 I could sit up and increase that tempo, or get lively, get lively, lively, lively, come on. Or decrease that, easy. We walk as the outside shoulder comes back, we could strike off a canner. So there's a timing, and the correct feel at the correct time makes the horse think it's their idea, you see? But if we're using the wrong feel at the wrong time, uh-oh, what's going to happen? The horse goes, you humans force me, and you're going to facilitate brace. So that of which is beautiful cannot be done in firmness.