 First off, it's much, much bigger than the one we just saw. So what happens when we all look at the whole thing to start with is we forget what we miss out on some of the details, especially inside. So I'm gonna start by asking you to divide in the middle and have, actually, this group's now a little bit bigger, divided in the middle, and have this group look at everything from this man over this white. And you guys look at everything from this woman in blue over this white. And look closely, notice as much detail as you can. You can talk amongst yourselves. Try to figure out what's going on in the picture. And keep an open mind for now. We'll put it all together later. What do you think that is behind us? Is that clouds or something? What did you guys decide that I would like to do? Did you stick with the weather? I don't know. Because it's sort of the same color as what's in the foreground? And then you're right, she's right there. She's gotta stand on something. And then you're right, the river is starting. Well, maybe that's the reason. Yeah, I saw that. I'm not really sure what that is, what the woman may be, freedom. Yeah, she's staring like a wreath, like the Olympics. That's the thing. Like where? It's right as always. And it's the same color, it's blue and thinner. So that might be something. The color of the water is the same. Well, it's like blue and red. Yeah, it looks like blue and red. Yeah, it's like the Lighting Mississippi. Oh, I don't know. There's a steam boat in the middle. Well, yeah, that's what I was thinking. I was thinking gold instead of money, but it could be money. It could be gold. But it looks like there's, it's harvest time. So all the work that's been done, American bounty, the prosperous land. And every, at least these three subjects seem to be very relaxed. Yep, not doing any work. Yeah, he's working, but this is, okay, he's not being overworked. So there's a sense of safety, a sense of security. Security. So, let's start with this group here. What's going on in this half of the artwork? We were looking at, we focused first on sort of the food. That's, it's, it's like harvest time. Okay. And the people sitting on top of like the cornucopia of food is maybe like, the food is the support system that allows them to feel secure and safe from want. And then we were looking at the, in the background, what we assume is water, but it's not blue. So we were, is that golden or is it muddy to reflect the Mississippi because of the steamboat? And then we're also looking at the, sort of the mountain slash indoor clouds in the background. So we're trying to decide what that was as well. Okay. And we didn't know if that was little white blue. And the date is 47. Yes. Okay. And you saw that because the art is so you can immediately put that in the corner. Turn it. Okay. So you notice what's really prominent in this half of the picture is that harvest, the bounty, and it's all spilling out of the cornucopia. And I like the way you say that maybe that's the support that makes them feel secure. You know, use the phrase freedom from want. Now what era is that from too? Roosevelt. Roosevelt, right? That's the end of World War II. So that really fits right into this. And then you wondered also about this, this weird color. It's, it's water because there's a steamboat on it. But maybe it's a golden color or a muddy, churney color that maybe you think Mississippi, old muddy, that kind of thing. Okay. So you've situated it a little bit in place and time. How about this half of the artwork? I grew up on a farm in Northern California. So I, this really reminds me of home with the foothills, the coloring of the, the countryside, the live books, along the ridge line and the mountains in the background. So that, that really reminded me of home and harvest. Okay. So more harvest, American farming market. Looks like there's like a struggle of some sort with the bull. It was at one point tied up and you can see I guess the lasso around its horns, but it's cut somehow. Mm-hmm. We're talking about the farm. There's this struggle here between this man and the bull who's gotten loose. What else is going on in your career that you haven't talked about yet? The African-American. Okay. The gentleman on the fence there. Okay. So he's, he's sitting on the fence. What question does the bull in the scene be? I think the symbolism of him being on a fence and it could go either what he can help in the struggle or he can't eat. But it, and maybe, I think this purposefully, he's literally on the fence as you noticed. Well, it looks like he was very content to watch, but now that bull's broken free, he's getting involved in coming into home.