 Section No. 14 of the Lieutenant and Others. This is a LibriVox recording. All LibriVox recordings are in the public domain. For more information or to volunteer, please visit LibriVox.org. Recording by Linda Marie Nielsen, Vancouver, B.C. The Lieutenant and Others by Sapper. The Aftermath Luce, October 1915. Away in front, gleaming white through the gathering dust on the side of a hill lies the front line. Just beyond it there is another, the Germans, down in the valley behind that white line, a town from which, with monotonous regularity, rise great columns of black smoke. German heavies bursting again and again on the crumbling red houses, and from the village there rises a great iron construction, with two girded towers, a landmark for miles. Periodically German crumps sail overhead with a droning noise. Woolly bears burst on one's flank, and then a salvo coming unpleasantly near makes one remember that the skyline is not recommended by the best people, as a place to stand on, and, getting into the trench, you retire again to the dugout to wait for the night to cloak your doings. In the line of trench are men, men not there to fight, not even in support. They are there to clean up the battlefield. For only a few days ago the trench in which you are sitting was the German front line. The bed on which you lie has supported a stout tootin for probably ten long months or more, and now where is he? My predecessor was addicted to the use of a powerful scent of doubtful quality, which still hangs faintly in the air. He also believed in comfort. There are easy chairs and cupboards and tables, and, as I say, a bed. Also there are mice, scores of them, who have a great affection for using one's face, as a race course during one's periods of rest. But my predecessor was absolutely out of it with another fellow along the trench. His dugout was a veritable palace, boasting of wallpapers and a carpet, with a decorated dado round the part where dadoes live, and a pretty design in fruits and birds painted on the ceiling, bookshelves filled with the latest thing in German wit, and a very nice stove with flue attached. I was beaten by a short head trying to get there, which was perhaps as well. Mine confined itself to mice. Gradually the night falls, and with it starts the grim task. It was, as I have said, the German line. Now it is ours. The change is not brought about without a price. Turn around away from that line now almost invisible in the front, and look behind. There, over a mass of broken pickets and twisted wire, gleams another white line, our original front trenches. Between you and it lies the no man's land of ten months, and there on that strip of land is part of the price. It lies elsewhere as well, but a patch of fifty yards will serve. There was one, I remember, where the German line had swung out at right angles a switch going nearer to ours. In this bit of the line the wire had run perpendicular to the rest of their trench for a few score yards, and in the re-entrant a machine gun had been placed so that it fired along the wire, the steel casing we found still standing, though the ground around was torn to pieces. That machine gun paid for its construction. There was one group of four outside, a sub-altern and three men. They were lying on the ground in one close-packed jumble, and the sub-altern had his arm around a man's neck. Just in the torn-up wire they lay, the price at the moment of victory. Another five seconds and they would have been in that line, but it was left to someone else to stop that machine gun firing, and so, beside that motionless distorted group, a hole is dug, and soon no trace remains. One phase of clearing the battles-field. There are many such holes to be made. A few yards away, this time on the parapet of the trench, a Scotchman and a German are lying together. The Scotchman's bayonet is through the German. His hands still hold the rifle, and as he stabbed him, he himself had been shot from behind. A strange tableau, natural enough, yet weirdly grim to the imagination when seen by the dim light two or three days after it took place. One could elaborate indefinitely. Each of those quiet, twisted figures means someone's tragedy. Each of them goes to form the price which must be paid. And at no time, I think, does the brutal realism of war strike home more vividly than when in cold blood one sees before one's eyes the results of what took place in hot blood a few days before. Just a line in the paper, a name, no more. That is the public result of the price, and at one time it seemed to me hard on those behind. Unavoidable, of course, but hard. No details, nothing, just a statement. I have changed my mind. There are worse things than ignorance. Then from the trenches themselves, from the dugouts, from behind are pulled out, the Huns, caught in their deep dugouts with the small, slanting shaft going down to great chambers hewed out of the chalk underneath, and some of the shafts are ten to twelve yards long, unable to get out during the bombardment. They were killed by the score. A few bombs flung down the shaft, and voila toot. And so they are hauled out one at a time. More holes to be dug, more shell holes to be utilized. At propose of those Hun dugouts, a little incident in one of them revealed yet another side of Tommy's character. Truly is he a man of many parts. A few cheery sportsmen have worked manfully and well, and having earned their rest, found the dugout they had marked as their own was occupied. It had for the time being missed in the search for Germans. That was why it was occupied. Nothing daunted, however, they piled the occupants on one side while they peacefully went to sleep on the other. There's no doubt getting a dead German up. Those shafts is weary work, and they were tired. But I'd sooner have slept in the trench myself. However, that is, by the way. And so we go on, wandering in perfect safety over the ground, that a few days before meant certain death. A mass of rifles, kit, bandoliers, accrued ments, litters the ground, save where it has already been collected and sorted into heaps. Unexploded bombs lie everywhere, clips of ammunition, bayonets. All has to be collected and sent back. Another phase of clearing the battlefield. Then there is the road where some transport was caught topping the rise. There the holes have to be bigger, for the horses have to be buried even as the men. It is only rarely the process is already done. One horse there was, in a trench on his back, fifty yards from the road, stone dead. How he got there, heaven knows, he wasn't much trouble. Then there was another mound from which protruded an arm in German uniform, with its fingers pointing, and the hand was black. A morbid sight, a sight one will never forget. Vividness of all in my mind remains the impression of a German skeleton near the edge of our own trench, dead for nearly a year perhaps, shot in some night attack, trying to cut the wire, a skeleton hand from which the wire cutters had long since fallen, crumbled on a strand, a skull grinned at the sky, a uniform moldered. That, and the blackness of death, no peaceful drifting across the divide, but blackness and distortion. Thus the aftermath, the price. End of section 14 Recording by Linda Marie Nielsen, Vancouver, B.C. End of The Lieutenant and Others by Sapper.