 Hello, and I'm from Madrid, but I live in Barcelona during 13 years, more or less, and I'm going to present a little my work, but focus in my last project that I'm developing right now. This is the normal use that I use processing. I use processing in real-time mode. I study programming science in the university when I was a little young, but for me it not was enough at this era to learn coding, but when I went to Barcelona I started to know so many people and there were a very good thing about the creative coding, more or less. I'm a little nervous. This is an example that I used to do with the code. I usually work with musicians. I always think that it is the same that if I had a guitar or an instrument because I play on live before, of course, I write the code, but when I play, I start to move the Wacom. Now I'm going to show a photo with my setup. This is the thing that I was doing during eight years, not like a professional way in the beginning, because in the beginning I was in an interactive agency writing code, web page, and all this stuff, but after I start to be freelance and more and more to go to this part of professional way, but it's not the only way because here it's so difficult to work with this, and this is the reason that I go out more than in Spain. I usually do teaching workshops about the programming language. I love to teach to the people that never code, introducing coding with processing, because I think that is the best way to do. It's a very, very simple way, and sometimes I use commercial stuff with this, and then I have not only one point of my career or of my ways, I have three important points, and then it depends on the time. I do more with teaching or I do more with living. Wow, it's a concentration phase. And then, okay, here. This is a Mac, but I have Linux inside. I have two distributions, okay. So I have the two partitions, because sometimes when I go to a festival with the technical guys, if I do that, they always think that the problem is mine. Oh, I don't know anything about Linux, it's your computer, something is wrong. And then, okay, I'm going to reset with Mac. Okay, it's your problem. It's like a plan B, because before I was working with Mac, but now, step by step, I go to the Linux way, because processing is super cool to work with multi-platform. Do you know all processing? Okay. For my last work, it will be super important to work with multi-platform computer, because when I'm going to explain after this. This is my normal set. The computer is not here, because normally, I don't really need to see the computer or to in and out with the computer. I have an iPad. Why I have an iPad? I'm not an Android, because one friend let me, and then it's okay. This is liberal. Okay, I have an iPad. Okay, I have Lemur. Okay, I'm going to pay 20 pounds for the Lemur, and it's fantastic to have my interface there. But the most important tool for me is the Wacom, this one. The pen costs 100 euros. If you lose, it's super expensive. I don't know if there is any project with hardware with Wacom, because it's for me, it's like, oh my God. And I really need this Wacom, because it's not the same. The pen is like the most important tool for me. And if I lose this, and the other controllers are, do you know this one? The first one. It's super, super popular in the BJA Steam. It's super cheap, but it's not so good, but costs not so much. And I have so many memorized parameters there. And then for my mind, now it's super easy to control. It's like a video game. If you know the controls, okay. But now I use another tool, it's Novation, and it's very, very cool. You could program in all the LEDs, all the colors, and you can change the programs, and it's super, super cool. Okay. I'm going to show you a project that, because I use this computer, it's not so expensive. It's like four or five years before. And now it works so well with full HD, and with processing, and with Linux, I think that it works better than in Mac, because I can control all the system, and then I don't need this, and I don't need this, and then I prepare a good configuration in the Linux. But this year I was working in a project. If you want to see more projects, you block Alvaje Corral, okay. This was a project in Google and Hembilbao, like, oh my God, this is so big. And yeah, I don't know that it works, but the most important thing for me and the most challenge was that I only had this computer, and then this project, it was not in real time. It's not so cool, this recording, okay. But if you know the Google and Hembilbao, there is a huge atrio in the whole, with a huge Chimenea chain, no? Chimenea. And we had to do so, so many videos in 2Key, and then, okay, I'm starting to work with this kind of formats, huge formats, and this is a real problem for me, because, okay, I don't have money to have another computer, okay. But don't worry, because I do this work with this project, with Kidion Live, that tomorrow maybe is the worst of here. And I remember, for example, in a plane to rendering and doing all, because it's so good, this program, because you could put the pixel mode, whatever you want in Premiere, it's impossible. If I want 3,800x2,540, you know, like exactly pixel windows, so many programs, okay, you can't, because it's not a standard format. And Kidion Live is possible, and so many cool things. In the beginning for me it was a little complicated, but now I understand. The problem with this is not, for me it's not the computer, because you could render in so many ways or save a screen by screen, and okay, you need more time, but for me the most important thing with this kind of project is the screen, because I'm seeing a huge canvas in a small screen, and then I can see the perfect pixel in the image. And it's so important to have a huge screen, and then now I have a very good screen, because this is not the only project that I work with this kind of huge format, and now I have another