 Alright, here we are. Another episode of Let There Be Talk. Great guest today. Introduce yourself, my man. My name is Mike. I'm playing a band called Royal Blood. Yes. Where are you on the road, in a hotel somewhere? Both of those things. Yeah, I'm in Austin, Texas. We're playing a show here tonight. Oh, where are you at? Stubbs or something? No, we played Stubbs last year. We're at the Moody Theatre. Oh, yeah, Moody Center. Oh, that's a good one. I love that. Yeah. Are you out headlining right now? Are you with somebody? We're headlining, yeah. Excellent. I saw you guys, Bill Burr and I went and saw you guys at the forum when you're opening with Queens of the Stone Age. Oh, that's right. Yeah, I remember that. Yeah, we came back and said, hey, dear, whatever. And then I had Ben on the show during the typhoon cycle. So it's good to have you here, bud. Thanks for having me, man. Yeah, it's great to be here. How's the tour going? Really good, yeah. It's been really fucking long, but it's just been a really good vibe. I feel like we haven't been able to tour like this long for a very long time and we're just in the zone at the minute. I feel like we're playing better than ever and there's a real feeling like a real connectivity between the crowd and us. So yeah, we're in a really good zone at the minute. Yeah, especially after coming off that, you know, everybody off the coven weird era, you know, you put out a record, basically everybody that put out a record during that time it just disappeared, you know, like Pearl Jam and all these people that put out these great records and then they just kind of disappeared. And so it does feel kind of like it's back to normal now, you know. Yeah, yeah, absolutely. And yeah, just being able to play a record like while it's fresh is important, I think. Yeah, yeah, absolutely. Yeah, I couldn't even imagine like you release a record and then you wait to tour it and you're like we did that shit like two years ago. Yeah, yeah, yeah. It's like when I sometimes somebody will ask me to do an old joke, you know, I'm a comedian and I'll be like, oh man, I don't even know how that goes. Yeah, yeah, yeah, yeah, right. Yeah, let's talk a little bit about the new record I've been listening to it it's fantastic. Back to the water below. I really, really like the back end of the record man like how many more times there goes my cool and waves, you know, the back ends really kind of cool and dark I dig it. Yeah, it feels like the second half we kind of settle into the stuff that doesn't that perhaps builds like more new territory for us that kind of like Beatles to you almost like to some of it we think it's quite T-Rex sounding and yeah I don't know. Like, that music's always been a part of what we love, but I just never was a, I never felt like there was a place for it until now so it's really cool to be able to go into those spaces. Yeah, you know, stuff like there goes my cool that it's kind of a Bowie ish kind of beetle ish you know kind of space hog, you know, you know it's got this cool vibe to it. And I found that a lot of people have really dove back into the Beatles every since that documentary came out you know. Yeah, I was probably, I did watch the get back documentary when it was like first came out because you know when sometimes everyone has a strong opinion on something and you walk in I always feel like I won't be able to form my own. So I was kind of I watched it like much later and that's maybe maybe that was kind of rubbing off on me a bit. Oh yeah, when people are hyping it up dude are you watching Dahmer you got to be watching Dahmer oh and after a while you're like I get it man I'll get to it you know I'm kind of doing. Yeah yeah yeah. I know there's like so much shit that I'm sure it's great and everyone's like you've got to see it and I'm like I wouldn't get anything done. But I watch all these things they're like 10 seasons long you're like yeah I wouldn't be writing any songs if we're doing that. Whenever I'm on tour I can catch up on stuff on the bus you know. Yeah exactly on the flight and the work shit yeah. Yeah yeah. Are you guys on a bus on this tour. Yeah on a bus. We've done a I think we've done like two flights and some are like the really long drives but generally it's open on a bus yeah. Now I watched some footage of you playing glass and berry this year man that looked fire. Yeah that's always a big moment, especially being from England you know it's always. I don't know it's sort of a big part of British culture and. I mean and not to mention that it's just fucking massive. So, yeah there's always a lot of weight on that one. And it's super surreal playing it. But I guess like there's so much hype and then when it comes to like the reality of actually doing it. It's okay just take a couple of songs to get into it and then you're like oh yeah we're just doing. We're just doing I think it's all cool. Well yeah. What I always find on a big gig is it takes a few days to come down from it. And you can be playing killer gigs after that. But you're you're still like man glass and berry you know or the guard Madison Square Garden or or the form or or these monumental venues and it's really quickly you can forget like shit I'm in another killer venue right now you know what I mean. Absolutely. And you always get the sort of text food saying good luck tonight because