movements, you might slow it down a little bit But if you're trying to go fast, you know, I don't know you still got to be controlled Same thing when it comes to putting together a music video at least from my experience The pacing all of that plays together. So Just making a cut slightly off beat will throw it all off You may not be able to understand why it is so shout out to the the production crew on this Because you know that me someone who's not a dancer This looks freaking amazing and it's all because their own point with their moves I'm sure that they had to be in something shape to be able to do multiple takes in these different locations Yeah, and the camera people in the camera department of the director all that the DP had to also be on point So I just wanted to take some time. Yeah, shout out to that. Ain't got to stay looking cute as you did. Yeah Unless it's that sweaty. Oh, yeah, you first brother. Yeah, they so used to be talking about a video going See how I was yeah, I open hours level now was no Yeah, everyone watch to the dance practice and we was talking about how the artist is starting to like when the artist Get the rapping or get the singing It's like you understand it like we're the focal point like that. So that that looks like they're that looks like The equipment room of a lot of camera department, I won't be surprised if it really is So I'm interested in the seed but you a but I'm gonna tell y'all this this is not an easy shot They have that. Yeah, watch this. So let's meet this real quick Watch this part when he goes into that room when he's being questioned notice the back notice the back right Look at his reflection. I did some research about how to actually do this shot. Yeah, notice how he came in That's that's not an easy shot to do in edit. That's that's not easy. That's that's I'm assuming they probably masked it, right? Yep. Yeah, they had to not 100% sure but If they didn't mask it or put some type of effect on it, you would see The camera person you would see the camera man. Yeah, because it looks so simple. Y'all look how simple it looks It's like oh, he's just right there, but look again. Like look at that. Oh, you saw that Back in there he jumps in the frame. Yep blocking Now he's coming in the frame. Yep. Same move. I love how they shooting this Now he's in the frame. That's a great. This is a crazy crazy Video if you really appreciate them pay attention to how the camera man and the crew is all together with the whole song You have a video Yeah, you like it. I like it. Yep. Yeah, Steve but look turn up Boom, I'm just like the transition. Yeah, the flicker. Yeah to that. Yeah And check the back look at look up there in the back shots like That's called design is probably one of the most number one things That's why I'm still learning set design you you get you a cold person who a creative director who really knows They stuff with the set design the background of your videos play equally if not more important a Part of a big component a big piece of a very dope-looking video There there are people who I mean, that's a big part of the budget But if you have a very boring background, yeah, they could mean the dancing speaks for itself Yeah, but if you have a very boring Background or the background doesn't really lend itself to the theme of the music video You know, it's just discombobulated. So shout out and so I'm curious to know How much is practical effects and how much is you know digital because that's a big that's a big piece too. So But yeah, but you see you notice though. It's more It's far apart, but it's a little bit lower. Yes, not. Yeah, it's a little bit lower So it's so you're really so you really see Most dance videos are kind of shot at a lower angle It is because because of the fact even though regardless of the height of the artist even the choreographers like it's still It's something about that shot that works because if you go back to Usher let it burn when he was in when he was at the end and he started dancing the camera was like like it was down and you see all the flames like let it burn and Actually to be honest with y'all What I know about this video that I noticed there were a lot of inspirations coming from Is you showed there's Kendra Lamar inspiration of Not DNA humble humble the way this is some inspirations of these shots You know I'm saying like the shots are similar not inspiration But more similarities of these shots because you won't be surprised the part of the directors and the team of this I won't be surprised if they have played a part in the Kendra Lamar You don't know yeah That's the beauty of this art form when it comes to filming because you can see inspiration through all music and all Sound of how people are filming stuff because look at that shot when I was watching this I'm like dark night. Mommy and Batman easily boom now. Mine's me and Kendra Lamar's videos and That whole capture and then I think BTS did something like this outside in a part when he was on a bridge You just notice all those shots So when they and you know BTS can dance they asked off and look how they got those shot perfectly like the car There is Another thing I don't want to take too much of y'all time But when it comes to the set design and the way things are displayed on the screen There is symmetry. So you got an video. They call leading lines. So there you go. I don't want to have So I wish we could do a graphic like we don't matter. I wish I doubt but you see so we got a Car these cars in the foreground is blurry You got this car here. It's also in the foreground and then you got so it's one two three I didn't want to and then you got two there. So