project that is super, now I'm happy, because I'm not only play live visual in festivals or with musicians, maybe I'm a little tired about this, and for me it's good to change and to have another kind of stimulus, no? Computer, if you want. And it's super cool, because you could put in vertical mode and in horizontal mode, and it's not so a little expensive, but I need it. Let's go to another scene. Okay, this is the project that now I'm involved, I'm in the middle of the production. This is the Satosphere in Montreal, do you know this place? Yeah? In winter or in summer? Ah, yeah, me too. Yeah, we were there in this January, because we applied to the residency to stay there, to learn, because one year ago I was falling in love with the Fulham medium, with all this new language, and I was festival by festival, very tiny festival in Europe, like Planetarium and Geekies and Techies, and very, very cool, and seen so many stars movies and these kind of things. And then, okay, I think I want to see and to feel my work inside the dome. And now this dream has come true, and it's super difficult, because now I'm super stressful with all this stuff. Okay, but this is the Planetarium, the Planetarium in the Satosphere, and this place is amazing, because it's unique in the world, because it's specific to the arts. It's not for the Planetarium, for the planets of all the science of, it's for Sociedad de las Art Electronicas, and we were there with 20 minus degrees to have a technical residency during one week, and one week is super, super short time to stay there, because you go with your staff with your technical mind and start to work, it's so difficult, and not only that, you have to fill the space, because to create an immersive piece, you have to be in. And this is the major problem that now I have, because I'm here, I'm here is not a possibility to go to a dome or a meaningful dome. There are, I don't know anyone in Spain, only some festival that put this kind of domos, but after they quit and it's super difficult. And this is the dossier of the project, my partner is Alice Augerda and is an audiovisual, visualist and musician, is from Paris, and it's super important to have this kind of connection, because I'm super bad with this kind of emails and managing and contracts and dossiers, super bad, and I really, I have to do because I don't have manager and so on, but Alice is so, so good with this kind of things, and then we have, I think, a very good team, he's very, very, very clear, and he works with Max MXP, and Avelton Live, and this is the project that is two projects, because ENDO is the project that we are going to go in the dome inside, and EXO is for another kind of, this is a conceptual thing that is Alex, that he seems so well, but okay. And this kind of emails are in 2D mode, these emails are before that we think the project, this is the kind of stuff that I do, and I work in 2D mode, and then imagine that I start to work with 3D mode in processing too, but all my mind was like a super mad and oh, this is incredible, yeah, because the way to draw in 3D mode is totally different with mesh and rotation and translation on where is my ball, I don't know where is my ball, and I learned so much with Blender too, because Blender is so cool to understand to have the idea, and when I start with processing, I say, no, it's the same, because you have the same things, no, vertices are, but with processing you don't need to render, it's like a real-time render in Jane, like in real-on, you need so many people use this kind of software to create full-dom pieces. Okay, this is so important, this kind of dossiers to present a work like this. Now we have a super good production, my travel is paid, I am going to stay there during two weeks, we have so many close festivals too, and I'm super happy about the work, now I'm going to explain a little the system, because it's super strange. This is a typical full-dom master film, that in the beginning is so difficult to know where is your point of view, because this is the kind of format that you have to send, not only in a video, if in my output of processing I have to send this kind of video, and this is a typical planetarium set, the challenge is not to do this, okay, but, and this is a, it's cool to have this kind of shows, because for me to create a new thing, I love to see things, okay, and other pieces, and then, okay, this part I like it, this part I don't like it, and this is not my style, but it's so cool to see, but in my, this is not the way that you see, and this is another problem, problem, because you have to do the formation of the full-dom, because in this film, you have the deformation, and then I create a sketch, there are so many in processing, you know that in GitHub or in the community, there are so, so many people doing things, and I'm not create from the set of this sketch, okay, but there is some, okay, this is a receiver, and now I'm going to tell you my problem, because maybe you could help me, okay, I have this here, the first problem that is this, this computer is so, so slow, and then I can work with this, I can work now, because I put my screen in 1000 pixels, and I can, I can code, but I can't see all my stuff, only now in my studio with my three key, four key monitor, and with my girlfriend computer, that is a Windows, and then, okay, I have a Windows, and it's cool, but I have this, and this is super cool, because it's like a simulator of the DOM, I have two cameras here, you see the DOM, and I have here so many videos, that I can, I can load out, for example, this piece I do in, I did in the set, and the point of view, of view when you are in is more or less, it's impossible with the touch, but I need the mouse for the three, but you can move in inside, yeah, with three, three buttons, cool, I'm not so, I prefer 2D mode, it's more, it's like a painting mode, but in the, in the DOM, you need to stay inside, and to