you're playing in LA or London or New York. We don't get that text any other time. Yeah, and arguably I would say some of my favorite shows of touring, kind of like never in those places really. Yeah. You always yeah because I don't know it's silly to sort of expect major cities to have that vibe you know. Yeah, absolutely. I mean well there's so much weight put on those shows that when you get to somewhere like say you know, Arizona. And you're just cutting loose. You're just like God that was a great gig tonight because you're not like oh we're at the form everybody's going to be here tonight. We got a car. Yeah, you're just less. Yeah, you're less than your head about it and you can kind of let loose that we played in Dallas last night in it. It was so good. I think as well like not being filmed, I think is a big part of it, like when there's like a whole crew of cameras surrounding you. It's never like, it's harder to like get into it and relax when you're like, it's hard to not become self-conscious, I think. Yeah, I feel like the best way to film something is just film like a couple weeks and then it's completely out of your mind, you know. Yeah, yeah. But when they're filming like one night like say a concert or a comedy special and they're like okay look we've got all these cameras here. We got all this money. We got to fucking get it and then you're just going like oh man it could easily be a dud. Yeah, absolutely. Yeah, I mean like when we're touring and stuff. We have someone filming and taking photos, but we obviously know them and they're with us all the time. So it's kind of like they're saying it's easy to just get into it. But yeah, it's like in the middle of a tour what suddenly all these cameras show up. Yeah, it's hard to kind of act normal. Now are you guys two piece on this tour? Do you have anybody extra sitting in? Yeah, we have a keys player who's an old friend of ours who comes on for about six tracks I think. Some of the new stuff just has extra extra layers and stuff. We don't play to like a backing track or a click track so we always kind of prefer that anything added to be live. In waves you were talking about, we actually have a fourth player and what we've been doing is bringing on someone from the opening band to come on and play with us. So that's been really cool. So that's the kind of first time we have four people playing together on stage and it's a cool moment because it kind of feels like it brings the show together. I feel like sometimes there can be like a separation between the opening band and the headline. Yeah, so that's been a really good, yeah that song has been brilliant live, it's been a good opportunity to kind of create a nice moment. Yeah, that I think that really is makes a tour cool when you're out like I used to play music in your touring and then you at the end of the night, like I just did a comedy tour with Marcus King. And at the end of the night we all got together because I used to sing and everybody played it's kind of like you know the last wall everybody's up there it's festive and the crowd. They do, yeah, yeah, yeah. Yeah, I love that vibe. So we started doing that this album and hopefully we get to carry on and it's funny everyone plays that same part differently and everyone brings a totally different energy to the stage. It's really interesting because I'm so used to just playing with them. So having that kind of, yeah, different energy every night, it's brilliant. Who is opening for you guys. This bank with hot wax from the UK. Yeah, there are three piece kind of punk rock band. They're super young. They're like 19, but they're proper shredders. And that kind of reminds me of like, yeah, yeah, yeah, and Nirvana. And the pixies. They're really cool. It's been going down great. Oh man, I love the yeah, yeah, yeah. Holy shit man. Yeah, same. I think Karen, I was one of the greatest ever to do it. It's so wild, you know. Yeah, that meet me in the bathroom documentary I thought was really good for me that yeah, yeah, yeah, as kind of seeing and that the moments in that documentary of them really really resonated with me. I thought just reminding of how powerful that music is, you know. Yeah, that was a great era, you know, because it was you had this, you got the 80s, you know, which was a quote unquote hair metal or whatever. Then you get into the 90s of grunge and other stuff like blind melon or counting crows and stuff. And then music's just kind of hanging out for a while. Hip hop starting to get very big. And then here comes the strokes. The yeah, yeah, yes. Jet. LCD. Interpol. And then it was just like, wow, man, Franz Ferdinand, you know, Ferdinand and leather jackets were happening and guitar again. Yeah, yeah. Yeah. And just a great songwriting to kind of hold it all together. Oh my God. All right. It was fantastic. And it's, and it's all lasted like I don't listen back to any music from that era and feel like it's aged in any way. It still feels great. Oh, there's no aging of it at all, man. And, and I was talking about it recently on my podcast that when I hear last night by the strokes which is, you know, they're hit. You know, they have many hits, but that was the big one. Whenever I hear it, I go, Oh, well, that's so long ago now. This is classic rock. And they have a hit in the classic rock world that just plays forever. Yeah. Yeah, absolutely. I've