 Hello, I wanted to ask you, you went to NYU and you got a BFA in Experimental Theatre and Modern Dance? No, just I went to the Experimental Theatre Wing and got a BFA and was in debt for, you know, 10, 15 years for that. That was very, that made sense, didn't it? And what were some of the things you learned there? I wanted to hear about your process. No, I really wanted to hear about what you learned there. What I learned at Experimental Theatre. It was the most experimental out of all the Experimental Theatres program. Well, all the other theatre, all the, so NYU had these different schools and there was like Lee Strasburg and Circle of the Square and Stella Adler and mine and then there was the Experimental Theatre Wing where all the completely like freaks that didn't fit in anywhere went. It's like a whole new level of asset trip is what I'm imagining. It's exactly the whole new level of spending a lot of money and not being able to get a job after college. Amazing. I like that these can get tiered. Yeah, that was like the most insane. Like basket weaving is actually more productive. Yeah, yeah, yeah, yeah. So I studied, I studied a lot of, it was all about like Ratowski and physical theatre and rolling around on the floor and postmodern dance and vocal exercises where you had to lie on the floor and then you'd fall asleep because you didn't really know what you were doing and then they'd wake you up later. I'm telling, it's a great, it's actually a great studio. I'm just, it's fun to make fun of it but it was actually a really, I learned a lot there. I remember doing modern dance. We'd always go like this. Yes. That is a key component. And then you rock. Yeah. That's exactly what you do. Sometimes you'd have like one word, like you'd be like racism, although that would be like binary. Exactly. That's exactly what it is. You just like go. Postmodern dance is so, it's so serious that if you went like, I just, I saw so much postmodern dance in my life. Let's see it. I will. Okay. I will. The big comedic moment in a postmodern dance, they would be like, you'd go like, yeah. Yeah. Yeah. They love that. And that was the big laugh line. Do that again. Do that again. And that would get a big laugh. I love that. The finger would be like, oh my God, she's hilarious. Revelatory. That's just to be great for the podcast. What a funny, what a funny dance. Anyway. Those of you listening on the radio, she waved her finger around. Yeah, I waved it. Laftrack. I mean, what you were just doing, you were jumping. I was jumping and then I just did the slightest movement with my finger that no one would find funny unless you were in a postmodern dance audience. This takes all the art out of it too. I love it. I'm like, she was jumping and then she pointed her finger at someone.