 Hot dog. Cock the ball. Hot dog! Yeah? Hot dog! Like up control. Hot dog. Indochible. Poochittta. Sweetel하는데 ball. Poochittta. Ding, dah, ding, dah, ding, dah, ding, da, ding, da, ding, da. Ding, dah, ding, dah, ding, da, ding, da, ding, da, ding, da. Ding, dah, ding, dah, ding, da. Ding, dah, ding, dah, ding, dah, ding, dah, ding, da, ding, dah, ding. I don't want to do this. Rex was eating in some Corbin. I'm Rex. Instagram and Twitter, I want you to get content. So juicy. I can only drum follow, no shopping. What? Follow, show official Twitter. That comes from the 80s. Ring the bell, the bell's a bell, the bell's a bell, the bell's a bell, the bell's a bell, the bell's a bell, the bell's a bell, the bell's a bell, the bell's a bell, we're acting in a video. The video is called Oscar-winning score by Air Ramon, which is obviously slimmed on. But I don't know that's what this is. Well, that's the only one he won an Oscar for. Yeah, but it doesn't give me any information, but it looks like a live performance. Unless he collaborated with somebody like a Hans Zimmer, and we didn't even know what happened. Or I think we would have known that. Or if they're just like, this is an Oscar level. Oscar level? I don't know. It doesn't give me any information here, but I'm sure it'll be amazing. Air Ramon doesn't do bad stuff. True. Unless it's a Marvel theme. No, that's the one we always bring up. It's just because it was the first thing we ever saw. No, it was actually because I remember people saying when we did that, they're like, guys, don't make this one of the first things you react to because it's not like one of his best. Doesn't mean it was bad. No, no. Here we go. It could have been from the score to Slumdog. Okay. I mean, I haven't heard that score in I don't know how long. It wasn't. Jai-ho! No, no, no, that was the ending song that was the big number at the end that was a single. So this could have been any number of things throughout the film. Wow, that was... Yeah, that was fantastic. That was beefy. Okay, it's called Mayusem and Escape from Slumdog. From Slumdog. There you go. Apparently from Slumdog millionaire. Woo! That was beef. Yeah. And he won for that, right? He sure did. So is that like the one time he's done an American film and then he won for that American film? I don't know if it's the only time he's worked on an American score. That wouldn't surprise me though. It wouldn't surprise me. Like he's that good. He's like, he just shows up once, wins the medal and then leaves. Well, he is, without question. I mean, he is, even if he hadn't won the Oscar, he's Oscar level. Oh yeah, he's up there with Hans Zimmer and who's the other big one? John Williams. Right now? Yeah, we're talking about the legends of the film. For sure. Right now it's the two most famous and most awarded composers in cinematic history are John Williams, number one. And then Hans Zimmer would be second. As well as several others that fall into place but aren't as internationally known. And he would be writing that conversation. He is absolutely in the conversation of some of the best and most famous and most confident composers. He's done, I think, far more than all of them. Absolutely. Like I just find the amount that we've reacted to, I can tell he's done thousands when everybody else has probably done hundreds. Yeah. Like every other, it seems, musical artist in India. Like done 30,000 songs. Yeah, literally tens of thousands of songs. Yeah, it's a shame. The shame being I would love for more people, not that he needs it in any way, shape, or form, they need it. I wish more people were aware of everything coming out of India, but especially his capacity as a composer. Yeah, he's just as good as it gets. Really? Yeah, as good as it gets. That was great. I loved it live. Sitar play was killing it. Killing it! Man, that was, why isn't Sitar used in orchestras here? Because it's so specific to a region that the only time they tend to use it is if they want to convey the East. Yeah. Whereas you can just do it in India and it's just part of the culture there. It's just such a beautiful instrument. It's a gorgeous instrument. And there's no reason it shouldn't. I do know that it's been used many times in films that aren't necessarily conveying Asian, but for the most part, it typically is. It's such a definitively Indian instrument. Yeah, absolutely. But yeah, he was tearing that up. Yeah, that was phenomenal. Obviously, let us know more videos that we should react to by Ehramann or other, but obviously Ehramann. And that gentleman right there that was tearing up the Sitar. I don't know his name, but let us know his name. Gorgeous. Gorgeous. Let's do it again next time, 10 times. Yeah, probably.