caught them live a couple of times and it's, yeah, it's phenomenal. And just there's no, it's still got their hiding behind nothing. It's just kind of great parts, great players. It's just so old school, you know. Yeah. Now let's get into a little bit about if people have not seen you live you guys are a two piece band this. It was a big, big thing over the last 20 years and two piece bands were coming around and, and now I look at it as like, Oh God, so smart. You know, there's not other band members to pay you can, you can afford to tour. I know. I know I never wanted to be in a two piece. Honestly, I never I mean I love. I'm a fan of so many two piece fans, but that I grew up playing the piano so to me like harmonies and layers and I love Queen so I love really layered recordings and the idea of like being in a band that was like raw. I never thought I would end up in something like that. But I never thought I'd even play the bass, you know, I just wound up trying it one day and I'm going through and making some cool sounds and like by the time me and Ben started jamming. It was just a bit like, Oh, shit. This is this is too like this is too fun to ignore and put down. So, um, yeah, it's, I think I kind of just started enjoying the musical challenge of it because the sonic challenge of like, how do you like make this sound like it's not easy? How do you make yourself full? Then there's a musical one as well. How do you kind of, how do you make interesting and captivating songs of such few ingredients, you know, and it kind of, it just became really inspiring and it made me think a lot about the art that does that and I'm a big foodie. So I love food that does that. We are going to restaurants and there's three things on the plate and it's like mind blowing. I'm obsessed with like simplicity and minimalism. So it just kind of, yeah, really turned me on basically. And it's funny, I think as the bands progressed, we sort of, it was very strict at the beginning. It was very like, this is no like, no layers, no overdubs. And I think as time's gone on, we've turned that rule off every, every now and then. And yes, it's been really liberating. And it's sort of like, now we can do both. Now we can make songs super raw and have nothing, you know, few components and we can make things like you're saying like there goes my call, which has a bit more going on. But I think, even when we add layers, there's an element of like, we're still shaping the ideas that are simple ones. I was thinking about that game Jenga, you know, it's like keep, just like keep removing pieces until it like starts to like wobble and then we kind of stop. And that's kind of what we do with our song. I mean, that's like my favorite architecture. I think that they, I love, you know, mid century, you know, glass, wood, and just really sparse minimalist houses, you know, and sometimes it just is the best way to go. People, you know, they layer on so much things in life in general, to where they're just logged down with clutter, you know. And I'm absolutely. It's fucking wow. Now, I was watching you. When I saw you guys like what is that bass is it like an old melody maker Gibson or what is that base. So it's a base that's been made to me, like around the first album. I started out playing these like $300 short scale bases that you can just get from guitar sensor and I still I still use them live. And kind of fender kind of reached out to me and we're like, we can make you a bass if you want. And honestly, I was so, I still am in a way I was so naive to kind of the bass world. I didn't really know like what I liked. I didn't know what I was just kind of using whatever and they reached out and we agreed on like a short scale base. The normal and they sent me this Jaguar and that's kind of like I use that for most of the show now. So it feels like a guitar it feels small and it feels fun to play. And then recently we've just made a signature model so it's kind of now that's like officially my kind of my own bass design which is really cool. And then what answer, what answer are you using? So that's quite changed a lot over the years. I kind of my main amplifier is a Fender supersonic. And there's usually three of them. And I have, I can send different sounds to each amplifier and kind of combine them and make why, you know, like really layered sounding tones, but just from the same instruments. So that was kind of the thing that made me feel like we could be a two piece in it would feel, it would sound big. Just getting those layers in straight away. Oh, it definitely sounds big. I mean, I thought it was a guitar the whole time till I saw you live, you know. Yeah, yeah, a lot of people, I mean that's kind of like what I was shooting for like, I realized that like this whole two piece thing with guitars have been done before and done so well. And to be fair, there's, you know, there's, I love like death and above and there's great, there's great two piece sounds that use bass as well. Like, once I kind of had that like small guitar sound of the bass, I kind of felt, oh, maybe this is like where maybe this is where I belong, kind of in this, in this world. Yeah, absolutely. I mean, it's super original. I mean, you know, a two piece with bass. And, you know, you can go all over the place with the with the array of pedals these days man, you can make it