 So checking this out I would say Your internet activity over the last 10 years like I'm not sure how much more you want to put in this like you're asking for final But this is really really rough still as 10 years is being scrutinized and like there's no blinks. There's nothing. There's no keep alive There's one blink here in my mute vivid detail You know either you put nothing on it, I don't know it just seems like you could do a little bit more Just a bit, but let's pretend not Your internet activity over the last 10 years is big and for the other guy It feels like you want to do another pass on your mouth there your internet active Like this you could go a bit further in your just one corner smile I thought it's a smile but just asymmetry of it push it your internet active. I can buy that Your internet activity over the last 10 years is big like that I don't understand like says years, but then it goes in so either it's a weird shape in between or The years is really late, but the way he says years See like a years and it's you're going way too much to you Now we really push the years that shape out And then 10 years is being screwed This is very soft to be Just like I know the actor doing it like he would have he has a pretty open mouth a lot of times like he's really pushing his shapes And again The asymmetry is not quite there enough be careful with eyebrows pointing here and it's got pointing down Where you want to keep this guy just a bit higher and you treat this as one shape Catalog catalog there's a bit more in the jaw and AO shapes, but you having All I'm seeing is ow Ow versus catalog catalog is a bit more in the jaw And that's very off here. Just again asymmetry is missing and then the this feels like an M almost But it's in like it's too early In my newt and then my newt newt you would have a little bit of a jaw down Whereas at that point, I think you drove us up. It's a bit weird vivid vivid you want to make that much stronger and it's under the teeth And this was like it's a closed mouth and the thing is Difference between the vivid and detail is not much except the jaw and maybe some corner is up But you want to be on your ship vivid You can almost have a Almost a frowny on vivid, but I will bring in the corners so that you have there's a difference between vivid Detail you really want to go out, especially since he's pronouncing it so clearly Your hand here at this point very I can hear that Wrists orientation is not changing. There's nothing in the fingers either on like on the tightening like he's changing and leaning on this Arms it will be a bit more of a change. You got a pop that finger tip here This too here once you go down Right there fills IK rotation not changing feel a bit broken the elbow goes in but the rotation of the hand is not changing Then you got this drop in the hands with a lot of Wiggle, but you can see this line here. That's not moving at all So it's like a really broken hand with a lot of IK stuff there And then it just locks and then nothing's moving by the seal pop in the thumb Something's going on there Other hand, you know and you have stuff like this here There's a lot of movement on that hand, but the fingers are not moving and it's weird to have also this finger kind of poke out So you can kind of readjust that pose a bit more comfortable And I would take that middle finger out and bring that index in a bit more And you know whenever you have movement like this you want to really track the fingers on that chair Here your fingers if I scrub you can see it clearly, but you see out of fingers are really drifting Ladies in real time. There's kind of slowly Drifting up and then down is a bit weird. Here's a pop in your head Track the nose right looking at the nose Boom suddenly here it accelerates and then if you track the nose, it's here to here to here and then home hits this wall And it's kind of with its back, but it doesn't finish that arc up kind of by that And I wish that his head will come You know, it wouldn't do too much Wiggle left and right you have a lot of left and right here And I would I would save it for vivid Which tone it down a little bit It's cool how you kind of like swing into it for then the vivid but then the vivid is so soft that I would make I Would delay each rotation by a frame Doesn't make sense right now. You're like you're back and forth It's pretend it's like this and I would just instead of starting here I would start one frame later and then I would end one frame earlier hold the bits You know, it's it's like you want it to be a bit faster and sharper The detail you hold and vivid detail if I draw it out It's vivid detail right now yours is a bit even and slow And you want to follow that sound of the actor go vivid detail, you know You have your big swing at the beginning But then you're you're left and right on vivid need to be vivid you know like fast and you can really follow the sounds of it right That is that and then this guy What are you doing here Reynolds your DVD player broken? What are you doing here Reynolds your DVD player broken? It feels a bit weird that he is so huge in frame and hopefully you have some sounds for the knocks but to me it feels like you would Have him potentially here Like that's the size right so that when he comes in his face is also this big It's just this really weird small head and I will give it more emphasis on the other guy And if he comes in laughing like you could have The head looking over like he just finished a joke with someone else And then turns around and as he sees him gets into that serious face What are you doing here Reynolds your DVD player broken? There's a lot of really cool subtle stuff you could do with the face, but again, I would the relationship I would make it like this size. Maybe that's That's the size comparison, you know, and then just frame it So he's been working for the point like I'm waiting for a lot of stuff like here where I want to see this guy I mean it was he's so big But yeah, first impression. 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