stay inside the visuals, you have, you need to use the 3D environment, it's super important. Then with this, I can move here to unsafe the parameters, maybe I'm going to quit this camera, but no, it's cool to have all the two cameras to see, and the problem is, when I use Windows or Mac, I'm not going to use, but I use, and in the set, they had the service of the set are Windows, all, do you know a spout? Okay, then the way that my workflow will be with a spout, I'm going to draw in a 2D sketch, and I'm going to texturize in real time, so, some parts of the sketch, and with this, and with this DOM master receiver is the same, I can work on real time and see what happened in the DOM master receiver, but in Linux, I know that it's possible to do that with people in line with JS streamer, but I don't know the way, I need help with this, okay, because I want to use Linux, but, and now it's, okay, then on Windows, I can see this DOM master receiver in a part of the screen, and in another part, I have my DOM master, now I'm going to close because it's so, and my DOM master is so cool, because in processing, you have a library that calls Planetarium, and it's created, Andres Colubri is a very cool programmer, he knows so much about shaders and this kind of stuff, and the good way is that in processing, it's very easy to contact directly with the people who create the code, and then I have direct contact with Andres, and they start to update this library to the processing 3, but my computer is, it's so old, it's impossible, is there any key, like in Linux Mint, how to force it out, well, I'm going to restart, because it's been, it's been frozen, but it's just in case, no, no, no, okay, then the workflow then is to have this DOM master receiver only to work, not for the performance, but because the performance was on live, and the musician will be passed, Andres, he's going to pass me parameters in OSC, okay, and because he's going to especially say there are 140 speakers there, and then it's so important in the immersive pieces to have this realization, but with Max MXP, I think that he has like a draw, and then the speakers is easy to move, but then we are going to move the visuals with the sound, and in the opposite way to the sound with the visuals, and we are going to use triggers to have this kind of boom, and something happens, but in the DOM it's not the same with that in the screen to the performance, because if you move all super quickly, it's like you need to focus and not to move a ball super quickly, because it's super big this place, and then it's another challenge that we had, and cloud the problem is how we work with this complicated system if we don't have the full DOM, and we are not in the same city, because it's a problem, but now he's going to come to Barcelona, and there is a place in Sabadell, it's not in Barcelona, it's in a city, and they have like a media lab producing space, and they have speakers, and we are going to work there with a projector like this, it's super easy to have like a mini surface to have like a full DOM, and then this will be the way. Okay, now I'm going to show you this, and this is the, this is a natural full DOM, it's in Diak, Laya, it's, I don't remember the name, but it's very very jarred turtle, and it's in the beach, and you stay in the middle, and it's fantastic if you go to the Laya or Diak, processing is restarting. Okay, a good way to work with this kind of measures that Alice will be sending me to me is with, I don't know if you know Sonic P, do you know this, this program? Sonic Pi. Okay, Sonic Pi is very similar in processing, because it is with commands, it is with code, but it's to create music, and it's, Sam Aron is the creator, and he usually worked in Cambridge University, now it's out of the job. There is like a platform, the name is Partheon, it's like a partner, and then you can pay him like something every month for the project, and this is the Sonic Pi, and it's open source, and it's super cool. Now I'm starting to create music with this, because sometimes I need music for my pieces, and I really love this way to work. Okay, this is only an example to have two triggers, this is the name of the trigger that Alice will be sending me to me, and you can create songs, super cool with this. I recommend you this program, because it's cool. Okay, then I have this, and I have my processing here, and I have my Don't Master. The Don't Master, I'm going to use so many libraries, the Hermes library is super cool to have all my objects, and to create the things inside. The Planetarium library is for create this full Don't Master, the formation that you need to send there. And now I'm in the beginning of the process to create all, because I have so many sketches before and now I put all together. Now it's not in 2K, because I need to see, and this is the typical Full Don't Master. When you are there, this is like a square, but here you see like a little deformation, and the idea is to have different, this is in the beginning of the beginning of the beginning, but I have the idea to have these kind of walls, like Japanese walls, and then I'm going to start to compose, and now is the time to composing. I was studying like six months and all the technical to see so many things, and now it's okay. I have my workflow, and here it's important to use the lights, in processing you can use so many lights, and it's super cool too, and then these textures in Full Don't is not super cool to have so many things on the screens, and it's not necessary to duplicate, because you see your focus always is in one way, and you have a very huge problem is with the light of the projectors, because there are super contaminations. And then the light, this is the top of the dome, this is the front, and this is the back, and then I'm going to put less light on the back, and here there is like particles moving, and this ball is moving alone, or maybe it's moving with