 All right, new version here with sound, let's go. I'll tell you boys, life is crazy. One day you're in community college, driving a Camaro T-Top, coca-cola walk, and then you need some cash so you get a job. You think it's only temporary, but then you get a promotion and then a raise. And all these doors open up for you, except they're not really doors, they're trap doors. And then all of a sudden, bam, 20 years has zipped by and you're thinking, is this all I have to my life? Not you kids, I love you kids, but come out of the house, it's crap. All right. Oh, you're awesome. Just because I was talking about it last time, watch out, that soft sausage there. When you bite, it's so picky, but it's just because it's there. I wouldn't bring this up and then, see how slowly it goes down? Again, they're pretty rigid, that's the word. Just because it's there and it fills off, like here you have that shape, then kind of slowly droops down. I would just keep that, I would keep it just like in a shape like this. And then whenever he bites, you can have movement in here and then leave it. We especially with this poking through, it's gonna be fairly non-moving. Other than that, that's all cool. I only had a little thing, timing. The camera shake and eyes at one point. And there are a couple of things about those wipes. This is maybe more subjective, but like you're in this pose and then as we wipe away basically or over, he stays in that pose, which is good. There are moments though, that's okay too. This guy was, he is in this pose, right? Looking this way, tada, it suddenly is down. Not that it's a shock killer, but I wonder, just throwing it out there, maybe bugs you once you see it or you don't care. Where it's like that's a pose and then tada, reveal another one as if it was like a weird passing of time. And I think it was just there. Yeah, yeah, just the only one there. I love this poses. Like the accent that you just had. All that is great. All that is great. Watch out that head turn. Let me just check. It's a bit harsh. If we track that nose, given the speed and then it seems like we're going pretty straight up. So if you look at this, see that, I'll just give this a bit of a softness either like this or like that or you know, whatever you wanna do, but not that, just a little bit of a softer recovery into that head turn up. I think this is okay, I'm picky, but you know, you look at that connection point there look at that into this. A bit harsh as well. So I just took another pass on things like that. If you have head turns, this moving that it has, it's a bit not like, you know, it doesn't have to be super fluid and nice, but just not so harsh in the nose here, huh? Let me just check. He goes from here. I thought at the end it's a bit harsh. He goes up, I think it's okay. I think this is okay too. Maybe. And all, I like that you have a turn this way. All, and this right, the shoulders going up, but he could have all, all on all, maybe that head up will be a bit sooner. There was all these doors and that rhythm. I do like that ending though. This still feels, I would have to have a side by side comparison. This still feels really strong. I think I would probably like 20% less on this because of the bam. Again, subjectively, you can totally tell me, listen, stop it. I want to keep it like that. Totally fine. And again, subjectively, I don't need, I don't think you need that. It almost feels like a camera shake. And I know it's just a tilt down. It's because we also stopping so harshly, you know, if you track that line and boom, and it goes down. That's how it feels. Unless you really want, like unless you want to keep it this strong here and then you're adding that camera move to make this even stronger. It's totally fine. Personally, I would soften that camera and soften this by 20%. And then careful, it's such a bam, we're gonna like that expression. But then after that, it's almost insecure and not sad, but it's such a big, to me, emotional shift between this and this so quickly. I think personally, I would stay within like this. Bam. And then it's like that. Hang on, within like around here-ish. And then 20 years maybe in that around here starts to soften. And then the I thing is this here. Once we, we're already pretty in the corners here. Once we get to this, like whoa, we're starting to really lose the pupils. And now it's like I'm almost seeing only white. I know I see them here, but it's really out in the corner, really out in the corner. Like you're, it's almost like exorcist style. So I would cheat. You know, we don't really know what the kids are anyway. So I would bring these in a bit more. Such a funny expression though. And I love the textures and everything. But I love about this rig too. It's just the folds here. But anyway, the pupil till the end. It's a bit better, cheated over a bit more. And I still feel like this is too strong. I think the camera is softer, but the way he goes up, that raise and into a harsh stop. It seems soft, it was with the camera. But if you listen to his voice, it feels like, like it's, I love you, but like that's to me the voice energy. But body wise, it feels like, and that's just that mismatch is not my thing. To me, it's almost like you can, you can stay like this low, maybe you have a slight turn. And then, but come on, like, but come on, like the house, but come on, like that, that motivates him to get up. So you're staying low, slight turn, don't really like a little bit get up. And then that raise here is, is doing come on. And then this still feels a bit odd. It's so loud in the audio that it feels like breaking the levels. And it's, it's soft, it's crap. Like I would sharpen the P. And it feels like there's so much energy in it, crap, but he just kind of does a arm down, body down, head kind of nothing, and just the jaw down. To me, it's crap, but he have a little bit of a, a rotation in Y accents. And even like a bit like a bounce recovery in the shoulders, it's crap. Like forward and back in the chest. To me, this seems like suddenly you're running out of steam. And that's that. So fun though. Such a cool shot. Yeah, that's kind of that. Thank you. All right, there's an email. You can sign up. You can start whenever you want. You can submit whatever you want. You get 16 submissions. Either way, a like and subscribe would be awesome. All right, thank you.