 Did you see any of the video of that son of a bitch that charged Chapelle? No, I haven't. I already got, he got beat to a pulp though. He got beautiful. He got the ever living crap beat out of him and his arm snapped. So when he's on the gurney going into the thing, his face is swollen and cut over here and his arm is just like bent and twisted. It's a beautiful thing. That's what you get for charging the stage. You should know that everywhere outside of the Oscars has security. Yeah, and I guess, you know, thankfully he wasn't a famous person because otherwise they would have just let him sit back in his chair and probably given him an award. Tell us how you really feel, Rick. Hey, welcome back to our Stupid Direction in the Corbin. I'm Rick. And you can follow us on Instagram, Twitter for all juicy content. Thanks son of a patron, follow us on Twitter. Subscribe if you haven't hit the like button. And if you charge a performer while they're doing their performance, you deserve to have the living crap beat out of you and sent to jail. If you are performing, you should charge them for your services. True. A little tidbit of information. Artists deserve the support that they ask for. Hi, my name is Corbin. I will not work for free. Today, Subin's trailer finally is out for his, I think it's like a horror film, right? Yeah. A little bit of Digin. Digin. Subin is the star of it. We've seen the teaser for it that we liked a lot. It looked like it was going to be like a kind of a horrorish style of a... We liked it. Yep. And that is all I know. So let's just get into it. Have you seen it speaking to this genre? Have you seen any trailers for Nope yet? No, is the trailer out? Yeah, the trailer for Nope is out. So you can just look it up. Yep, it's Jordan Peele. Jordan Peele. Yeah, of course it's going to be good. Yep. Here we go. Legends. Oh, I thought I was supposed to offer the commentary and sound. You know, it would not be a good slogan for a sport company. Smell the victory. That would not work well. Jockstraps. Yeah, Jockstraps. That would work for a Jockstraps company. No, I can't. Whoa. Interesting shot. Interesting. Not what I expected. No, not what I expected at all, especially with that middle part of him getting cleaned up and in the city and at a club. I didn't really understand car chases and what was going on there. I went from this village thriller to suddenly became like a city crime thing. Yeah, I'm so confused. But then it kind of brought me right back in. At the end. I'm kind of happy confused because it's doing the try to predict what this is going to be, you're not going to be able to. Yeah, the Malayalam film. Yeah, exactly. The way those trailers work. Yeah, I was just trying to figure out. I was like, okay, so he's getting cleaned up. I thought this was like a, am I wrong? Looks very original. That's for sure. It is classified as a horror on IMDb. So that's why it was like, okay, it's going action. What is it? So the Lady and Count is a supernatural thing during a tour and a horror experience with a sudden appearance of a man called Dijon. The story goes on a horror path. Okay. It's interesting because this didn't feel as horror-y as the teaser. In the village parts it did more. Correct, but not the city thing was like. The city thing kind of took a different vibe and maybe it was just, maybe there's something we didn't understand. Or maybe like he's possessed in some way. Yeah, I don't know. And like, so the guy takes, the possession takes over. I don't know. I have zero clue. And I like that. I like that. I don't know. Yeah, me too. Obviously. Subin looked great. Yeah, if you've been around here at all and you're part of the stupid family, you know if Subin's in something, we're going to want to see it because everything we've ever seen him do, we've enjoyed. And watching him be able to, you know, continue to lead films is exciting and interesting. The first thing we saw him in was Kumbalanji Night. Kumbalanji Night, yeah. And obviously, it was hard to talk about anything other than Fafa in that movie, even though everybody was amazing. And everything else was great. We loved the whole film. But yeah, he did such a good job in that and everything subsequent. Yep. What was the last thing we saw him in was that most recent, we saw it just a few weeks ago. He played the teacher in the school, the coach. Oh yeah. With the basketball. The Malayalam film. Yeah, yeah, yeah. We didn't particularly like. Didn't particularly like. But he, as always, was good. Yeah, he was good. It started with P. I forget what the exact name of it is. Did we get a release date? Did you see a release date? I didn't see a release date. It may have said it at the very end, but I missed it. I was looking through. I didn't see a release date. And is it a theatrical or an OTT? That's another thing I was looking for. But wouldn't surprise me if it was OTT. Yeah. And that's a conversation because I keep hearing in Indian, in Indian cinema. Because now that, you know, these massive blockbusters, KGFRRs and all those films, right? Now everybody is just saying anything that is not that should just go to OTT. They should say Jersey's gone OTT. They should say Ranveer's film should just go OTT. No. So if you're not a big blockbuster, you don't deserve to go. No. I think the audiences need to change. Absolutely. We're going to not only support these big films that we enjoy, but the other thing that's so frustrating about it is that those same people that are like, oh, this is failing. And they say that Bollywood or whoever doesn't do original stuff never goes to support the original stuff in theaters. Right. Yeah. Ever. Yeah. And this is not about any one particular film. No. This has been always going in and it's a thing here as well. People don't support. They're like, thank God. Everything everyone wants, thankfully, is an independence film that is doing absolutely great simply because of word of mouth. But that's one out of a million. Yeah. There's countless films that nobody goes to see, either because they don't know or they're like, Well, the other encouraging thing that happened this year was Coda. All of the attention that Coda got given the Oscar to Troy Kotzer, given the Oscar to the film. That was just another little independent kind of feature film low budget that really did well. So as far as here in the States are concerned, no, there's still enough people here that love film that are like us that want big blockbuster experience and then also want to be able to go and sit down and enjoy high level artistry on the big screen and nobody cares about box office. The only thing that matters about the box office, you give the money to movies that you want made more like that movie and you purposefully avoid and tell others to avoid the ones that you don't want made that way because all the studios are going to do is that's up. The studios need to do that. That's a business investment. The creators shouldn't care and great creators don't. They make their movies and move on. Audiences definitely don't need to care because seriously none of the money and the money means nothing about the value of a film. And it's artistic relevance. Nothing. It means zero just because Avengers made a carjillion dollars doesn't make it a better film than Coda. Exactly. Even though even though it's a good film end game is fricking. It's a phenomenal, astonishingly well written and well acted. But regardless of what a film makes does not determine it's good or badness. No. And how many films. But I do did terrible at the box. Yeah, exactly. How many films also in history did terrible at the box office and everyone loved them and they became called classics that everybody says you've got to see because they initially didn't do good box office. It's just it's a ridiculous measure. It's not a measure of artistic quality. Luckily Malialum does not. Yeah. They're just they're like we're going to make good content. I don't care what you have to say. Exactly. Okay. So that's just me the next sub in the film that we should watch in Malialum film down below.