 Well, first of all, I got an invitation, I got a phone call, like we said, we were likely to create this very important award and I was almost immediately filled with elation, but there was a certain amount of trepidation as well because, you know, there's a lot hanging on this award. This award has to rival all the other iconic awards of the industry and also of the world. What ensued was a long period of conceptualization, which is typical when it comes to receiving a commission, especially one of that magnitude, and typically I will come up with about three to four sketches when I'm doing any project. For the Jimmy's, I came up with about 18 sketches. That's how much I wanted to get it right. And a few of them was shortlisted and what we have before me was the actual Jimmy Awards image as the winning sketch. They approved the prototype and then I had to scan it, you know, so I used a bit of technology to scan the prototype and to render it in three-dimensional form, you know, digitized three-dimensional form that was then sent to my foundry in China, who then rendered the free version of the sculpture in plastic and then from the plastic version of it, there's a whole process that had to be undergone before we arrived at the bronze process. Every time someone holds a Jimmy Award, I'm smiling, you know. So there's that everlasting connection that I have with this award and I'm extremely proud to be the artist who have created this.