 Yeah, we on Boss Talk 101. You know what, I don't want to hear that. We got Zayn in here, man, let's get to it. Yeah, Zayn, so how did you end up on BMF? How did you end up dealing with a 50 on that? It's just been a long journey, man. Just, I went on a couple of auditions. And Tasha called me. Well, my agent called me and was like, we got this audition for you. I didn't know what it was at the time and he sent it to me. I saw it was a BMF. I went into it, I didn't really even think I was going to get it. I ain't even going to hold you. I was just like, I ain't going to get this shit. And I just went in there, kind of did it like, you know, like I didn't care about it. But I guess the part called for that. The part called for like, Get out of work, get out of work. The part he went in here doing the part, the part called for somebody with an attitude. No, it's a lot. Somebody knows it's a lot. Whatever. So it's like, literally like usually when I do an audition, I might do it like three, four times and sit there and look at it, pick the best one. But this one, I just did it that one time and it was just like, all right, sit in there. Like really like me and you talking, I'm like, uh. Also it's a video audition you had to do. Yeah, it was a tape. It wasn't in person. It wasn't in person. You know what I mean? It wasn't in person. It was a taping. And that's another thing too, man. Sometimes, you know, I think when you go in the in person, you'd be nervous, you know what I'm saying? Of course. Because it's somebody really just reading it to you, like you all into it. Like you're like, yeah, and they're just like this. So what did you do yesterday? I'm careful. That's their job to just be straight, plain, not sly, and you still got it. And that energy. Everything, right? And you're trying to read their emotion and they're not showing any. So when you do the self-tape, it's kind of like a little different because you're not expecting it. So you just, you know what I mean? Self-tape, you're already mentally like, okay, it's just me. But when you, naturally, if you in a room and we're giving each other, we're feeding off of each other, you want that feed on. Yeah, yeah. So I don't think I was doing too good with, and I don't do too good in person. Yeah, yeah, you like the ones that you have I think I do not, you know, I ain't gonna take that back because I booked before, but what I want to say is it's better to me to self-tape is like, because you got a chance to do it a couple of times. Do it over and over. Send the best one. I think that's the fairest, but when you get in, you might have a bad, first, you might have a bad day right before you got audition. So now that affects your in-person audition. But you don't know what they're looking for. Just like you said, you know, you went in with this don't care attitude and you didn't realize that that's what you were looking for. Went in with a don't care attitude. Exactly. That's what they was looking for and two weeks later, I heard back, okay, you want to stand by? I was like, all right, cool to stand by me. My agent's like, you just stand by. Stand by. I'm like, all right. So you can't really plan nothing else, you shit coming in. You just like, okay, I can't really do nothing. Then another week went by. So about for about three weeks, you know, it was just that, did he get it, boom, boom. So finally they called, it was like you shoot on this day, boom, boom. And it was just crazy. Like so, but I worked with Tasha about two, three years before I did BMF on a movie called When Love Kills. And I had a small part in it and I was a little DJ in it. And, but she said that one line, I was in the corner like practicing it. Like it was the last line them, the only line I ever had in life. She was like, he over there practicing that one line. And basically, you know, the work ethic, she was just like, I knew I wanted to work with you on something else. So BMF came up, did my little, you know, my little one, two, boom on the audition. So I guess when it came across the table, just timing, timing. I like it, man, I think that's dope. I really liked the way that you, you working, you working, you think of that, I don't understand, we here. Acting classes, when nobody's looking, acting classes, watching a lot of movies, watching a lot of, I'm a movie kind of sore, like I love watching films, but it's hard for me to just watch a movie because I'm looking at the moments, the pauses. You're looking at the different things. You know, because I want to be the best. I'm watching the Denzelz, I'm watching, I studied Denzelz, I studied. Do you imitate their accents and stuff like that? Um, you know, one thing about me, I can imitate almost any accent. I think since a kid that been like my gift, like if I hear something enough, like naturally. What's the best accent that you can imitate? I mean, I can't really say, oh, this is my such as accent, I just know like, I can get on the phone and do some. Don't do it, man, you just need to act, man. You want to think it's me, you know what I'm saying? But my man be saying it's racist sometimes. I need to be saying it's racist. Look, look, look, if I walk in a Jamaican store, I'm talking to him at Brejren. Brejren, what's up Brejren? Uh-uh, no, no, no, you know she's Jamaican, right? My youth, my youth, you know what I'm saying? We go down yonder, down yonder, down yonder, we go down yonder, you know what I'm saying? So, but you know, it's just with me, it's like I love people, man. Me too. I love people, I love culture, you know what I'm saying? I love different cultures. So it don't be me trying to be funny, I'm really just trying to embrace it. You know what I'm saying? Try and embrace it. Like, Chinese people might say, like, you know, I'm going up watching Chinese flicks, you know what I'm saying? When I try to talk like them, I wasn't trying to be racist. I was trying to like, yo, this is cool to me. Like, I'm one of them kids that mad because I don't know how to speak a language.