 It's so stupid, it's positively bruised. The brain is positive, positive. The brain is positive, positive. The brain is positive, positive. The brain is positive, positive. French is my guy. I meant to Google how old French was, because I hate when, like, guys that are close to 40 keep using their young card. Close to 40? He's got to be close to 50. Nah, not French. Come on. Nah. Huh? He's not younger than me. French is 35? So French is 35. He keeps calling 50 a dinosaur. How old is 50? Like, he's 44? French is younger than me. Yeah, if you're in the same decade window with somebody, you can't call them a dinosaur, bro. French is 35? I don't know, I don't know, I don't know. There's no, where are you looking this up at? Google lies. Look up my net worth. How much does Andrew worth? Oh, they had me early. They had me like $7 million. Balling! MTV, we need to talk. Where is money going? That's what they said. An estimated three? Go ahead, Showtie. That's an estimated. You're estimating. Yeah, I didn't care. You know why I didn't care? I just don't be caring about, I don't be caring about rich people problems, yo. Like, you're arguing over a Bugatti. Like, whether it's you, the lease, the how much it costs. Streaming thing, that was it. Like, that's a little closer to the ground for me. You know what I'm saying? Because I hear a lot of artists complain about that. Not just from French, but just in general. They say that about Cole, right? They say like Cole's army of fans will just leave the album playing throughout the night or something like that. Wow. I was shocked to see that they had the top screaming artist of the past decade and Cole was last on the list. I mean, out of everybody that was the highest screaming people, like Cole was like, he screamed like 21 million records. I thought that was, I was like, really? I thought Cole would have been way more than that. I think that he has diehard fans, but he don't have all the fans. Like, I don't think some casual is going to go, let's listen to some Cole. But if you do listen to Cole, that is your motherfucking life story. Yeah, he's definitely got the Cole-like following. I mean, Drake had the most, of course. Everybody listen to Drake. My mom listens to Drake. But look at all the different genres of music Drake delves into. Drake would do R&B, do rap, he'd do fucking the Chet Hakes shit, he'd do goddamn Afro beats, you know what I'm saying? Yeah, man, man, man, man. Pondem tings on, push play. It's too Irish? Too Irish. Okay. Okay. Me don't want, me don't want no Champagne Papi. Yeah, you sound like Champagne McGregor. Fuck. How do I get, how do I get more, how do I get more Jamaican with it? I don't know. See, I always resort to the Gitchy accent, you know what I'm saying? Like from Charleston, you know what I'm talking about in Charleston. So it's kind of like, nah, ain't no gulley and patois different. Ain't the same. Yeah, that's way different. Yeah, it ain't the same. It's not the same. No, no, no, Jamaican. Jamaican? Jamaican? You sound like Golden Crust, bro. You sound like a Golden Crust commercial, bro. You're fucking Golden Crust, man. You don't like Golden Crust. You don't like a beef patty? Hell no. I think it's the most disrespectful shit in the world. Don't you fix your mouth to talk about me beef patty? No. Don't you fix your mouth to talk about me beef patty? Yo, shout out to everybody. The ox tail and stewed peas. Everybody in T-neck. Some rice. Everybody in T-neck in Jersey. And a weird Snapple. It's the script in T-neck where you got like... It's not a real Snapple, but it kind of tastes like Snapple tropical fantasy, we call it. Listen, you got the... You ever been to T-neck New Jersey? You've been to T-neck New Jersey, right? I've been to T-neck. I've been to T-ball. Remember where I used to live? Yes. Running all the Jewish people? No. Down the... Mino, no, no, Jews. A couple... Mino, no, no, no, Jews. But they're kind of similar to the Rastafari. Up the street, down the street. The Jews don't shave the side of their heads. What? They got the twisty things kind of like the dreadlocks. They got the twisty things like the dreadlocks. Are you Jamaican? Of course, he's Jamaican. I would have never guessed. Look, he's late every single day. He's got to be Jamaican. He's got 15 jobs. He's got to be Jamaican. His name is Dwayne. Dwayne. What? That's how he said... Because Jamaican's the Indian people, rascals. No, they're not. They're actually some happy people. No, I think we smoke so much marijuana. They're too happy. We need that. You're going in and out of like four-leaf clothing, bro. Like, you're going back and forth between mother-fucking-curry and four-leaf clothing. My name is Donovan McIntyre. Put some jerk sauce on that potato. Put it on it. Me want a Guinness and a Red Stripe mix together. Me no playing with y'all. Me no playing. Put a dumpling on my plate. Yo, Jamaican stout might be fire, though. Jamaican. Jamaican stout? More fire. More fire. Guinness and Red Stripe mix might be kind of fire, bro. Jamaican stout. More fire. More barley. But no, there's this strip in T-neck, New