 There are many baffling, anomalous artist depictions that litter the megaliths, all over the rainforest which now submerged the super-civilization, or mega-metropolis, which was once known as the Mayans. Pekal's tomb and the strange rocket designs we have shared before, location now unknown, the seal seemingly showing a craft of ancient high technology, indeed not to mention his choice to have a vivid green death mask. All mere coincidence? Even the stolen plaque fortunately photographed before its mysterious theft depicting a doomsday event, volcanic eruptions in the background with drowning natives which accompanied a mass submersion found and subsequently stolen from Tekal. Mere coincidence? Yet with all these compelling pieces of evidence, all these artistic accounts, whether through cover-up or lack of discovery, an accurate artistically created depiction. Of this event of a peaceful trade via ancient alien contact, what the argument needed to become unarguable may have just been discovered deep in the Mayan rainforests. Accurate depictions created in brittle yet precious jade tablets of considerable proportions, specific interpretations of these events, and the giving of gifts actually once occurring. A statement released by Julia Levy, the Minister of Tourism for the Mexican State of Campache, Luis Agosto Garcia Rosado, the highest-ranking government official to go on record confirming the discovery of this possible extraterrestrial life said, quote, Guatemala, like Mexico, home to the ancient yet advanced Mayan civilization, has also kept certain provocative archaeological discoveries classified, and now believes that it is time to bring forth this information. Rosado spoke of contact, quote, between the Mayans and extraterrestrials, supported by translations of certain codices which the government has kept secure in underground vaults for some time. In a telephone conversation with the wrap, he also spoke of, quote, landing pads in the jungle that are 3,000 years old, end, quote. Guatemala littered with ancient wonders, temples, which pierce its dense canopy, all once declared as separate structures. Modern technology, however, has shown that these structures, mostly now submerged by dense undergrowth, was once one huge mega metropolis, with Tikal in particular also once containing a plaque displaying a great deluge, with the site submerged in what is depicted as a cataclysm, with a volcanic eruption also in the background of said image. With mysterious megaliths still found littering the foliage, one site in particular, it would seem evaded destruction, and the subsequent rainforests creeping grip which has consumed much of this enormous ancient site. Soon as Kirigua, it remains virtually untouched, yet the most intriguing thing regarding this site, apart from its superb preservation, are the enigmatic stone carvings not only found at the site but throughout the jungle itself. Statues and megaliths, presumably often depicting queens and kings in strained contraptions, seemingly familiar in form to modern vehicles or the interiors of an aircraft. As claimed as mere signposts, the sheer abundance of these mystifying tributes, however, now makes this explanation unlikely, for even if merely artistically inspired, what do they depict? Why would an ancient civilization show such passion in casting these particular looking technological devices into massive stones all over the Guatemala rainforest? With Kirigua thankfully so well preserved, we can explore a number of these baffling carved megaliths in detail. Were they trying to tell future generations something? Did they find something crashed within the forest, possibly documenting a find and proposed purposes upon these stones? Did they witness a form of craft take to the air and seemingly into the heavens? Did this have been the inspiration for why leaders of these tribes would want to be immortalized in carved, similar appearing machines, in the hope of eternal life, or indeed a craft capable of transporting them into the heavens? Vast questions still surround this ancient civilization's knowledge, one now known to have been over 10 million strong. Did this enormous, once incredibly powerful ancient civilization get visited by beings from another planet? Possibly found a crashed craft? One they attempted to depict a reverse engineering of? The fact that many depict what modern men would perceive as complex craft concepts, many find highly intriguing. We also find these massive stone megaliths, the efforts undoubtedly applied to create their source inspiration and indeed the images they depict by a civilization we now know were undeniably advanced and extremely ancient, once lost for millennia and only now being rediscovered, highly compelling. The megalithic marvels of lore, very rarely studied, academically explored or publicized, yet regardless of this, remains one of the most curious and intriguing ruins of the megalith menhir age. Not only still in existence, but with many menhir still erect, still standing tall across the landscape to this day, a legacy left to us by a now lost civilization, a collection of curious, kooky, and oftentimes