Alex, with the OSC, or maybe I'm going to move, or maybe it's not going to have a ball, I don't know, but there will be another part, is in real time, in another kind of shape, I'm going to draw on real time, with my 2D sketch, like the same that if I draw here, and then it's quite complicated, but I start to develop this whole dropbox, dropbox is the devil, with the, you know, they eat so much, when you have a slow computer, it's cool, because you learn so much about what is the best and what is not, and it's cool to develop this kind of sketches in a slow computer, because then when I was there, I'm going to have my six photograms, of course, but okay, I have my full dome master, but this will be in all the full dome, okay, and I'm going to have another sketch, the name is Pipeline, I don't know, it's like a, yeah, like a tuberiano, and this Pipeline sketch will be the Alex, the musician will be connected with this, and my Lemur in my, it's not my iPad, and the iPad, it's going to connect with this, and this Pipeline is going to connect with the full dome master, it's the idea, it's like a centralize all the message and the things, and now it's so slow, before it was better, now, okay, it's this, it's created with the library control P5, and I have, because Alex is always very worried about that, if the OSC message works, it's like, oh, we have to check so well that all the message work, okay, I have here, and like a filter with all the the message that I receive here, okay, it's not good, but yeah, I receive the frame rate, and I'm going to receive so many things, and here is very cool, it's like, if I have the trigger one from the music, I'm going to, for example, object one is this cube, no, this cube is, I can move it, or I can do so many things, but with this Pipeline, I can choose what kind of, what kind of behaviors will be, will be, for example, trigger one, maybe will be, change the color of the object one, and the object two and another, and then I have so many presets here, and it's super easy to, to change these kind of things, and with this, I can see so many parameters, and then if I put in my house, in my, when I start to develop, and Alice is not with me, don't worry, because I have sonic P, and then I can send the same parameters here, and now it's not developed because I'm in the middle, but here, I have the trigger there, and then this program, this program, this sketch will be connected with the full-dom master to tell, okay, do that, and with a good computer, it's better this, and with a good screen, it's better too, because with this, it's so, so complicated, but this is the, we are going to, to, oh wait, let's see, let's put it to the end, another video, we are going to have the premiere on June, and then if you are in Montreal, because I'm going to stay so nervous, okay, and that is, if you want some questions or something, depends, you need the person of the dome, you can build a dome here, for example, here are, oh I don't know, like eight or more, it's one of the biggest domes, but it depends on the dome, the problem is that it's not like a standardization of these kind of projects, if you go to a venue, imagine in the normal festivals, electronic festivals, imagine there, it's totally different, and this is the reason that I have to use their servers, for me it's better because of them, but you can create a dome with four projectors, let's see, the Mirafestival, I think that they have four projectors. Thank you very much, we are super good. Thank you. So, what do you think we use in these 3D, you know, VR? Yeah, yeah, I would argue with that, because VR and dome, I prefer dome, but it's so cool to simulate the dome, and then I have Samsung Air that you don't need computer, and there's like two kinds of glasses, but you need a very cool machine, it's like accepted by our Samsung gear that you need, this Samsung model, and if you use the glasses that they have a computer, it's more easy for me, but if not, I need to re-convert all the full dome master to a rectangular film, because the VR is like, you have all the orange, you know, like the orange in Serbia, but in the dome you have middle orange, and then if you put your film in VR, you need to re-convert, there is like, there is a moving after effect that they have, but I want to use open source in all my, like, philosophy, so it's difficult sometimes, okay, but it's, and there is more, fuck, I don't know how to do that, because, but I think that is, I'm going to try, but it's not very good idea to have the VR to see what's happening there. Yeah, it's simple, but no, this is a video because I want to use, it's impossible to do all the stuff on life, imagine, with drawing and rotation and OSC, and so many things there will be with video, and then I have, I have this, hold it, master, here I have so many different things, image, maybe this image will be after like real time, and I have videos too, and then some parts will be with my own stuff, but pre-recorded, because it's, yeah, it's, I'm so nervous with this project, and then I prefer to, okay, I'm going to focus only to paint one thing, and that all will be cool, and to have a backup too, because sometimes when you, okay, I have so many problems, you know, in a festival with musicians, I don't care because it's, but now I'm very nervous with this, that I'm going to start to have a backup, and processing video works so well with FFM library too, to recording real time things, and then I can record in real time, look this for example, this video I record there, don't be stuck in, in two key mode, and it's so difficult to record your own video of your own work, because I don't remember what works, it's impossible because it's in two key, and then this bye bye, on the video, okay, okay, after, yeah, it's not so good the UVLS now, I don't like UVLS program, I don't know why, doesn't work, okay, but there is, we are late after, okay, thank you so much, please,