 Ευχαριστούμε και δεύτερα για ένα άλλο μπρογένειο. Σήμερα θα δημιουργήσω ένα 3-δημιουργείο στείμπανκ αόλ και θα σας δημιουργήσω την τεχνική μπροστά τεκνική. Είναι πολύ αλήθεια και πολύ εύκολο να το κάνω. Για την αόλ θα παίρνω με αυτή τη γρήγορα. Αυτό έχει πιο από 50 πιστικές πιστικές. Είναι καλύτερο και δύσκολο και μπορείς να τα βρήξεις ένα από το άλλο. Και θα κάνω ένα λίγο 6x6 κανβάς. Αυτό είναι ένα μπροστά τεχνική που θέλω να τα βρήξω από το άλλο. Η γρήγορα που χρησιμοποιηθώ σήμερα με όλα αυτά τα τεχνικά πιστικές είναι από Σερβαγγαμβόνθ, δημιουργημένη από Αντων Στρανιδάκης για Σταμπερία. Και δεν υπάρχει καλύτερο ή καλύτερο για να μπορείς να τα βρήξεις με το άλλο. Έχουν μια συγγένειά στο their website, η οποία είναι αυτή στην φωτοχή. Ενώ θα σας δείξω ένα πολύ δύο διαφορετικό σύντομα για να μπορείς να τα βρήξεις με το άλλο. Και η ιδέα εδώ είναι να έχουμε έναν τέτοιο, ως έναν οργανικό λευκό λευκό, αλλά το άλλο ως έναν μεκανικό σύντομα γιατί θα είμαι στο σύντομα τεχνικό. Μπορείς να βρεις ότι τα αφή σας θα έρθει ένα πιστικο, είναι γιατί η γρήγορα που χρησιμοποιηθώ από το λίγο πιστικές. Αυτό είναι πολύ εύκολο να το βρήξεις με ένα μπροστάτρο και όλα που κάνω εδώ είναι γιατί θα παραγγήσω όλα τα αφή σας, το χειρόλο της μικρής λευκός και τα αφή σας, και θα μην επιθυμώ όλα τα αφή μας στο σελίυμα, προσπαθούν να επιφαίνονται γιατί σαν το καλύτερο και γιατί μπορείς να τα βρήξω. Τα αφή σας είναι σελίπη για το στιγμό που έχω μέσα στο σύντομα, μπορώ να τα βρήξω και όταν είμαι καλύτερο με το καλύτερο που το βρήξω, θα μπορώ να τα βρήξω και να τα βρήξω. Σε αυτήν τη στιγμή είμαι ακριβώς παίρνω την συμφωνία που μπορείς να το βρεις. Έχω αυτή τη στιγμή κομμάτια στο σέντερο της σκέψης. Αλλά αυτό είναι ό,τι ήθελα να θέλω να παίρνω έναν τέτοιο διαφορετικό τέτοιο, όπου θα έχω μπροστά κομμάτια, ως μπροστά κομμάτια, με τα κομμάτια και όλα τα άλλα κομμάτια με τα κομμάτια. Λοιπόν, θα ξεκινήσω να κομμάτω σε κάποιες κομμάτια, που ξέρω πού θα πάρουν. Για αυτό μπορείς να χρησιμοποιήσεις κάποιες τέτοιες και τέτοιες κομμάτια, ή κάτι άλλες δύο κομμάτια. Άνω εδώ χρησιμοποιήσω ένα κομμάτια από Σαίμμωσες, και βέβαια ότι έτσι βοηθήσει πολύ για αυτά τα κομμάτια. Λοιπόν, θα αγγιωθήσω το κομμάτια για τα κομμάτια, αλλά έχω δύο κομμάτια. Είμαι να πάρω έναν λεπτικό αόλιο για μπροστά κομμάτια. Έχω χρησιμοποιήσει αυτό το αόλιο για να μπορώ να δημιουργήσω έναν λεπτικό αόλιο. Είμαι να χρησιμοποιήσω όλα τα βάσεις και πιστές από το άλλο αόλιο και να τα αξιώνω. Τώρα θα αγγιωθήσω έναν λεπτικό αόλιο, λοιπόν, είμαι χρησιμοποιήσω αυτά τα κομμάτια, και αυτά είναι πραγματικά τα πράγματα που έχω χρησιμοποιήσει από τα αόλια, οπότε δεν παράξει κάτι, μπορείς να τις χρησιμοποιήσεις, ως ένας της your composition. Τώρα, σε αυτή η στιγμή είμαι σκέψης από έναν λεπτικό αόλιο, αλλά θα δείτε ότι θα αγγιωθήσω και να μεταξύψω από το άλλο αόλιο. Παραγματικά, όταν βρισκόμαστε να δημιουργήσεις έναν λεπτικό αόλιο, δεν είναι καλύτερο ή καλύτερο. Παραγματικά, κάντε τι είναι πραγματικά στον αόλιο σας, και σε κάποιο περίπτωση μπορείς να βρίσκεις έναν λεπτικό αόλιο για να μεταξύψεις από το άλλο αόλιο, αν δεν θέλεις κάτι. Επίσης, δεν θα δημιουργήσω κάτι από το άλλο αόλιο, κάθε λεπτικό περίπτωση που αγγιωθήσω από το άλλο αόλιο ή που έχω στον αόλιο μου, θα αγγιωθήσω αυτό, γιατί αυτά τα λεπτικά κομμάτια που αγγιωθήσω θα χρησιμοποιήσω them later ως κομμάτια ή κομμάτια, θα αγγιωθήσω έναν λεπτικό αόλιο στον αόλιο της σκέψης από το άλλο αόλιο μου. Αυτό είναι το μόνο του αόλιο που θα έχει φίλες στον αόλιο της σκέψης πάνω και το άλλο αόλιο θα έχει τα κομμάτια και αυτό είναι το κομμάτια που θα πρέπει να πηγαίνει εκεί, όχι δεν θέλω αυτό να πηγαίνει από το άλλο αόλιο μου για το σχέψη που θα πηγαίνω. Αυτό είναι why i'm going to cut it out. Θα χρησιμοποιήσω να χρησιμοποιήσω το αόλιο και να μάθω ένα λεπτικό περίπτωση από το κομμάτιο της σκέψης. Δεν πρέπει να είναι πραγματικό και θα κάνω αυτό για το άλλο αόλιο και θα χρησιμοποιήσω τα κομμάτια να τη χρησιμοποιήσω. Θα χρησιμοποιήσω μόνο η λεπτικά. Αν θα το εξραφίσω από το νιώX και θα δείξω πώς θα τα βάσω τα κομμάτια μου και θα θα αποφασίσω πάνω όλα αυτά τα κομμάτια είναι αφαγημένη. Και εδώ είναι η ελπιση, είναι έφυγη. Από όλα τα κομμάτια είναι αυσά και ο λεπτυπός της μεταξύ της διτύχει πάνω τα άλλα τα οποία είναι αυτοσχερ+. Βλέπεις, ότι έχω δύο λογές σε ένα τελευταία. Στον αδελί μου αρέσει τα βασίματα και όλα τα πιστές που χρησιμοποιήσαμε έρχονται από το ίδιο κρήκο