sound like anything a keyboard. You can make it sound like turntables anything. You can yeah. And I think I kind of go falling out of love with that idea of pedals and sounds and stuff but I think the thing that I've always drawn back to is what I'm actually fucking playing. Like, there's always a point where you're like, it's all about the riff I'm playing and the melodies I'm writing and the content of the material. Like if that bit is strong, then the next bit kind of making it sound cool is like the thunder. Sometimes I when I'm writing or like, keep it sounding really shit. Yeah. So I'm kind of like really sold on the idea before like getting the pedals out and trying to like make it sound cool. How do you write do you write on the base just like laying it down that way or do you actually write on an acoustic and then figure it out how to play it as a two piece. Kind of both. Like, sometimes it'll start with like a beat that Ben's kind of working on and I'll just sit there and like listen to it for hours on end and find a riff or a melody and like this new album was I spent a lot of time just on piano, which I found a bit easier because you can put you can put all of the information of the song into the when you're at the piano. Yeah, sometimes when you're just sitting there with a riff you're like imagining all this other shit. So sitting at the piano for me was like, it's almost like I felt like I was doing my homework. You know, first in getting the kind of the hard bit done first, and then we have like these complete songs at the piano, and then we'd sort of transpose them into the band. That was a kind of cool way of writing. Yeah, yeah. And you know, if the song works on the piano, it's going to work. No matter what. Exactly. Yeah, exactly. I'll give you a good example. I love Chris Rock comedian and see Chris Rock. By the time you see his specials, he's really big. You know, he's like, I said, look out, you know, you know, but when he's working out the bits at like the comedy store. He's really like laid back almost lethargic. And he's really seeing if the actual joke works before he puts on any kind of sauce, you know, he doesn't need to try to sell it because then he doesn't really know if the joke works and I learned so much from that, you know. That's really interesting. I went to the comedy store a couple of weeks ago. Oh, you did? Yeah. Oh, man, he was the guy I saw. I've got his name. Andrew Ginger guy. Andrew Schultz? Or Andrew Santino? Yeah, Andrew Santino. Yeah, yeah. Oh my God, he floored me. Yeah. And I felt and I felt like when I saw him, I felt like he did that. I felt like he came out and he wasn't running around. He wasn't. He just kind of stood there and I just the material was so good. It's like, it didn't need that and it floored me. Excellent. It's funny, me and my girlfriend were talking about that idea on the way out. Like that guy, his material is so good. I was like, it can survive just delivering it straight. I'm sure that's part, I don't know much about him, but I'm sure that's part of his style, but yeah, it kind of got me on that sort of training. How'd you like the comedy store? It's cool. Yeah. You know what? I've spent a lot of time at the comedy seller in New York. I've spent, I've been trying to spend like as much time in New York as possible recently. And it's funny like comparing them. I thought the seller was great though. It was really, really good. It's definitely like a bit cleaner, isn't it? A bit more. The seller? No, the store. The store called a bit slicker, but it was cool. Well, the store has those three rooms, you know, so I don't know which room you're in. Yeah, I think I was, I think I was in the main room. Yeah, so that's the big showroom. And they built that later on. Richard Pryor could work out in there for his live on Sunset Strip. And that's actually, originally that was Ceros back in the day where like, you know, Frank Sinatra and the Rat Pack hung out and performed. It was like one of those kind of mob style, steak showrooms, you know. I was sick. Yeah, it's got a lot of history. I didn't know that. Yeah, it was a really good fight though. Yeah, yeah, I recommend you check out the Comedy Store documentary on, I believe it's on Netflix, man. You'll love it. Okay, we'll do it, yeah. Yeah. Now let's dive into who I think is the king of all kings, Jimmy Page. And you guys have had a great relationship with him over the years. You guys gave him an award for Icon Award for Crang magazine. He gave you guys like your first I think what was it the Brit Awards or whatever. Yeah. I mean, Yes, well, man, I mean, when we talk about it, I don't feel like we're talking about me. Right. So, yeah, I'm just so, so hypnotized by everything Led Zeppelin did. And it's the whole reason this band exists, you know, we're kind of resting everything on the way they made music. And, yeah, I just, my memories of like being like 18 listening to like Led Zeppelin just stoned out my mind just staring into the speakers just upset. And then now I'm, you know, now I'm sober and it's just a stone. So just to be able to meet Jimmy was amazing. But the first time we met he was at our show, kind of second US show ever at the Mercury lounge in New York and yeah he's kind of at the right of the back by the mixing desk and the dressing room for that venue. And we kind of come out the back and