 Alrighty, let's check this out here I'm gonna bring down the sound You could cue I like the The offsetness you could potentially experiment with slightly rotated in the wire. This is very straight on very You know like I know actually don't know where you're at in case it's in Maya But I keep the channels are zero so I can slight One arm this way one arm this way so then it comes out with a slight turn So then you can land a bit three quina three-quarter, but just a bit because that ends up being a bit too too mirrored and clean because then Having that slight three-quarter this way will lead nicely into this. You just have to kind of lean down To do that, which is cute. I like this Maybe bend that arm a bit longer until you get there it's a bit stiff too soon And you could potentially go down a bit lower For a bit of a spring here as you patient into that. I think the rest is okay It's a little bit of wobble in the body right there You start with a certain pivot off here, and then here you suddenly go up Which also reduces the amount of rotation this way and then it continues But it seems like you're going down this way and then something goes out this way and there's a slight slow down here And then down This is picky, but it's a little note there The pounce is cute in the head too That could be something where you know you hold one hand here then one down here just again for asymmetry Watch out a bit a bit mirrored there could be Jumping off and holding this a bit longer with one and then come in Watch out. This feels a bit straight. That's tricky. I know you got to read this. So you don't want to move around too much the laughter I Don't think works with the mouth Since he's talked or since he's making noises here that opening Since there's no noise. It feels a bit separate And then these are just a bit timid given the cackle there. You can probably push that also bit in the head up and down congratulations Now I don't remember To be honest the lip sync in the previous shot This seems very pushed in terms of one frame pops if that's the style let's go for it Because they do work. It's just for poppy. I would give it maybe a frame Every now and then and then with this, you know You can have a little bit asymmetry in this and also that mouth shape could be slightly tilted It's not also default and straight give it a little bit of a Change there one eye is a bit bigger than the other actually which you have there So you can bring this higher actually with a slight tilt this way And then on your blinks This again, this depends on the style usually the blinks don't do more than this Most of it is in the top So you don't want to go too far down But I would at least have a little bit of an offset once here and once down there And you can ease into one more on-front frame easing in then bam and then that's okay, although I might not have two frames Two frame blinks always kind of sticky either three then it feels like an intentional hold or just one two Just feels a bit sticky. So I would take that one frame out But and then ease out of one, you know, you're getting a little bit offset A little offset And then you want to get to like 80 of where your blinks are and then over five six frames get the rest 20 You're making the rest 10 or so frame Percent to kind of ease in a bit more tiny bit not that you want this to be realistic. This is not the style It just was a bit too mechanical That I'm not quite buying in terms of the weight just because this would be here like I would I don't know if you can but You know, he would have to be You know something here We feel more more balance. It still feels really ease would fall I know it's tricky to do also very stretchy arms. These are tough And then that I would give it That one that's a bit of a harsh drop there, huh? I would give this one more frame does a bit of a pop there Watch out your hand here It's a bit of a I'll keep give this either soften or simplify that arc Kind of the same notes on the on the lip sync if you can adding like a frame maybe between uh soften each extreme Watch out the come It's okay. We see a little color change to understand that but you could have That as a silhouette On this opening if you can I would involve the body more. So this is fairly we establish this is heavy This is probably still heavy. I know I'm probably reading way too much into A children's show but still you could start maybe four or five frames earlier with the body tilting away from us this way So it's kind of leaning into it and then the arm comes up and then on this Up you have a bit more on the overall body. So it's not just the arm Congratulations And that is that, right? Thanks All right, there's an email you can sign up you can start whenever you want you can submit whatever you want You get 16 submissions either way a like and subscribe would be awesome. All right. Thank you