 Hi and welcome to the part 2 of this test series long overdue. It just takes me a lot of time to actually get to it I'm just a part 2 we were testing the lower lens with the anamorphic ray element and Against the Leica Sumo Crohn's and the Canon CNE's There'll be a part 3 for this video also where we actually compare the Canon CNE's and the Canon Sumo rays and Yeah, but Shout out to Yinka Edwards who actually made the Leica Sumo Crohn's for Also available to be able to test it in this video I would leave his contact information and details should you need to rent it because Sumo Crohn's amazing lens that you can see from The shot we actually current the viewing with a single bokeh and the sharpness and the fall of the happens across the field you could see how The lens tends to possess a door tone character of cool shadows And also like Me tones now this is the Canon CNE on the T2 and You could see how they all compared to get a similar because we actually testing simple what we did was that we had to Test the same focal length across that we actually the same across The lenses we're testing so we could get as close as possible to unicing in terms of what we're testing Now you could see all three of them stack up on 24 25 and 25 T2.9. You could see like the lower has An interesting warmth that and this whole fall off soft focus fall off, but the bokeh's not a large I'm I'm guessing that that's attributed to the fact that It's the stacking of the zoom element as opposed to the Leica Sumo Crohn's and also you could see how the lower attempts to flare on the 25 mil which You could notice that it doesn't have too much It has a cold shadow and also like elements and some other interesting characteristics that actually comes to the flare When we Go to the Leica Sumo Crohn's we will see this strong very Blue push that happens in the shadows That's not actually contaminating the skin tones and I really think that's really beautiful because it just reminds me of Settings I would do like If I was supposed to shoot like a rom-com this would my go-to glass because of some of the tones that are debuting to the glass itself and actually building to because right now there's just a lot transformation and That's it. There's no color correction You can dial out this blue out of the shadows in color correction if you think that that's too much This here needs more neutral like you can actually see It just possesses a neutral tone and it's great because it gives you a base That you could actually start building and stacking characters using filters in front of the lens to be able to create your own characteristics, but it may not affect the flare that much though because I think more of a flamethrower and elements have to do with internal structure and not actually What's in front of the glass because that could probably just end up diffusing the scattering light and doing stuff Which may not may or may not be the desired intent just in case though But you could see how the Sumochrom has cold shadows the Leica has subdued till in the shadows And I'm the law actually was one had subdued till in the shadows, which you can actually see here One thing I like about the law lens is how it pulls the background in It doesn't have the big vocal elements that other prime has I'm guessing that's due to the amount of glass that elements that's actually in the beauty of the lens There's this compression that happens between the tree and the chair when you actually compare it you could see here how the chairs and trees like push back in the same 35 and You could see the larger vocal elements and you could see that cool tone in the shadows and the warm skin Which is really really really pleasing and focus fall off and you can see how you have like cut-eye Bokeh towards the edge of the frame while at the center of the frame the bouquet is more consistent and secular Same thing of course with the Canon, but it's more neutral and color tone. It's a very much neutral glass as opposed to The Sumochrom itself or the law law lends more to the vintage the Sumochrom is somewhere in between that's how it characterized it and The Canon is more clinically clean you get and all of them have their own individual use You can see how fairly sharp it is and how they actually Respond favorably like from what I'm seeing on this image. I'm gravitating more to the law though I'm guessing it's due to the warm element because if you look at the previous test without a warm element The glass just looks bare like but with the way element attached justice It adds both a color shift and also some kind of softness that actually happens like it's still fairly sharp it's and but it's not like as As sharp or as very hash as it was I think that's I don't know the correct Or to actually start to put that effect, but I'm watching this off the larger screen I possess in 4k so some of these details jump with me if I had like a 20 feet projector That'd be like another place to actually check out This test so you can actually see as for chromatic abrasions though during the high contrast elements during the edges They did not exhibit anyone in this test though, but I do know as we progress more Interestingly the glass tends to Gets to like for the law at the glass gets to like fall off on the Verify end of the zoom like when that happens But for the primes they all perform pristine well over on the 1 to 5 like They just hold their own very well, and that's like interesting because if you actually get to stop down the lower on the 100 mm end Which it actually has poor performance like a T for most of that softness just goes away And you actually have like a very sharp pristine glass But your flares become more interesting as for the zoom lens because as you go more into the telephoto region You get less characteristics more of it's a lot more control. There's no Much of very lean or lightly so elements it just gets more controlled now We are the 50 we can see the focus now fully secular because to see a little bit of stops Stop sign shapes that's actually there But we could see how it's meshes into the background and how the rendition of the focus across the screen when it goes Back to focus just falls off of the character in a very soft and cinematic way at least from from what I can see when As I'm watching this see how it holds Sumochrom itself you can see how fairly sharp it is on the black screen and how how it actually The the tones beaut into the glass comes in really really beautiful You could see the cat eye shape bokeh now on the 50 focal length and you could see how It actually holds the highlights when compared to the Canon cn is who's a lot way way way much neutral You get this actually representing the characteristics of what we shot in terms of white