it's it's and then you got a light pole and a light pole. So it's So I say it's all part of the set design. I didn't it made I'm just I'm not just talking here. It like I said that That was a conscious decision But when I'm talking about leading lines or you're I how I interpreted as you're leading the viewer To to focus on what's in the middle of the screen, but you still want to have The video you still want to have the set design or the background of the video made it so to it So I don't know. That's just something I noticed in the course. You know, you got the fire So it's just it's just a blazing visual pun intended for sure But yeah, and and actually every shot in this video has some symmetry to it Like I said the background the set design of Every shot has to it plays a part. Mm-hmm. It's not just random It is all meant to lend itself to the video. And so it's yeah, that's it We all go back and watch it every shot has that so That's just something that I kind of picked up on Noted Mmm That's my part even in a dance practice. That was my part That was the only part that wasn't a fan up in the choreography. Not even a lot of y'all not by the cat Yeah, I think that's why this shot tight Yeah And a lot of music videos use this concept with this type of shot. I can't remember who last person they use this Yeah So like I said, you got it's something going. It's it's not just a boring background. It's not, you know, so you got Bus back there. Yeah, you got I see what you mean though the balance. Yeah And now you know how to get to the climax just how they do the choreography There is the pace of speed. Yeah, it's going like that. Get that heart rate up Mike Mike drop Yep, that's all you need even then leading lines, right? Yeah, you got Yeah, I can see it Mike's here. I got the thing on the wall there. You got the two is symmetry You got two like two LED lights on that left side on the right side. Yeah, you got that thing coming I can't describe it But you know if we had to create storyboards like when we was in high school I remember drawing we had to make the box and take the lines and create that balance. Yeah, that's why storyboards It's so important. Even him look look. Yeah, you're right Pillars right behind them. So you look at yeah, so look the way that they shot that. Oh my god him being this is this is This is a beautiful shot to end it on um, and I think like I say it is a beautiful shot because I mean Steve Ioki he's a DJ right producer producer DJ. Yeah, okay throw cake in your face This is a good way. I feel to still show him love Because you know he DJ I think I think how a lot of times it's work if it's his remix That means he put his little spin on it put some flair on it, but yeah, you've got the panel lights above him You got him right in the middle. So he's the focus, but like I said leading lines each of these panels got Leading lines is symmetrical. You got one two three four five six seven eight 12 so it's in six and then you got the two pillars right there. Oh wow Oh, it's all that's not a that's none of none of these things are in music videos are ever coincidence I'm sure that's a given But there's a like shout out to the the teams behind these music videos because there's a lot of then That's why they get paid to big bucks. There's a lot of thought There's a lot of there's a lot of thought that goes into what these videos are gonna be even if it's just a Video of people dancing. Yeah All that acid of visuals y'all. Damn. I'm gonna be your slave. This is a no. You're a good video No, use it. Use a cinematographer bro. You talking you're you talking your shit. I love it man. Hey I appreciate y'all having me in today. I'm not on a lot of videos, but um, yeah y'all I'll make y'all do this because We freestyle these videos. We never like Tried to affect the pump like we want to do real review and reaction. So I didn't I didn't get him ready for this I honestly didn't like I wasn't ready either. I just we just turned it on. We like yo might drop in this Steve Yeah, so I'm a person who loves feedback. So any feedback that you have for me Any feedback that you have for what I was talking about or what I shared on this reaction video? Please put that in the comments And if you'd love for him to react to more music videos that y'all think was great of the information because I learned something and we worked together. So I just learned something that I have to pay attention to for our projects That I was like, oh my god, I didn't even think about that. Yeah, this is this is where I'm at in my personal journey I am learning more. I'm taking more time to learn about these elements So I've been taking a lot of time just to research this because I have been overlooking it and now I see I realized What one thing I really love about these videos is everything that came into it. They had different locations Um, but the choreography was tight. So that way when they was able to make them edits It was all seamless from the from the color scheme from the background from the effects Whether it was practical or digital It was solid, man BTS always has some them. They always have good videos. I mean, they always have great videos. So Yeah, thank y'all, you know what I'm saying and listen, uh other than that y'all, uh Announcements that from assume, but right now we just want to keep dropping these videos Like right now, honestly, we just want to keep dropping these videos for y'all summer coming out And I want y'all to have good content in the summer. So we just gonna keep it pumping But in that y'all we'll see y'all again soon. Take care Peace and we'll get y'all a long video Very like y'all like y'all