 So we'll just see where things take us. Which is the way all these streams go. So I don't know whether this is going to be chill or have a beat. It's Diplomatico Reserva Exclusiva this evening, which is a rum that I know I will have to reiterate throughout the stream a few times because people always ask that it would be nice. I wonder if they have that as swag. But Electron have never acknowledged my existence so I don't think I'll be getting any swag anytime soon. I kind of had this idea to do some sounds that were sort of harkening back to the old days of Electronica, lots of sample and hold filter stuff. So I'll pageate, perhaps. No plan, yeah, there's never any plan for these. We'll set it to hold mode. I'm not sure about genius, but I get to have very, very chill. So we could work in music, I think. X, Y rather makes that. Yeah, it does, doesn't it? One is the high resonance on the filter and the other, I think it's a relationship of having a lower modulated and carrier often gets you into more vocal sound but also because I'm modulating harmonics, it's picking out those. And then distorting it makes a big difference. Changing the carrier ratio and stuff has given us lots of interesting stuff. Should we have something on X, Y as cool? Let's merge together in the chat. Sorry, I got lost with the FS1R, yeah. I always wonder one of those. These live streams are just about jamming. Digitone and DeepMind users in there, as you would expect from my viewership, I guess. If I'm modular, you've just got a Digitone keys. Jealous. Love the fact that it has the individual outs and of course, a really nice keyboard. I'm gonna come back to this sound, this patch. I think I'd like to have, not like a proper BTB, but like a sort of kick drumming kind of tommy, hand drumming kind of friend. I should probably talk about what's on this one as well. So this sounds like it has multiple voices going, but if we look here, it's actually just one voice at a time. So what I'm doing on this is in page two of sin one, locking the offset of B1 to different values to create chords, something I'm really into at the moment. I love the idea that you can take the operators and spread them out into a chord and you can parameter a lot of that, of course. But then you only bring in the FM, all these interactions come in that are really, really cool. Let's have a look at that a bit more pitch. So yeah, I'll share something that I've really been enjoying tone recently, just something I've really enjoyed being playing with this. So I'll just set my amp to drone. So there are a few algorithms, there should be video. I hope this still is for most people anyway. I hope there is for you as well. Try refreshing if you're not seeing it. There are a few algorithms which allow you to output pretty much everything all at once. So algorithm seven, for example. And if we set our mix in the middle, then we go into page two of sin one, we can start to tune. It's a bit more harmonic character, of course. We can just give that some space to live with it a bit much. You can actually turn the chorus output, but if we send it into the reverb or delay from here, chorus signal in our reverb, but just get a dig attack. You actually know that you want to, a dig attack. Creating these chords within the synthesis voices, cross-modulating them. Let's commit to the fact this is not going to be at 120 bpm, so let's go down. If I put 42, it says 420 there, so that's nice. A few more LFOs. Or if you were out of LFOs, all the ability to send an LFO to a couple of different locations. Either of those would be fine. But preferably another LFO, another two LFOs. Four LFOs per part would be great. iOS LFO apps, if I had an iOS device, that'd be great. I'm actually, actually the noodler would be good for that as well. I could, that's got many LFOs, eight of them, I think. So that'd be another way of doing it. Or many feedback early back on, on this would be the easiest way of doing it, I think. But since you're doing ASMR channel, I am ADSR ASMR. Last stream last week, we ended up doing guided meditations. So we've got these, so it's not just, because the master overdrive is on, it sounds, I barely, it's inescapable. As much as I would have any pessimistic during in his Wednesday. And we need something to get us over the lamp, I think. So I just wanted to show off the bong thing for this evening. Let's spend half an hour in G, so it's just on the white note, something's easy, isn't it? Let's go with that. Let's get it up, I can watch my recent video. I'll go with some of that clickiness. If you don't know how, then watch my recent video and you'll find out. Yes, indeed, end at the void. Let's look at it. Sign waves, they're just lovely, aren't they? Sign waves are nice. Here's something that I wanted to discuss with people for a while. Sorry, while we're here. And this might not come across well with the encoding on the stream, honestly. And I need to do some proper tests with this. But I think if we cycle the notes, I think that as it cycles the notes, I think it puts a slight bit of pitch drift on it. I think it's built-in. I think all of the voices are slightly detuned from each other no matter what you do. And that's part of why it sounds so good. Let's plumb that in so we can start doing something with the sound. Put the C. And we'll put some gaps in it. We've basically got a 16 step, it's like a 16 step XOX style. A red shading, filter on to high pass mode, turn to the resonance and then adjust it. Now, thank you so much, that's very, very kind. Thank you, Martin. All right, let's really bless this out. See you again soon. I have some new things coming, actually, for the channel to show off, I guess, the one you've seen, actually. The one that is directly related to what we're doing right now, and a Qorg Ops 6 to take a look at, which I'm very excited about because I don't know whether you knew this, like FM synthesis. I'll keep under my hat, not because it's particularly secret, but I just think it'll be a nice surprise, a rise, ruin these surprises. Is it another synth with a number six in the name? No, no, the other thing is not a synth, actually. The other thing is an accompaniment to a synth. I would also like to play with a wave stay as well. But the Ops 6, obviously, you show me an FM synth with a grabbing mod matrix. I shall be excited by it. So I think my plan is to do a bunch of long form patch making videos for the Ops 6 once I've got to grips with it, I think. And also maybe show off some of the neat features. Because everyone's already done the release day videos. The Ops 6 would have been a really choice for me on my channel, because the Ops 6 is the FM synth. And you're thinking of the SQ64, which also looks pretty good. And if I didn't already both a Beatstep Pro and a Keystep Pro, then I would probably pick one up, honestly, I'd do like to look at the features on that. I think it's only going to stop. But this is, everything's muted now, this is just what's sent in the delay buffer. If we close it all the way down, then bring up the feedback. You can almost always bring something back. Hey Orange, do I make these sessions available somewhere without my comments? It would be of limited interest, I think I just...