balance or true to eye You get how close it was to what we shot as opposed to The color shift that's it's been introduced by the glass element. This just goes to show that There's another layer of influence that we could influence our images by the glass choices And which is why we do this test to discover we get to see happy accidents or things We may like or may not like you get and tells us why and when we could use each tools For what we intend to do you get and most of this was shot at the loud shot Throughout wide open, but the cannons they could go further to like a T1 to same I think they like it stops as a T2, but I just kept for a folk on fair comparison and consistency I left the now wide open and Left the prime glasses at T2 so that we could actually track consistency between The prime set against the zoom you get you can see how How it rules off the highlights in this flat test and how you can see that the clipping doesn't just falls off in In the love then also that also happens in the like a summer crunch You get it still doesn't fall off It does this very beautiful role of they can see how it goes into the light source that you do not It doesn't just fall off the edge like a digital signal. You get I wouldn't say it is as much filming because Looking at film film has some green element actually also plays out that makes it a little more organic But in this place it doesn't feel like digital clipping. You do not feel that open on the cn is The can on cn is the same thing happens. You do not feel that you just have this smooth veiling fall off that actually happens On the highlight actually present all beautiful like all three lenses present very beautiful roll off So it now comes down to okay. So what two will be right for Me or depending on the project. I'm shooting what two am I going to be bringing to the game? That will actually help push the story intent further and I believe that's we as creators We actually lean for like how come bringing trust and characteristics into the image That will be able to push the story more further to the vision of the director or to the vision of the story itself and Making all that come together with all these technical choices Part of the things we're exploring now. This is the 17 mil one of the favorite close-up focal lengths because the characters were like 12 feet away from the camera And here you get to obviously see the lens compression. I'm talking about How it actually pulls the character in when you compare it against the 75 mil from the Like a sumo crown and also the 85 mil from the Canon cn is you get to see that compression. I'm talking about it just Brings the space pulls the background in a little bit closer you get There was a test back then the chain Did which actually was actually obvious? Well, we could see that like I had a different compression on the horizontal lens of the face But in this test here, I don't think that that's Apparent due to the comparison because the lower is actually squeezing on it 231 using the rear anamorphic element. So Compared to the very subtle squeeze that happens on the sumo crown It's not that obvious to notice now on the shed you could see now We now start getting some chromatic operation On the on the glass like as we pull in further because we're not having like high contrast edges And which is not well that worse to actually could actually clean that up if you If you actually choose to because some of this is easily down out in color correction that you could actually move forward for me. So It's pretty interesting how Different manufacturers have different Secrets us that you could just That contributes to the image aesthetically And this goes a long way to actually influence Look up the show not just the filter you put in front of me This lenses has no prowess has nothing other than just bed glass in front of them I we can see how faring the characteristics effect of each manufacturer's glass is on the same image and And this just um speaks to The varying amount of genuine choices that now exist in this fair you get The canon costs about 124 grand to actually pick up like the full set the sumo crown costs somewhere from 55 5,000 on the used market to as high as Probably 70 something thousand to get like a set on the used market and the law cost somewhere around Um 6500 or 800 depending on your where you are shipping and taxing on screen When the image comes like on screen you can't tell you can tell like there's a difference but the difference is not like a a scenario from textual quality it just comes to It just speaks to the fact that um in this day and age is almost no excuse for creating beautiful images Because a lot they have like an amazing design that actually speaks to the characteristics of of the image itself that they actually I'm putting out there Which could be a great entrant and it's not just a pushover tool from what you can see in this image It's like it's clearly and totally holding it's on And also the smoke runs himself It's not for his shot because they are super amazing and beautiful that do out one characteristics And how the flair and the cannon themselves are being in the neutral tone that gives like a Black canvas you can actually now start to layer in the stacking because it glens like the law that's already This beautiful you would have to be careful and not just slap the soft effects on it or whatever you do You have to be careful of the strength because you could totally throw the lens out of whack because the lens itself is really really pretty This is the hundredth meal that I said my teacher when I can see how soft it gets When whereas if you get like stuck down in the bed, you get it gets it becomes way much sharper And it's it's quite interesting that he's there in the age that's um High quality glasses now become becoming regular available. So If there's anything I'll be telling you if there's any questions you have I would look forward to your thoughts and Catch a quick break up Yes, and one like the value on the screen against Decorative intent that would be one to use as glasses so big shout out again to yinka for providing like a summer crunch for us to be able to use for this test and Um, yes, I would look forward to your comments. Tell me what do you think if you do like content like this, please subscribe um If you have any questions leave them in the comment below I'll be I'll do my sure best to answer them as quick as possible if you do have uh any remarks or If you hate the video leave it a thumbs down if you like the video leave it a thumbs up Until next time because the test is just going to wrap up or leave you in a bit to actually like just go with it till the end um We'll see ourselves again. Okay Until then peace out. Thank you very much