 Well, I started playing guitar after I saw Elvis Presley on Ed Sullivan the first time when I was a little kid, and I knew at that point I had to get a guitar. But once I got it, I didn't know how to play it. So I had to go down to the local music store in Lawton, Oklahoma. And my music teacher who also had a TV show, a local TV show, put me on there to sing Good Old Mountain Dew. And after that, I started getting phone calls from a bunch of girls and stuff and figured, hey, I want some of this. My second career was as an electronics engineer. And Iggy and the Stooges reformed, and I rejoined in 2009. I actually have a real second occupation. I used to artisan in the 30s, and I prefer the head and cab combination. We warm up by doing the beginnings and the endings of the whole set list. And that way the song, no matter what, is going to sound tight because he started it tight and ended it tight. You know, as a buddy guy, I think one said the song was like a sandwich. So you got the front piece of bread, you got the back piece of bread. And no matter what's in between, it's still a sandwich. And the same is true for a song. You just got to make sure you're tight, especially on the endings. You need to find something about the instrument that moves you. And I think one of the ways to do that is to find some other like-minded people and play music with them. And I think that they will bring a whole new dimension to your understanding of music and the richness of what you're trying to do. You know, ever since I started recording with raw power up through the present day, what I found was that the Artisan line, the AH-30s from Blackstar, really had the same characteristics. They're a Class A amplifier. They have that bite that's unique to those amps. And it is my sound. So that's what people want to hear from me. And so Artisan is the perfect amp for me, especially for the road.