και έχω ακόμα πιστές που δεν χρησιμοποιήσαμε. Θα αφήνω να κατακόψω μπροστά μου τελευταία με τελευταία γεσο. Έχω κάποια σκοτή γεσο εδώ, που θα αφήνω να αφήνω με το φαράτο. Θα αφήνω να πηγίσω ένα πρώτο λεγό για να κάνω σωστά ότι έχω κοβεθεί όλα τα πράγματα, κοβεθεί και τώρα είχα πένει και κοβεθεί πάνω με τη δεύτερη λεπτά. Για να κάνω σωστά ότι δεν έχω κάποιες περιοχές που δεν είχα κοβεθεί. Είχα να είχα πολύ θόρρο με αυτή τη στιγμή, επειδή αυτό είναι πολύ διαφορετικό, και υπάρχουν πάνω νουξές και κρανιές, γιατί τα πράγματα δεν μπορούν να πηγαίνουν. Ένα άλλο τρόπο είναι να μην χρησιμοποιήσω ένα μικρό σπράγμα, αλλά δεν ήθελα να πηγαίνω εκεί και να πηγαίνω εκεί, οπότε ήρθελα να πηγαίνω με τη δεύτερη λεπτά με τη δεύτερη λεπτά και να είχα πηγαίνει εξαιρετική. Αν έχω κοβεθεί πάνω όλα τα πράγματα, είναι ένας kind of disguise all the dimension that you have, but we are going to bring it out with dry brushing later on. I'm going to leave it aside to make sure that this is completely dry, and while this is drying, I'm going to work on my main canvas. Since I'm planning to do a lot of work on the owl, I decided to go simple with the background, that's why I will use this lovely rice paper. Again, this is from the Ser Vagabond collection and it is full of gears, which makes it the perfect background for my owl. So I'm going to pick up a side, just turning it around to decide what I like the most. And I'm going to cut out the piece and stick it down. For sticking that down, you can go with a collage medium. You can go with your mat medium. I did apply a generous layer of mat medium here and I'm sticking on top my rice paper, making sure that it is nice and flat. Then I'm also going to apply mat medium on top, which is going to make sure that this is stuck down nicely and it is going to seal it at the same time. And if you end up having some crises or some bubbles on your rice paper, it's not the end of the world, just embrace them, they are going to give character and extra texture on your finished project. If you want, you can wrap the excess rice paper at the back, you can cut it out with your scissors, just tear it off with your fingers or even use a sanding block. I am using a sanding block here after cutting it out with my scissors, just to make sure that I have a nice and neat edge. Before I stick down my owl on top, I'm going to do some more work on the background, just to make it look more interesting. For that I'm using a stencil from the Sir Vagabond collection and I'm using mainly the part with the text. I'm applying over it some modeling paste. I went with white paste, which I'm going to spray later on and it's not going to show as bright as it is at the moment, but for this specific design I think that black paste as well as copper one would work great. So here I'm going with a brown spray to add some color and at the same time I'm coloring that paste, which I didn't want to look so bright. And what I like about this technique is that the color kind of nests in between those letters and it creates some shadows that helps that texture of the paste to pop out even more. Now I cannot stay away from splashes, but since I'm going for a steampunky look and feel I decided to stay away from white, that's why I'm adding splashes with my black gesso that I have thinned down with water. And finally it's time to stick down my owl. I'm going to give a good generous amount of glue at the back and this is strong glue and it grabs quite quickly. So I'm going to stick the owl on my canvas and let a few minutes for the glue to dry. And then I can go ahead and do the fun part, which is dry brushing. For dry brushing you need to work with acrylic paint, which is quite thick. So preferably the acrylic paint that is inside the tube. You don't want to work with fluid acrylics. I decided to go with the Vivace collection of acrylic paints by Stamperia and you will find the exact colors that I'm using linked down below. Now I'm going with an ivory color with a light brown and a darker brown. And these are the three colors that I will be working on for the side of my owl that is organic, that is the actual owl, not the mechanical one. I'm using this blue tape just to separate those two areas so that I don't make a mess on the other side. I will work with a stiff brush and I'm starting from darker to lighter. So first I'm going to dip my brush on