walk through the crowd so we kind of walk straight past him and yeah man I'll never forget that moment for the rest of my life it was terrifying but glorious you know because the minute we started playing I saw his head moving and I was like holy shit like how is this real. It was just this trippy trippy moment. Did you get a heads up that he was coming how did this all happen. Yeah I just think he happened to be in town. We played on a show called Jules Holland I'm sure you've heard of in the UK. And I think he had seen up on that and then. Yeah, so it was all just kind of the stars aligning really. So does he come backstage after the gig and start rapping with it. Yeah, yeah we're just hanging out I mean I was only 23 at the time. You'll be all fine like pictures of it and we just kind of look like. Yeah, but yeah it was amazing yeah we just every time we hang out we just talk about music and you know he's obviously obsessed with music and. And I've got like a million questions. Yeah, I'm busy because he produced those records as well he's the recording process. You know he's fascinated with something I'm keen to learn about as well so yeah we're never kind of sort of things to talk about. Yeah, there's a there's I mean there's nobody ever like him ever again and that bad he recently played like a couple weeks ago at the rock and roll Hall of Fame. And I was blown away there he was because years have gone by and he has not played guitar, and I'm just kind of like, oh God just just put together the firm again or something man just we need one more Jimmy run you know. Yeah man, I'm with you. Yeah, has he ever offered to produce one of your records or anything. No he's never kind of had that chat I mean it's always just been about music yeah I never kind of. Yeah, never about that. Yeah, that would be cool. Where did you record the new record and who produced it. So we did it, but most of it, a studio called rack in London, which is really cool studio. And then we produced it ourselves. Excellent. Yeah. We have a good friends, Pete Hutchings who's an unbelievable engineer. So, yeah credit to him because it was really it was just the three of them in the studio for a month or so. It was a lot of fun man like it made me realize how much of a kick we'll get out of the recording process as well. We haven't used that. We haven't kind of had producers that much. Yeah, it's definitely a lot of fun when you're kind of recording yourself. Oh man, that's there's nothing better than recording and then there's nothing better than playing live they're two different animals you know. Yeah, that's so different. And I really like the live thing I've always loved and I still do and and the recording thing something that it's a kind of love the top of the time now I think they're becoming quite equal. I think on the second record I was probably just nervous about making new material because it's the first time you're kind of creating knowing people are going to hear it. Yeah, oh yeah, you're right. It's super weird to kind of like get used to that. So yeah, but now I kind of, yeah, I kind of look forward to getting back into the studio. Looking back on it now. You know, like typhoons I thought was a great record do you feel like, of course like I said earlier a lot of those records disappeared though. You're out playing some of the songs in the set list of course. Are you seeing, you know, people maybe just all finally I get to hear this live maybe they didn't see any of the typhoons tour or anything you know. Yeah, I've get a bit of that feeling. Yeah, man it's just like places that we played in Tulsa a couple of nights ago. We haven't been there in eight years. Wow. Like how is that, how does that happen. So there's, I was thinking man like we've released three records since we've been here, you know. Every time I played a song I was like, fuck, this is kind of like a new song, but whoever came last time. Yeah, I do, I do get that sense. Yeah, that's great. You mentioned that you're sober now. Did you have an incident or were you just ready to end party and Yeah, just ready to end. I mean, it's coming up to 10 years on the road now and about five years into touring. I just kind of saw where it was heading. And I was like, I looked around me and I saw everyone else that was partying and I was like, this doesn't end well. Oh yeah. You know, I was like, oh, oh, I'm on this. Yeah. So I kind of jumped off the sinking ship, you know. Yeah. And you know what's great is how good you feel on tour when you're sober, because you can get up morning and you're just kind of like, oh man, I'm going to go check out the town. You can walk around a city or whatever and you're like, I've been here three times. I've never even seen anything, you know, and it just starts to you sing way better. You're like, oh wow, my voice is way better. You know, And also like your physical, like to me, like my physical fitness has become a big part of, yeah, a big part of my life and a big part of touring. Like touring used to like slowly break me and kill me physically and mentally. And now I feel like, oh, this is, this is sustainable. Like you can, you can do this and not sacrifice your body in the process. Yeah. So yeah, man, I'm kind of, I'm all for it. I'm sort of like, it's hard to look back and be like, I wish I never did that because there was so much was so fun