 Yes, welcome back to Social Friday on YN the morning, on this beautiful Friday morning. It's raining in Nairobi. Tell us how you're feeling across the 47 counties and across the 54 African countries. We are on channel 376 on DSTV. So I have amazing people in the studio with me. One is all the way from county 001. The other one is from county 47. So it's a diverse kind of set. He goes by the name Sosumila and he has decided he's taking county 001 international. And the other is a beautiful queen right here, DJ Nefa. One of the few queens who are DJs, Karibusana. So Sosumila, do you remember who you are? I'm a VIP. Ladies first. Ladies first. All right. So what's your name? N-I-W-F-E-R Nefa. Nefa. From the name Jennifer. Also your name is Jennifer. Yeah. All right. So what do you have lined up for us today? I'm from Kali. Kali? Yeah. I hope you can hear me. Can hear me. You must have played can hear me. Play the Santsana for Common. We'll be talking in a few. So you can go to the playlist as we proceed. This is Sosumila. N-I-W-F-E-R. This is your mother Kwanzaa Pujawa 854. Yes. She has a real family. And this time round we'll be making a list of the two. We've done two already 934,000 views on YouTube. I'm relatively on YouTube, I'm on a 3.2 million views and I'm sick of your answer Jules, it's been a journey Alright, before we go, I want to ask you and Lava Lava do you feel like you have 3.2 million views? Do you feel happy? I feel like I'm going to be able to perform at school I'm going to be able to perform at school You're going to be able to perform at school I feel that I'm going to be able to rap You don't want to get lost That movement, you're going to be able to hip-hop We're going to be able to rap as we have those albums you feel that you've been through this before? Yes, I feel that I'm going to be able to rap when we do have a regular chance, I feel that we're going to be able to rap So I went to the studio, from up, I went to one of the shows to learn how to do it. So I did my music, I did my work. But I didn't know how to do it, so I went to learn my music. So I went back to 2007, and I was like... Grab two? Yes. I was like, it was a sad one. I went to my breakthrough, I went to the shows to learn how to do it. In 2008 I went to Gangari Kenoma. So I went to the studio. So you went to Gangari? Yes, I went to Gangari. That was a big song, that was a big deal. So what did you do with rap? With time, you could figure yourself out. You could change your music, and you could do it with the music you liked. So I went to the studio, and I was like, I'm going to go to the studio. Then I went to the studio, and I had to find out what the band was doing and what I was teaching them. What song did you know? There was a Dazzler hit song. What was your first gig with it? Dazzler released it for two years, I was working with them when I was a producer, and they asked me to pull it off. So I called them, What was the best one you did? They asked me, how I could come up with this song? So, I had two ideas, I said, in case you're in a studio, you're a flan. You can go and shoot a video. Or do you go and shoot in less than 24 hours? I said, let's say 20 minutes to the studio. I had a lot of ideas. And melodies and lyrics. So, I shot a video. I was blown away. All right. There's something I've noticed about you is that your music is cut from generations. Your children don't listen to you. But they do listen to you. Yes. And when you listen to your music, how do you find the balance? Because it's not easy to cut across markets like that. It's not easy to cut across markets like that. It's not easy to cut across markets like that. Because no matter how many people listen to me, I'm not going to say I'm making money. Because I'm making money by paying attention. So, it's not easy to cut across markets like that. So, I'm going to use my music. I'm going to use creative music. And also I'm going to use my music. In fact, I'm going to use my music to create my own music. I'm going to use my music to create my own music. We are at Badlisha Station, and we are at Pungu Zasauti. We have a lot of music here, and it's a great opportunity for us to listen to music from different generations. Alright, so you have found that balance, and Saikuna music is a trend in the weekend. And it's from a different generation, from yourself. What do you think about this particular kind of music? I think that it's a very different generation. So this generation is a generation of people who are from a different country, and who are from a different country, even though they are from a different country, but they are from a different country, so I think it's a good opportunity for us to listen to music from different generations. So industry, it has grown from that point? Yes, after that, we have seen a lot of videos of people who are from a different country, but we have not seen anything like that. So after that, we have seen a lot of videos of people who are from a different country. So I think that music is a street. So for an industry who is on the road, it's a street, and it's represented by the street. So for an industry who is on the road, it's represented by the street. And it's just a street by the way, so people like me can understand that they are from a different country. But at least that is the message we need to encourage. So, you think I'm an industrialist, bro? You're a street-lessly represented... Yes, I'm a... I'm a... Yes, I'm a... I'm a... When I first came here, I was very well-mannered and I was very flattered... Very flattered, I'm sure... ...I was left out, and I was a very nice artist. So, I was very well-mannered and I was very nice... ...so I was able to learn about music from Jamaica, and even do various vibes. That's why I feel that I'm very well-mannered and I'm here... I'm here, I'm here... ...I'm here, I'm