mischievously graffitied prehistoric menhirs. The menhirs were often elaborately carved, and due to the unexplainable scale of some of the stones, cut, quarried, and eventually raised along the valley, it is clearly an example of an inexplicable ruin, an ancient relic left to us, once created using unknown technologies at an unknown time within history, a now lost, yet once highly advanced ancestor. Impossible for the current academically claimed culture, which is clearly a fallacy within modern paradigm. Some of the inexplicably huge stones incorporated into these sites are now being found scattering our planet. Like that of the plane of jars located in Laos, an unusual enigmatic site we have also covered in the past, possesses stonework from megalithic blocks of inexplicable sizes. These gigantic stone carvings, menhirs and jars, some still in astonishing conditions, are a testament to what our lost ancestors were once capable of, and due to the immense size of the stones they could control, have successfully left their mark far into an unknown future, our present. The channel feels a duty, clearly as a far less capable civilization, that we do not withhold the evidence for their existence which has been a great disservice to those who deserve the truth. Menhirs are located all across the Bada Valley, but not just the Bada Valley. Menhirs can be found across the globe, located in many countries, even in New Zealand and Rodney County. The erosion of many of the world's menhirs' stonework, we feel, is indicative of incredible aging, and as such, possibly from the same era as the Bada Valley's mysterious menhirs. Yet regardless of whoever made these sculptures, there will never be any academically admittance to the evidence that these particular stoneworkings are found all over the planet. Yet regardless of any one's opinions regarding their past use, a function undertaken at a time so long ago we may never know the true purpose of what our distant ancestors may have been trying to tell us. All those millennia ago, only time will tell. The menhirs and the henges found worldwide, many now widely known about, have blown a few holes into the hull of the sinking ship that is academic paradigm. The fact that these menhirs are no less common and no less scattered across the globe merely lays another nail in the coffin for the timelines academia put forward for the migrations of man. And even our beginnings, for to have these unusual megaliths everywhere, their builders must have been everywhere too. A highly advanced, highly capable, once world-going ancient civilization an extremely long time ago. One which we find highly compelling. To truly understand the astonishingly true history of the unfinished obelisk, one must first wade through a quagmire of well-financed fallacy, infested with many a false profit, incomplete or simply illogical conjecture, all of which, defended by countless academic figures of institutions of influence and power, acquired via the funding in their defense of a form of mass worship of academics' perception as if an all-knowing authority. So, with things like the obelisk, for example, one begins to wonder if this all be by design. Since academic records of this monument began, no one who has described it, predictably, has ever managed to wrap their head around how such a stone could have possibly ever been moved. Ergo, all well-funded explorers, reporters and journalists alike, with the expectant pressure of their return with a deciphered mystery. It would appear this explanation never arose, yet was skillfully averted. Firstly, the rock had indeed been abandoned abruptly at some point in history, conveniently allowing academia to make nearly all those interested in the obelisk overlook this eventual intention by its original creators, a distraction made by a fault line. Chris Dunn, an independent investigator, held in varied regard, found that details of decoration were already being added to the stone as it was being hewn, running exactly through this so-called fault, disproving this so-long-held academic fallacy. Yet, alas, although the unfinished obelisk lay still attached to the strata of Earth, like that of the larger of the two megaliths in Yangshan Corrie, the largest some 16,000 tons, academia is not required nor would even attempt to provide any logical explanation as to how these blocks would have been moved. Additionally, however, and perhaps most revealing, is the pregnant lady of Lebanon, a 1,000-plus ton megalith, so large that just like that of the unfinished obelisk, no attempt was ever made to explain the ancient civilization responsible could have moved such stones to their final placements. Yet, remarkably, the proverbial nail in the coffin and vindication of our claim was the excavations made around the pregnant woman, recently revealing that this stone was not abandoned on a slight incline, as claimed, but was placed atop another stone of even bigger proportions, suggesting it was part of a once enormous structure and exposing this reoccurring academic strategy when it comes to dismissing the controversial. It is a reality which we find incredibly annoying.