and so funny. But I'm glad I kind of stopped what I did. Yeah. Yeah, I mean, you kind of like, it's kind of like, do you leave the party at like 1am or 5am? You know, I can always tell a band's on another trajectory is when I'm backstage and there's no more pizza and vodka. It's like fruit. There's, there's like salmon. There's a salmon. A blender, a blender, a blender, maybe, maybe a masseuse comes in at 430. Oh man, we're not quite the masseuse level yet, but yeah. Yeah, yeah, yeah. We need that shit. I want the fucking the IV and the oxygen and all that shit. Yeah. Yeah. That's it. Have you played Red Rocks? Yeah. Yeah, we played. Man, last time we played there, we were open for Queen to the Stone Age. Yeah. Yeah, which was obviously amazing. I just, I've just brought that up because the oxygen, I did Red Rocks, you know, and a comedian, you're not, you're not running around. So you don't need to go over and have some oxygen, but you know, everybody's always like, the oxygen's right over there. Yeah, we did, we played in Denver the other night. And in between like, in between singing vocals, I was just realized, oh my God, I can't fucking breathe. Yeah. Where did you play that kind of a small, cool little arena? We actually played in Englewood. I think it could be Gothic Theater, which we've never done before. Yeah. Yeah, cool. How long is the tour in the U.S. right now? So we've only got six four shows left. Yeah. And then we, then we go to New Zealand and Australia. Yeah. I haven't got there yet, man. I'm ready. I'm ready. All right. So good. Are you guys? We're so far away. Everyone would live there. Oh, I just, I just love it, man, you know, AC DC to Nick Cave. I'll take it all, you know, tropical fuck storm, all these great bands out there. Yeah. Sniffers, you know, it just gets rocking out there. It does. Yeah. Yeah. It's a great place. Are you guys playing on Thanksgiving tomorrow night? No, we're having, we actually have it a day off. So we're going, and we're going to be an Austin. So my girlfriend's American. So I've been doing, I started doing Thanksgiving a couple of years ago and I'm like all in. I love it. I think it's better than Christmas. Yeah. It's like all the good shit, all the good shit from Christmas. So, yeah, we're going to have a little Thanksgiving. The band and the band hot wax, they're going to come and hang out. They've never done Thanksgiving. So we're going to show them the ropes. I'll tell you what you try to do tonight after your gig is get over to Joe Rogan's club, the mothership there on sixth street. It's one of the shit. Is that going, is that going to be on? Yeah, that'll be on man. It's one of the best comedy clubs ever man. So I heard, you know what? I was, um, yeah, I was thinking about, I was looking into that, but I thought, I don't know why, but I thought it was closed today and tomorrow. But I don't think so. I bet they're open tonight. But give it a spin. That'd be amazing. Yeah. Yeah, I will. Is it hard to get into just getting kind of get in line with the seller or something. I have your tour manager call over there, you know. And I can shoot a text over if you want. I'll find out if they're open and then email me or have your, whoever hit me up on the interview and I'll see if I can get you in man. I may, that would be amazing. Yeah. Yeah. Well, listen, man, great new record. I really like it. And I'm bummed I missed you guys. I think I was in Vegas when you're here because they invited me to go. And I was, Oh shit. Because I've not seen you since the Queens of the Stone Age tour because I tour nonstop myself. And I really want to see you guys again. And I've dove into this record and really, really like it, man. And thank you so much, man. Yeah, it's great, man. The songwriting is great. The vibe, the flavor, like I said, especially that back into the record is just like, oh, excellent. And I hope to see, I'm sure you'll probably come back through maybe in the summer or something. I hope so. Yeah, festivals or something, but congrats on all of your success. And I've listened to the band for a long time now since I was turned on to you from the Queens tour. And I'm looking forward to hopefully seeing you again live, man. Thank you so much, man. Great chat. Yeah. And one last thing. So we got, we got royal blood on Instagram and Twitter and all that stuff, right? And then the tour. The tour goes to New Zealand, Australia. And then what are you hitting Europe? No, we're playing Lullapalooza in Mumbai. Oh, wow. I know, I know. So that's going to be wild. And then we have a couple of months off and then we're going to start touring South America and play our first headline show in Mexico. But yeah, man, we've got a lot of really exciting shit coming up. So I'm feeling good about touring, you know. Who's on that Lullapalooza? The Jonas Brothers. Oh yeah. I did see a wild lineup, right? It's really what it's the most random line I've ever heard. I'll have to go and double check. Go and check it out because it's really funny. It's like the post is really good. I did see it because I thought, oh, is this a spoof? You know? Yeah. Yeah. Yeah. All right, my man. Thank you so much. There you go. Everybody tune in. Check out the new record. It's fantastic. And go see royal blood out on the road. Thank you, my man. Thank you. See you. Bye. See you. Bye. Bye. Bye. Bye. Bye. Bye. Bye.