 Are you ready, Jeff? Yep. Are you sure? I think so. OK. Sorry, everybody. Yeah, sorry, that live stream just stopped working. Not sure why. Actually, I know why, because Rebecca was calling me. Unbelievable. Doesn't she know? You're a busy man, and. So it's amazing how dark the resin makes the wood look. I love the colors. It's black. I was going to say, this one is like black. This does not even look like wood anymore. Yeah, before I resin it, you could actually see the wood grain underneath, but now you can't. Wow. Yeah. So I'm just spreading this out again, just a thin coat to seal it. We're done these two. Yeah, that's how dark it's going, eh? Yeah. But I like how it's still keeping that big texture. This one's just soaking in like crazy. It's just going right down into it, eh? Yeah. We're back, everybody. Yeah, sorry about that. I don't know why the phone pooped out there, but we're still here. We're just going to finish off. Yeah, we're just spreading the resin out, then it'll run a torch over the painting one. I'm not going to bother touching the wood one, because it's just a thin, thin coat. Yeah, would you prop, I don't know, would you sand it, then? You don't need to, I guess, eh? I think I'm going to sand it, then, just to make sure. You might not have to, because there is so many divots in place for the resin to grab on to. Mm-hmm. But yeah, it never hurts to just sand it between layers. You can just a little bit, just to make sure. I know Alexis' technology sometimes can be the enemy, as opposed to it opens up the world, and then it shuts you down. Yeah. Well, this is nice, yeah. This part is unburnt, and then you're, that's like this gradient. See, here, let's see where's the gradient. So unburnt, unburnt, then you get to the burnt part, and there you go. I like this gradient, though, from last time. Yeah, that's nice. That's nice. What's it called again? Red heart, purple heart? Purple heart. Purple heart, purple heart. Amen, from Massachusetts. So this one is totally so good for resin. So, this one, yeah. Thick and heavily textured, eh? Like this one's good. Yeah, I didn't even, I'm going to steal some resin from the other ones. Oh, wow. There's a guy just walking his dog, and he's a Broncos fan. What sport is that? Football. Nice. Very important, so I know what NHL is in playoffs. Yeah. Montreal, the last Canadian team, is looking, they've got a 3-2 lead, and then they should be facing Tampa Bay in the final. And so that'll be that. Yeah. Basketball is into the final. Oh, really? It's almost in the finals. There's a few teams still fighting for that final appearance, and then baseball's in full bloom, about almost halfway through the season. Okay, it's baseball. Football starts in September. But yeah, it's all their training camps are starting now. Yeah. I cannot wait. Football is it. The Cowboys are in the team, right? No. Really, I thought it was Dallas. No, that's everybody else in Dallas at our warehouse. No, I'm Indianapolis Colts. There he is. There he is again. Browncoat fan. Oh, and he's looking at our heart. I'll talk to my dog. Yeah, I don't want to. I don't want to see himself or his dog. I think he might be on a phone in his ear. Yeah. Just walking with a big coat. Yeah, as you do. Yeah. Okay. All right, so Dave's just rubbing in, as you guys can see, just rubbing it into the wood. Once again, this is not the final coat he's wanting to do, he's just sealing the wood. Yeah. And again, just pointing out how dark the resin, like before we had a resin with the Shu Sui Banh, you can still see the wood grain a lot more, especially in that one. And the resin just made it go dark a lot. Yeah, this is just gone. Like there is. Yeah, I kind of hope that will do it. I really liked that you can see the wood grain in this before we resin it. But this is still going to make an interesting background for something, I suppose. Well, it's a thing. This is cool. But stay tuned, because Dave will just, once this seals, Dave's going to sit back and figure out what he wants to create with them. He's mentioned coasters for a couple of them and backgrounds and stuff, so we'll see. Yeah, and this is just an experiment to try out the technique and use it on different woods. So like this is hard, this is super hard wood. And these are soft wood. Of course. In the forest. Here's, and we have the birch panel. No, the resin pour is our seal, Michael. That was good. Get right into those divots there. Yeah, at least this one, this one really holds its texture, obviously, because it is. Yeah, that's great. Yeah, I do like a couple of looks. This is what you do with this. That is the question. Okay. All right, so I'm just gonna. Torch? Yeah, see how the bubbles that came up, which is perfectly normal. Yeah. You were just doing a video on warm weather and resin, right? Yep. Is, was your conclusion that you have less bubbles when it's warm and it's running here? 100%. Yeah. Well, you