 Sheila, do we have the execs on the phone for Die Hard? Fantastic, doll. Patch them through. You can carry on filing away those Me Too allegations. And by filing away, I mean throwing them in the trash. Thanks, sugar tits. Gentlemen, Jonathan Cross here. I have a great movie pitch for Die Hard 6, which we're now calling McClain, a Die Hard story. Movie's gonna start out with McClain talking to a shadowy figure in a cell. We're not gonna reveal who that person is until the end of the film. And he's gonna kind of reflect on all the different things that happened in his life. So after about five solid minutes of Bruce Willis phoning it in again, we're gonna cut to him when he's much younger. A rookie cop on the beat, on the mean streets. And I'm thinking this actor's gonna look, sound, or have none of the manualisms of Bruce Willis. Think of, actually, you know what? Let's just get the guy that did solo in the Han Solo prequel. That would be, that would actually be perfect if we could get him. Haven't really figured out the plot yet. All I know is we're gonna be trilogying the fuck out of this thing because we have a lot of time to work with. We have McClain all the way up until not gonna tell me plaza. So there's lots of stories to tell. And I did say we're gonna talk about him being a rookie cop, which is ideal, but we can go back further even. We can go to high school John McClain. Maybe he meets Holly Gennaro there. They're high school sweethearts. She's the cheerleader. He's the captain of the football team. Maybe Officer Powell is there. He's one of the rival football team quarterbacks. He can take him on. But really what I want to do with this is get a sense of who John McClain is growing up. How he became the man that would eventually stop the terrorist attack at Nakatomi Plaza, which we would find out isn't a terrorist attack. It's a bank robbery. It's a heist, which is just phenomenal. It's clever. It's brilliant. It's nothing that we plan on using in this prequel trilogy. We're gonna focus about 10 minutes on how John gets his last name McClain. I think that's something everybody wants to know. How he gets his gun for the first time. And really just every sort of little minutia we can dive into, we're going to. We're gonna flip over every rug. We're gonna toss every curtain, see what's behind the window, peek inside, and then rape what is ever in there. We can probably find something for a young Samuel L. Jackson to do. Bring him back a Zeus from Die Hard with the Vengeance. Toss him in the mix. The thing that's really gonna get people talking though. Most of this film is gonna be generic and by the numbers. But the big reveal when we pull back that final curtain is Hans Gruber coming out of the shadows to talk to McClain. He's the one that was in the prison. Think of him as like a Hannibal Lecter sort of character. And yes, I am aware that Alan Rickman is gone, RIP. But that doesn't mean we can't CGI the shit out of him. Bring him back. It doesn't even matter how he survived the fall of Nakatomi Plaza. We can throw that out in some novel or side cartoon that we are also planning on doing. Die Hard, the McClain Wars. McClain Wars, the Die Hard tale. It doesn't matter what we call it. It's gonna happen either way. We can explain it there. Gruber will have CGI robot legs. So that the audience does kind of get an indicator that he broke his legs in the fall. And they've reconstructed them with futuristic technology. Because this is gonna take place in the future. We're gonna see Bruce Willis with a beard. He's bald. I mean he's been bald since the first one. Baldine. It's just gonna all come full circle, really. It's really gonna be a touching film. Because we're gonna be touching the audience's pocketbooks. Jerking them off for all their money they're worth. I'd also like to remind people about Die Hard 5 as much as possible. It's one of the swan songs of the franchise. It was meant to be a final feather in this cap. But since we're gonna keep making more of these, might as well bring back his son that everybody loved from Die Hard 5. Courtney. We're bringing back Jai Courtney. He's in the mix. Suicide boomerang man himself. Coming in the fray. Coming in the heart of it. The final line of the film is gonna come from C.G. Allen Rigman. He's gonna step forward to the bars, look at McClain and say, What is it you used to say to me, Mr Cowboy? Oh yes. Yippee-ki-yay. Motherfuck. And then boom. Credits. And I got a lot of ideas for this. Since we are doing the McClain thing, we could do an Argyle spin-off, the limo driver from the first film. We can do a Holly Gennaro spin-off. I'd like to really focus on the strong female lead portion of her story arc. In fact, we could have her in this as the love interest for the young John McClain, but then she kind of twists the knife on him. Turns out she's a double agent. And then it turns out again that she's not a double agent. She loved him the whole time. Coolio, we got a picture here? Yeah. Yeah, we got a picture, baby. Sheila, we done with those me twos yet? Just toss them all in the trash. I couldn't care less about anything else in my life. I'm gonna hit the golf course.