that dark brown color and this one is called Terra Dombra if you want to know the exact name. I am working with a completely dry brush. This is really important. You can try it out on a separate piece just to make sure that you don't overload your brush and then lightly just go over the areas. Since I am working with dark brown over black you won't see much of a difference here but it really makes a difference in real life as I don't want to have black feathers to start with. As I am going lightly over my owl only the top feathers pick up that brown color which is going to leave all the nooks and crannies still black. Before you go ahead and do the second color it is really important to make sure that the first layer is completely dry otherwise the next color is not going to add some highlights but it is going to blend with the color that you have underneath. So make sure that you try it out and I am bringing in some light so probably you can see better how it looks. I am brushing out any paint that I have on my brush on just a piece of paper towel and I can move on to the next color. So now let's use that lighter brown this is called Biscotto and lightly again I am going over the feathers and the rest of the raised areas. The paints that I am using here are acrylics and they are the normal acrylic paints that dry nice and matte. I want that for the part of the owl that is more organic but for the other part of the owl where all the mechanical parts and the gears will be I will use metallic acrylic paint and you will see the big difference between the two parts. I am moving on to the ivory color with the clean brush which is again completely dry and I will lightly go over the same areas adding highlights here and there. Now this lighter color is going to make the whole difference. Dry brushing is a really fun technique the results are amazing and it really brings to life any dimension. To make it work just remember that you need to work with thick acrylic paints and with a brush that is completely dry. Also remember to dry every layer before you go to the next one otherwise all the colors are going to look the same since they are going to blend. Here I am working on the eye making sure that I have a white bigger part and then on top I am going again with a darker shade to finish it off. I am really happy with the result and let's peel off the masking tape so you can see the difference the before and after. It really brings that owl into life. Now I am going to make sure that this is completely dry and then I will place that masking tape on the other side of the owl so that I can work on the mechanical parts. Now again I will use the exact same techniques but this time I am going with metallic acrylic paints again paste which is nice and thick and I am going with silver, copper and gold. I will use the same brush I have cleaned it out and I made sure that it is completely dry again and I will start with my silver one going over the gears and you see how it brings that to life. I am also trying to catch the light for you so you can see that it is metallic and really shiny and this is where I didn't want to know if I wanted to go with copper or with gold for the rest of the composition. So I am going to try it out. There is nothing bad about trying out on your project directly the colors and this is exactly why I built off the masking tape so that I can see how it looks altogether. So I am making sure that the first layer of silver is completely dry and then I will try out another color on top of the gears. I am just cleaning out my brush and I will go with copper just here and there. If you don't like something you can always go back on top of it with black and kind of erase it and start all over again. There is no mistake here. So I didn't like just the look of silver and copper so I am going to give it another go and this time I will go with gold and I will not like the look of gold either. I felt that it was very shiny it was too bright, too yellow I would say and it doesn't blend nicely with the rest of the colors. I decided to leave those trials and errors as I am doing that on my project so you can see that nothing works perfectly from the first try. Just remember this is not glass that is going to break. There is always a way to save it. For example in this case black jesso is your friend. You can go over it with