gotta worry, yeah, if it's too warm, if the resin, if you're working with resin that is already warm, like if you had it out in the sun, maybe from a delivery, or if it was in your car and it was warm, you wanna bring your temperatures down to regulate it back to normal between 72 to 85 degrees Fahrenheit just because it warmer it is, it's gonna cure faster or as you pour and mix, it's gonna get thick right away. So in order to work with optimal resin consistency, you want to have your temperatures controlled. So you don't wanna be working with high temperatures. Like room temperatures? Yeah, yeah. Okay, you gotta get in the way of the bubbles? I'll find, I wanna see the fire, yeah. And bubbles, I got them. All right, where do you want them? Right in the middle of the eye. Oh, God. There you go. Give her. Hey, Donna, wanna go over here and do these? Yeah, we'll sand it down, but this shows off how smooth it gets. Looks good. Nice. Okay, so we reviewed the marble, and so next Wednesday we'll do another technique. So this is from last week, our marble countertop technique. So we reviewed that, we showed the phone case that we duplicated and made with the exact same marbling technique using mold-making material. And today we'll explain with shoo-shoo-key bottom. What do you want to do next week? Next week we're gonna do another technique. So this one's marbling, yeah. That's what we're gonna do, okay? We'll do that and we'll find something else. If you have any ideas, give them in the comments, but there's always stuff to resin. Maybe this makes painting. I know. Hang on to that. Isn't that beautiful? That's so good. Here's some feathers. Oh, didn't we do this live? I don't remember. There are feathers. Here's some tapes. Oh yeah, this is like, so we did with mold-making material. We took old cassette tapes from the 80s and duplicated them, and then we turned it into artwork. Let's put it out there. So we're doing a lot of that. That's one thing. Oh, I just, we made some coasters today. Hannah's also experimenting. Then I hope I didn't ruin it. Oh, okay. Oh, I'm sorry. The back of the oil painting. Yeah, when did she do that one? Beautiful. Yeah, it's beautiful. And it's a picture she took. She just painted it out of oil. Were you gonna resin it or something? I saw it out. I brought it to show, actually, it was just using it as a shot in the background because it hasn't been resined yet, but no, I'm not gonna resin it unless Rebecca wants us to. What else can we show people? Well, we did the, have you guys watched the pointillism and Rebecca's plaster pieces? Cause if you guys haven't seen these videos, this, you're sure these did. These are awesome. Yeah. Like I'm obsessed with this myself. It's a fun technique. Full plaster. You got from a hardware store. You putty it on, use the backside of a paintbrush, draw out a simple shape. And then I guess this one was done with resin and tint. So I was, yeah, just literally, she colored it with resin, like tinted resin. And this one was with acrylic paint. Yeah. It's just a fun, very tactile project. And we were just talking like, literally, Rebecca did so many of these, right? There's your pears, apples, all sorts of different things that she used to sell them before. And Tracy said she saw a pair on Big Bang Theory. Yeah. So it's possible. It could be Rebecca's artwork, could have been on Big Bang Theory on that stuff. Yeah. So she, Rebecca used to do art shows and she would make them eight by eight, just with like fruits, a hot pepper, some cherries. And she would sell them for 25 bucks and have this big display alone. And when people go to art stores, like just 25 bucks, but they like to leave with something. So that was very successful for her when she was a student. That's really cool. And I just love how you can, you can do the plaster and do it so many different ways. This is just, this is two different ways of coloring, but you get two different styles and, and look, see how, because with the resin, you get a whole pooling mixed with some things. So it just, it's a different color, colorization. It's really cool. And then there's, there's another thing that Hannah focuses on, pointillism. So anyway, look at our, if you go to our YouTube site, you'll see all these videos. This is just straight dots to make these patterns. And then this was Rebecca's plaster pieces. So yeah. And this one, so each one of these is our resin and resin tip poured into a mold to make these. And we'll put together this nice heart. Yeah, that's cool. I'll put up Josie Lewis to be here and I'll put that. Yeah. Yeah. She's ridiculously talented. Yeah. Thank you, Alexis. It's nice. We'll pass it on. Her art is very good. What else do you want? I think we can end it. I think we've got to call it. Thanks for watching. Sorry about that pause in the middle. And we'll see you next Wednesday at one o'clock. I hope you have a wonderful rest of the week. Bye-bye. Bye-bye.