here... That's a very good perspective right there. White 5 4 channel on Twitter, White 5 4 and the school channel on Instagram and White 5 4 on Facebook It was go up or below the screen, hashtag 1 in the morning, hashtag Social Friday DJ Nefa is in the studio to play Kenyan music to the max So, what is street music? This is the time, you see people go to the street, some generation is flaring, they are all clubs, tenor shows are clubs high end and so on So, me, me, I am the one who is the music But I think there are some gaps, there are some youths who are mombasa Youth culture in Mombasa is a music scene of which your time has flown in and I have been there for a long time. So I think there's a lot of work going on. So there's a lot of research going on in Mombasa? Yes, there's a lot of research going on. Youth culture in Mombasa is a music scene represented in Mombasa. You heard it straight from the horses now. Alright, so you have a song with Lava Lava, that is the topic of conversation today. And people have been talking about this song, Kabisa Kabisa. Mombasa and Tanzania have a relationship. What's your name? It's a coastline. Kabda Uhuru, who is a sultan of Ferman, is a coastline. So there's a lot of work going on in Mombasa, which has families of Tanga and Sanzibar. So there's a lot of work going on in Mombasa. It's a story only somewhere else. I think it's a story. Does it affect how you write your music there? Yes, it affects how you write your music. It affects how you write your music. There's a lot of hip-hop music in Mombasa. There's a lot of background music in Mombasa. Alright, how did your song with Lava Lava come about? I wrote my song with Governor 001. He told me that he had a lot of money. So he told me that I had to pay for my budget. He told me to go to the studio and pay for my budget. So I'm going to go and pay for it. I'm gonna go to Islam. I'm gonna go to Lava Lava, and there's a studio with a lot of money. I'm going to go and buy my music. It's very good. I want to go to Lava Lava. I'm going to Ramadan. I'm going to go to Ramadan. You'll see me in Ramadan video or Ramadan soft Ramadan. Or whether it's at night or you're watching my video, I'll go. I'll go and pay for my budget. I'm going to Lava Lava. I'm going to go to Fajangoma. Governor of 001 and support Ussani Yutei. Sanah Sanah Sanah Sanah Sanah Sanah Sanah Sanah. So Adi Wale Wachinu wanna get to help us. Yeah because there is a program that I do not have yet. It's about to have a video artist from Mombasa County. There is a video that I do not have yet. The video is not yet available. There is a video that I post on the ring to the Mombasa. The video that I do not have yet to be presented. The video is not yet available. There is a video of Duslan Najua Cali that I post on the ring. them. All right. Okay. So what is the long-term goal with Mr. Governor, like long-term goal with the support of the government, like the vision of the government? Okay, yeah, yeah. So, I think in EZA, in EZA, in EZA, in EZA, but using it with the MCA, I think in the chief whip, with the program, like 20 million in the studio and the equipment, the videos, so there is a program, there is a studio, and video equipment. Alright, so the future is bright for an artist M.O.Basa Because in the video, like 200,000 and 150,000 L.F.O. weeks ago, the market was stocking up, so I think up on the video, it's not a record label, it's an S.O.B.S. idea, then it's up to you, so I think in EZA, that's the spirit, that's the asshole, that's the spirit, that's the fight, they fight but they just fight. So, what do you think Counties 001 and EZA, and EZA, and EZA, that's the difference? Yeah. Alright. So, if they're watching right now? Yeah. So, what do you think Counties 001 and EZA, and EZA, and EZA, and EZA, and EZA, and EZA, and EZA, and EZA, Saffi Kabisa, alright, so as you move... Alright, so as you move... I can tell from traditional sound, is this some music that you grew up listening to? Yes, it's a lot of music that I like. The band that I grew up listening to is from Nairobi. It's about 70% of what I listen to is Mombasa. It's a lot of music that I like to listen to. It's a lot of music that I like to listen to. It's a lot of music that I like to listen to. So, Mombasa music is part of my childhood. I loved it because I was also very young. So, I used to listen to it when I was young. I used to listen to it when I was young. You used to listen to it when you were young? Yes, I used to listen to it when I was young. I used to listen to it when I was young. I used to listen to it when I was young. It's interesting. The music that I listen to is from the childhood. You were very young. So, I used to listen to it when I was young. I used to listen to it when I was young. So, you've been busy on your media career. How far have you been promoting? I'll go to next week. Next week? So, you've been promoting on your media career? Susumila x love love yeah all right so if you want to see more social media, you can follow me on Instagram and you can click on the subscribe button yeah yeah okay on Instagram I have official Susumila Twitter Susumila Kenya Facebook Susumila Kenya YouTube Susumila Music Any time I go to Chamsibo, I have a Kwanzaa Kupata Any time I go to Kwanzaa Kupata, DJ Nifua has a Susumila for me Yes of course All right, you can have the latest fun All right so DJ Nifua has a copy of Jina Social media handles I think you can wear a bag of that Social media handles are DJ Nifua D-E-E-J-A-Y They are called Nifua and I-W-F-E-R Social media handles are Zote Zote, how do you mix the clouds? How do you mix them? All right, so Susumila, how do you perform in the TV station? In the interview of Kwanzaa TV Exclusively on Why and the Morning Susumila supported by DJ Nifua Performing TV Live We'll be back with some more Why and the Morning Don't Go Now Don't touch that down