 Here, can you just do it then, since I'm on a camera ready? I'm not doing it, it's recording. Are you sure you don't want to can do it, since I'm a homeless person? You said it, I didn't say it. You didn't say it this time. So those were colors. This is for? This is for Judy. For real direction on this, I just want to base colors, since I'm using a lot of inks. So it'll give an extra layer of depth. Doesn't have to be perfect. In fact, I'm guarantee it's not going to be perfect. Flares that I'm using are Peacock. Peacock-y. Peacock-esque. I have to spray that. Full disclosure, I'm not the best spray can. Jeff is, but I have the lead on this piece. So I'm scared, but we're going to make it beautiful. In no way is this probably going to be the flow of the painting. It probably should be. But you can't really predict what Resin's going to do, so all you can do really is pick the colors and agree with it once it decides what it's going to do. Will you help me? I'll call her too, I'm going to be hot. Will you help me? No. Why? I'm going to do it on your own. Flat looking pattern. Action. So you guys, I'm super pumped because I'm finally going to get to Resin this two foot by three foot Peacock piece that I have. We wanted to do a larger one, but Judy ordered a large Peacock, and so that's what we're going to give her. For this we're using Embaritex Light and we're starting with a 32 ounce kit. It shouldn't take 32 ounces, but we're going to flood it. And we're using this color palette, a la Peacock, and I will link them all in the description box below along with all the other materials that we use. So let's hook you guys up to the this. So we're just doing 8 ounces for just the clear. Yeah. So let's take you guys to over here so you can see the mixing magic as it were. Sorry everything's, you know, like a paint studio. So because I did such a wacky, crazy base for this with spray paint, which I will link right here. So since I did that, I'm going to do a lot of clear on the base so that it's visible because while I am using a lot of inks for this, some of them are not inks. So they're opaque. I want it to be visible at least a little bit. The inks that we're using are from a lot of different people. Actually they're almost all from different people. So I'm super pumped about getting to use these pastes from La Rez, Susanna Danx. You got it right, that's what I'm going to think. I am also using some of her Micah Pigment Powder. I'm also getting to use some of her Micah powders. Super pumped about that because they're like ground up gemstones. This looks like ground up amethyst. Jeff is going to apply that, is that like anyway, doesn't have to be like super thick, like solid layer, just want it to show. So this is the other 24 ounces of resin. It's really bubbly because we just mixed it up a whole lot, but we'll handle that with a heat gun later. Now it's time to divvy out the resin into the different colors that we want to use. I'm not going for a whole, whole lot of like a brace of gold. So we're not going to do as much of that as we are some of the other colors. Judy's favorite colors are teal and purple. So those are the colors that we're going to do the most of, which would be this one, this one, and this one. Blue color, we're going to use Sapphire, but we're going to mix in a little bit of sparkle with it. Oh, they're right there, on the bottom of your painting. With these paste, it doesn't take a lot. I'm probably putting more in than is necessary, but. I would say just let it set, see what it does. And just do like, do like a flood coat with that teal, the turquoise just kind of in. So it makes this deeper, it goes over some of this, it goes over some of that, makes it a different green, some of that, all that white.