 So Universal helps you, you guys do the single thing, or you release your singles, album launches. In terms of, so you're done in April, this happens nine months later, when do you go back to making new music? And all of this doesn't seem like a distraction because it all seems like scheduled, it's all scheduled. So you know when it's coming, do you go right away into music or do you take some time off? How do you navigate what's next? I think for any recording artist, it is then the balance of doing live shows. To spread the word about the album and the music that you just made. Yeah. Right, okay. And to make money. Yeah. And exercise your craft. For me, there's nothing better in this world than performing, being on stage. Like I love recording, but to be honest, I hate the recording process. I don't like being in that room. Everything inside just tightens up and goes, okay, I need to play perfect. How do you do that? You can't. No, you can't. I thrive on like the adrenaline of live performances. Because you can feel the people, their reaction, the energy. Yeah, you feel the people and you're like excited. Recording, I just, I freeze and start to freeze up. And then as you make a mistake and you're like, oh shoot, I need to do that again. And you tense up even more and it just gets worse and worse. How many people are on the other side of the glass watching you? Probably two. Okay. So that's not really the issue. No, no, it's not them. It's an internal thing. It's just me. And some people, I know other pianists who are so on it for recording and hate the live aspect. They can't deal with the nerves of playing live. But in today's world, that's going to be your bread and butter. Yeah. So that's a very occupational hazard. Yeah. Yeah, exactly. But some famous, famous pianists are just, they just can't deal with it because it doesn't matter how good you are. No one knows you, you're not outdated. And that's a big problem. Sitting in your bedroom. It's interesting though. You know, like YouTube, they have that convention, VidCon. Yep. So I went to that a couple of years ago and it was fascinating. They had a live stage for their music influences. People who have their channels, right? Huge followings. But there, they are kids, if I can say kids, like in their teens, they're in their bedroom just with a camera playing guitar covers to the camera and everyone at home is watching. They went up on that stage and they could not hold an audience because there is that much more space now that you need to fill as a performer. So for me, the lesson I learned from that is you need to perform. You need to be out there and performing and doing your craft out there. You can't just sit behind a screen because it's anything that's performing at all. It's so interesting because it is vastly different. Right. You know, there's a comfort there of being in your room. It's just your camera. If you make a mistake, you can just rerecord or whatever. But if you're trying to hold someone's attention, not just one person's but an audience of a hundred or a thousand. You have to be much of a larger persona than you would be in just your bedroom. The other way that comes to mind is consistency. In terms of like discipline or in terms of practice? Practice is obvious. That should be a given but consistency of what you're putting out there. You know, for me, I get antsy that an album comes out once a year. I think that's not enough. But it is enough for me at this point in time because I need to tour it and I need to do my gigs. Then I need to find time to write it and then restart that process again. Like I think for an album to come together takes six to nine months at least. I look at it like momentum. You know, it takes time to build it. Yeah. But then once you have it, you have to keep it going. Yes. And stay in that space. Yes. And if you don't, it's generally so much harder to start again. It's like you've been going to the gym every day. Now you've taken three months off and that first week is not ideal for anybody. That's why I feel like I am afraid of taking holidays. It probably is a great thing for me in terms of inspiring me again to write. I love new spaces and I love meeting different types of people and hearing different, smelling different things and hearing different languages. You know, those things always contribute to creating for me. But being away from the piano for three weeks, that's scary.