 Sherry, we live? Oh, I can see the light. We are. I'm Jonathan Cross. I'm here bringing you another fantastic movie script idea. Disney, I hope you're listening. Here's your billion dollar investment. Gritty, live action, Christopher Nolan directed Aladdin. Right out of the gate, so I want to make this clear. This isn't your grandma's Aladdin, okay? This shit is tight. It's grime as fuck. You think Gritty, when you think Dark Knight, take that 10 steps further and you have Aladdin. And you know who's gonna play the Prince of Thieves? We're going with the Prince of Persia, Jake Gyllenhaal. As you can see, I have some crude drawings. They're not my finest work, but I think they nailed the point that I'm trying to make. I want to keep this ball moving though. I'm gonna go to the female of the group, the leading lady, Princess Jasmine herself, played by Scarlett Johansson. If anybody can pack the theater, it's Scar Joe. I know what you're thinking in your head. Jonathan Cross, the color doesn't really match the drapes here. These actors don't really fit the category that we're going after from the original script. You know what, I don't give a shit. I mean, we're gonna whitewash the fuck out of this cast. That's the bottom line. You want to put people in the seats, you gotta whitewash. Everybody thinks Sir Robin Williams is the genie. He's the happy go lucky one. He's magical, he's fun, not anymore. We're taking this shit to the streets and no one can provide that level of authenticity more than Samuel L. Jackson. This is not your grandma's genie. This is not your grandma's movie. I'm trying to tell you that. My genie comes out, he's all black. He's got double guns. This guy's seen some shit and he's just in your face at all times. He is pure grit. He looks at Aladdin and he's like, I'm sick of all these motherfucking genies rubbing my motherfucking lamp. As for Aladdin's companion Abul, we have a lot of interesting things we're gonna do with him. First off, he's all CGI. Think Planet of the Apes. Think King Kong level realism. That's what we're going for. He's got a fucking scar that goes through his face. This is a weathered Abu. He's been in the cut. He's been in the fray behind enemy lines. He's got double daggers, he uses for weapons. Abu is gonna have a good portion of screen time and I'd really like to press further onto his backstory, maybe tell the tale of how he and Aladdin became best friends. We could save that also for a spin-off. This film is gonna be about three hours but I'd like to spend a lot of that time with Aladdin himself, Jake Gyllenhaal. Scarjo is, she's basically black widow. She's gonna be able to fend for herself. She's gonna have a sword but she's also gonna have a pistol. We could probably use the same costume even from Avengers, just bring it all in. But what I really wanna touch on is Iago the Parrot. He absolutely must be reprised by Gilbert Godfrey. You know, Gilbert's back and he's better than ever. He can do the voice still. He absolutely nails it. He fucking crushes it. And I need to have him in this picture. And if he's not in it, the movie's off. As far as I'm concerned, I think we're all fine with that. I think we can all agree that that's the way things need to happen. Now, we're gonna do a controversial stunt casting thing here with Jafar. We're going with JGL, Joseph Gordon Leavitt. We wanna kinda have this Heath Ledger moment with people where they're like, whoa, how can he do the role? Well, fuck you, he can do the role. Carpet's fully rendered CGI. The stupid tiger or a lion or whatever the hell Jasmine has, that thing's out. We have enough animals in this fucking picture. This is in Zootopia, which we're also gonna be doing a live action remake of. Just now's not the time. The Cave of Wonders with the giant talking lion. That is, Aladdin's gonna fight that now. That's gonna be a one-on-one battle. At first, we're gonna think Aladdin loses it. He's on the ground, he's half dead. Suddenly, Abu comes out, double daggers, classic Abu. He takes out the legs of the lion, drops that fucker down. Then all these little lion babies come out. Sand baby lions, Abu is fighting them. Jasmine's there, she's got the double pistol. I think we're gonna do the 360 Avengers pan with Jasmine doing that. Now you're probably thinking this is a large-scale endeavor, and it is. But what I'm pitching you right now is actually a very small scale to my overall vision, which is a full Disney cinematic universe, Disney cinematic princess universe, or DCPU, for short. That's just the tip of the dick, though. There's so much more. Have you ever heard the phrase edging? That's what the kids do these days, because they hate themselves. That's when you masturbate to climax, but then stop, you don't complete. That's what the Aladdin film is. Aladdin takes out Jafar Scepter, for instance. The Scepter smashes to the ground. The camera follows the magic as it flies across the land. All these little bits and whatever this trickery is. And it lands on the head of a fresh baby who's just born, who's just birthed. Her name, Elsa. And all she wants to do is build a snowman with her sister. But she gets snow powers now from Jafar Scepter, and she has the ability to control ice. What? Bullet points to wrap this up. Christopher Nolan tandem filming with Zack Snyder picture, $250 million budget, plus another 200 million for marketing. This thing's gonna gross at least a billion by the time it's out the door. It's gonna be a giant cinematic universe. This is just the first stepping stone to the bigger grand picture. Eventually we'll get all our Disney princesses together to fight. They're probably all gonna be played by Scarlett Johansson. Maybe we'll throw Anna Kendrick's in there. Bottom line is they're all white. You get the idea. This is a huge movie. It's gonna be huge revenue. And I can't wait to get started to make a shit ton of money and eventually reboot it again in 15 years. We got a movie? We got a movie.