 What's up guys, welcome to another episode of Basledic Week 1. Today I want to show you how repeating riffs can make you sound better and very, very entertaining instead of you just adding so much or putting so much on just one chord changes. Let's get started. So guys, now riffs and phrase, you can also target as phrase, riffs and phrase they also work hand in hand. So the essence of repeating riffs is to create a reading that will last longer in the mind of your audience. Okay, so as simple as this, let me give you a simple example of what I mean. Now I pick a groove, I'm on key B. So I pick a groove, I'm doing something like this as simple as this groove. It's kind of empty, right? Now I want to create something that will also add color to this groove that I'm playing. Now I'm doing that. You know, as simple as this, I've already started creating something, creating reading that will last longer in the mind of my audience, right? This alone, I've started entertaining my audience. So the riff I brought out there was this, the reading I brought out there. So as simple as doing this. What I'm doing, I've already started creating some reading in your head. Okay, so it's better to keep it simple this way than for you to start displaying everything you know. You want to run with it, you want to, as you're playing the scale, you want to apply the arpeggio immediately. You want to also play the chords and everything. If you have the free time, you can make use of it. But what I'm saying is keeping it simple, okay? Keeping it simple, making your audience to go home with something that they will never forget for a long while. Than you adding so much. They can't even remember exactly what you did on stage. You know, things like that. Keeping it simple this way. It's better than you doing this. You know, the riff that I played first speaks more volume than this. Okay, this one, they can't really take it in. But the one I played at first. It stays, it goes home with them. Okay, they enjoy your performance, they enjoy your playing. Get it? So now back to the song that I played earlier on, the worship song that I played earlier on. I want to show you what I did. I used more riffs on almost all the chord changes. Okay, so this was the key. B. And the progression of the song is warm. Five, six, four. Honest of annotation is my dough. So, la. Okay, so as simple as this progression, now let's create riffs on the progression. On each of the chord changes. If you notice what I did on that song, the first movement I played, the bass line I played was this. I took the same pattern, the same movement to the five chord. I took it to the six. So this is my riff there. With the ghost note underneath and everything the percussion underneath, that's my riff. Took it to the five chord. Also to the six chord. Okay. Okay, that's it. As simple as this. This is registered more in the minds of your audience. Take note of those things. They really go a long way. Okay, so that's the first bass line I played. So what I was doing there is octave, octave, then... That was the first riff I created there. Now the second one I did, I did this. I did something like this. I repeated it one. Landing on my five, the same thing. On my six, I repeated the same thing. Yeah. See how I used the same riff. So I was also including the ghost note underneath, under the move. Okay? Under the riff. That's the riff. Okay. Move to the five. Move to the six. Third one I did there was... What I did going to my five chord. That is what I did going to my four chord. Okay. The same thing I played on the five. That's what I played on the four. So these things can be repeated. So you take note of those movements. When creating, don't add too much. Create a lasting reading that will last longer. So I'm going to recall everything again I did so you can practice it. You can go work on that. So the first bass line I was using octave. Don't forget the ghost note underneath. So I'm doing... I took this movement to the five. I took it to the six. I took it to the four. That's it. With the ghost note underneath. And that was it. So do... So... La... Fa... This has gone a long way. Now the second movement I did there I did... Okay so... One, one, five, six. One, two. Land on your five. Five, five. Two. Three. Five. Land on your six. Then six, six you go. This is my six. This is my two. This is my three. This is my four. So that's why I can go. If you notice the six shape is a bit different. Where I played the one and the five. The six is a bit different. So this is my one, two, three, four. So the six I did. Six, six, four, five. Let's figure out what note is that. This is my six. Six, six. Six. Six and one. Six and one. Then four. Then four, four. Then one, two, four, five. So that was what I did. So do, do. Soladoré. Sol, sol. Remi, sol, la, la, la. Okay, so that's it. So the three I did this. So octave one, one, two, six, two, five, six, five, five. Then I go. Two, three, tap. One, two, tap. Six. Then you go. You repeat the other riff again. What you did on the five, you repeat it on the four. Leading you to your four. So I started from one, five, one, four, one, five. So try as much as possible to also bring that ghost note underneath. Okay, this is everything I want to show you. Okay, so if you're new to this channel, please do not forget to hit that subscribe button before you leave. Turn on the notification bell, okay? And so that you will get videos, new videos I upload every week so that you can easily get them without stress. And also if you need private lessons from me, every information is right there on the screen or in the description below. Okay, chat me by WhatsApp, send me an email. It's going to be a live section, Zoom live section. I look forward to see you register. I will see you in my next video. Peace out. Bye.