 Alrighty, got a walk cycle here. Perspective view, looking a lot better than last time. That's a really good improvement. I love it. I think from this view, I think knees are slightly wobbly and I feel like some of the impact rotations could be just a bit stronger, but it feels really nice. Let me just go to the other view and it's the side view and it's A to B, a really nice solid feet. You can already see from the dark side here that they're angled and you have a drag down, drag up, boom. I feel like that impact could be just a bit stronger and slightly re-timed. I am really talking like one maybe two frames and just a bit sharper so that like in your rapid of your rotation has an ever-so-slight linear curve. It's not spline but not like a 45 degree linear but slightly broken tangents and kind of make it a little bit, that can be you know, ease in and then a slight linear curve just a bit. I'm reading more of a rotation up, but it's really picky, picky, picky. I look at the y-rotation always here that could potentially be pushed a little bit. I think it's already better but I wonder if it's not going far enough in terms of the pullback, because when you're here it feels like we're getting to this and then it kind of starts to go this way already. Even though it waits until here-ish. It's definitely still a bit trailing so again it's like a minimal move forward, super picky, more in the polishy stage. The biggest note and I probably should have started with the biggest note but I'm not always starting with the biggest note mainly because from this view now looking at it I feel like I would love to get a stronger extension to a straight. The legs are always you know you're getting into this bend and you almost have like a bit of a almost a sticky with that knee and then only the shin goes forward and then we're really kind of sticking in this area and then we're just never really extended. I know that's a pain but you have to find a way to grab that and the graphic is globally moving forward and you have to adjust the knee a little bit but then go back. I know it's a destructive note but that's the only- it's not crazy because you don't always have to have like a full extension. I mean it just feels a bit better but I still feel like this is better than what you have before. It just has this slight constant bent feel to it. Now regardless of what you're gonna do it's pretend you want to keep it you know like you can do an assignment just kind of leave it for now and then continue later and learn from it. I would just stabilize the knees and you can see this just go back a bit here for instance you take that knee as it goes forward. It has a nice move it has a little bit of a quick sudden move up and then kind of a almost a hold there a little bit in terms of height and as you go down there's a bit of a bit of a shoot forward. I know it's because of the bend but it could still be slightly with you. Same thing here as your knee continues to go forward. Here we have a really sticky knee ball and shin where nothing's moving and then suddenly we're going up into that over extension there. But the funny thing is this one this is what I was talking- this is what I wanted to mention it but now I feel like it's stronger on this end. If you look at that ball as it goes down it has that downward sun to the left move and then back to the right here and then forward. So if you look at this does that ball want that wobble is not there? So maybe there if you started to add some offsets and things so it's not a complete cycle so watch out that the knees are not that wobbly and then looking at it from the front view yeah it's the last bit of a chatter definitely better though I think what's happening especially in the front view here you can see the the harshness of that heel up and then with that kneecap watch on that lift there's a little bit of a pop I would soften that because you're starting to do a foot roll and then we kind of hold a bit through there not too much but then you have this sudden lift here but then visually you go from this to here to here and it kind of sticks you can see the height there so just watch out it feels a bit strong a little pop there and again it's just everything's kind of in the realm just a little bit softer nothing huge but I like that you have that rotation in there to then flatten later I think that's pretty cool you got your outer arcs and the steps and I think this is again the case where it feels like we are as you take that step here we're too strong in that lift here because you're doing the passing where we are like that there's more weight on this hip is up but then on that it would still be straight down because you're only touching you're not putting any weight on it yet even here there is no weight yet on it you're just planting down so I would still keep this flat and then the weight kicks in and then you would actually be like that and not yet flat going the other way I think from the front view that was to me the biggest thing just those rotations felt a bit off but the overall left and right feels better just if you compare that to the older one so much better and I know I said to bring in those legs there I say this almost feels this is so picky we said polish here but almost like take that leg like that edge here bring it to here just that bit just feels that bit much could just be me it's the only thing because I do like the bounces I like exaggeration in there I mean one thing you can do to offset this visually is just to kind of rotate this foot more and why globally so that it's actually more like that it gives you a bit more of a balance because the toe is further out versus it ends here and it feels like there's so much weight over this but if that foot was rotated more you know so that line would be to me maybe here that could still work in terms of just the visual balance there watch out on the front view this foot when it goes up you're almost expecting an upwards out arc like this because you're starting to go out to the right but then suddenly we're moving left boop and then it hits that wall boom you know with those couple frames your two frames three frames we're stuck on that line and then it goes out so watch out and even the other one has a slight feel going this way because of that rotation right and then you go out this way right there and then it feels like we're going suddenly to the right and then back to the left so again I think that the combination of the sudden pop up this left right and then the knee chatter gives it's kind of the poppiness in the dirtiness there in the legs that I would tweak and then having that flat boom compression up or you know push up it's going to add that bit of a stronger not a snappiness but a stronger impact on the hips that rotation left right like this feels just a bit soft in the body all ready that is that thanks all right there's an email you can sign up you can start whenever you want you can submit whatever you want you get 16 submissions either way a like and subscribe would be awesome all right thank you