black jesso and start all over again. So back to the project and what I am doing here is mixing gold with copper and I like that look better. Of course I didn't cover up all the gears just here and there and now I will clean up my brush make sure that this layer is completely dry and I will go back to the silver. Again lightly I will dry brush over some of the areas and I like how it kind of disguises that yellowish look of the gold but you still get that color variation. And this is where I was absolutely happy with how that looks and I love that half of it has a shine while the other one is completely matte. I think it really adds to the finished look. With video editing it looks as if I am not thinking at all and I start a project from start to finish and everything comes so easy to me. This is not the case. I just struggle with decisions and here is me trying to decide if I want to use a glass eye or not. I decided not to because I am super happy with how it looks and I am going to leave it just as it is. In the close-up photos at the end you will see some details like I will have some rivets or screws and bolts here and there which aren't real. All I did was to use my NuvoDrops directly on top of my project and I forgot to film that part so I am just going to show you here on a non-stick craft mat. I just add a few dots directly on my project and leave them to dry to the touch. Once they are dry to the touch then you can use a tool to poke holes at the center or to create lines on the top that will look like screws. It doesn't have to be a black NuvoDrop any color would work since once they are completely dry you can go over them with black gesso and it is going to blend nicely with the rest of the dimension on your project. So this is a step you want to do before dry brushing. Now let's add some finishing touches before we call this project done I am going to add a few gears on one corner of my project and I like to put them together in a way that they look connected and as if they would work if that was a real thing. One thing that I absolutely love doing on my mixed media projects or my art journals is to add a quote. For this project I decided to go with the phrase that says most of us have gears we never use and I decided to go with the word gears quite dimensional that's why I cut out the letters and I just used an alphabet tie that I had in my stash and I did cut out many of the same letters so that I can stack them one on top of the other to have kind of a thick era look. They look like chipboard alphabet letters but they really aren't they are just a cutstock stuck one on top of the other, layers of cutstock. I didn't have any chipboard letters to use. Now to bring everything together I am going to repeat the same technique that I did on the mechanical part of my owl so I am going with metallic paints and dry brushing over the letters and the gears first with silver then mixing gold with copper and then one more layer with silver on top. Isn't she just gorgeous? I am so happy with the result anyway I did print out the rest of the phrase on my printer and I went with white letters on top of black just to make them sturdier I am going to stick them on a thin strip of black cutstock and then I can stick them on my project and you already know that I love details and that's exactly what I am going to do here on both those phrases I am going to stick tiny little chipboard dots. These are just leftovers from poking out and cleaning out the gears from the gray board but once I stick them down and color them black they are going to look as if they are nails Once the glue is dry just go over them with black paint and then once this paint is dry then go over with silver just a touch that I didn't even use a brush I am just going directly with my finger and here it is my finished project for today a steampunk owl a mixed media project that I had so much fun playing with this one is going to decorate my craft room and it's going directly on my wall here are some close up photos on the project that I made for today everything I used is linked down below I hope that you had fun that you got inspired don't forget to leave me a comment to like and subscribe but if you haven't done so already because that's the way to tell me that you like my videos and you want to see more thank you all so much and have a lovely weekend