Jersey. It's a great Jamaican restaurant called Island Spice. Another great Jamaican restaurant called Reggae Kitchen. Another Jamaican restaurant. And then it's like a golden crust. And golden crust be packed. Packed. I'm like, that shit's whack, bro. Oh, oh, oh, oh. Oh, oh, oh, oh. Me don't want to hear it, Charlemagne. Yo. Me don't want to hear it, Charlemagne. Jamaican stout should be funny. Bobo Marley? Bobo Marley would be funny as fuck. We might have to have a recurring Bobo Marley character, bro. I shot the leprechaun. But men don't touch other men's boo-hoo-tee. What? Because they're homophobic in Jamaica. Oh, gotcha. Ta-da! Cross-clutch, basketball. Basketball. Boom-bye-bye. Boom-bye-bye. Listen. Yes. What the fuck were we talking about? Oh, did you see the drink? Did you see the drink? Missile term memory is not good. It's not. We were talking about drink. Did you see the drink if you want to rap right off? Missile to Ting. You ain't watched that. There's no way Andrew Schultz watched that whole two hours ago. Missile to Ting with Elliot and B. Really? Me like a B. I thoroughly enjoyed that interview. Me like an Elliot. I thoroughly enjoyed that interview. Elliot and Pailer and Pailer. Elliot looked like the toast before you put it in a toaster. No, he looked like the toast. When you toast that shit perfectly, would you let that butter get in the center and melt? And it's that yellow circle right in the middle of the bread? That's what YN looks like. Me getting horny. Don't be saying H's, bro. Me getting horny right now. I'm making no H, bro. You put that H out. What is it? Me getting horny. Put the butter on the toast, Charla. Put the butter on the toast. Keep describing it. Charla. Keep describing the butter on the toast. Is it Milton? Is it Milton? Because you got to be ready to heal, at any point in time. You got to be ready to heal. You got to be ready to heal. Because the sun is hot. The sun is hot. Charla, man. The sun is hot. Bob O'Marley. Listen. I enjoyed the interview, though, man. Me don't want to look at your butthole in pebbles. I do want to. You what? Me don't want to look at your butthole in pebbles. Butthole in what? Pebbles. What do you mean in pebbles? The pebbles for the bones. I don't know what you're saying. No, shut up the B-dot in the Elliott, man. Okay, what's your tink about the interview? I thought it was great journalism. I think that's where Elliot and B-dot shine. Elliott is an OG who's been in the game for four decades. And his background is a journalist for magazines. I think it really plays well when he's sitting down doing interviews. You know what I'm saying? He used to be editing Chief of XXL. to be a, I don't know what exactly his role was at the source magazine, but I just think he's really good at hip hop journalism. You know what I'm saying? And I think B-Dot, when you add B-Dot into the mix, you know, B-Dot is good at interviewing, he's good at having a conversation, but he's also good at just asking the questions that I'd be wanting answers to, you know what I'm saying? So it's nothing like salacious, you know what I'm saying? And it ain't gonna be nothing like aggressive, you know what I mean? Like as far as the artist, like the artist can really just sit down there and kick it. And I think that in this era of, which I'm sure that I've had a lot to do it, in this era of where you think that you, artists got a while out or spaz out or say something crazy, I think that we forget that sometimes this good old fashioned hip hop journalism is dope. And I think for artists like Drake, that was the perfect place to go sit down, you know? And I thought they did a great interview. I only had like- I like those guys. I did watch some clips on it. I watched, I watched- I didn't watch the whole thing. I watched Mad Rapper Rader interviews. But they're great. Four of my favorite interviews of the past three years have been rapper Rader. I like them here. We got to have them back on. When we had that conversation, they were excellent. I really like them. The Jay-Z interview, the Will Smith interview, the interview with DRock, and the Nipsey Hustle interview are four of my favorite interviews of the past three years. If I had to rank a top 10 in the past two years, probably three, maybe four, those four would definitely be in my top 10. You know what I'm saying? And that makes up a healthy bulk of the top 10. So I really fuck with Elliot and I fuck with B Dot. I thought they did a great job. I only had like one follow-up question. Only thing I would want to know is why, why did, why does Drake feel like him and Nicki will never be cool again? Cause he said something to that effect. Like we probably would never be cool again. I would like to know why. Why going with Nicki? Yeah, I don't know. I said I would like to know why he feels like that relationship, like they would never be cool again. Also, you know, I mean, I think they did a good job of having to push a T conversation, but Canadians, you can't make up your own rules when it comes to rap beef, bro. But you know what I'm saying? Like, like, like, cause, cause, cause what, you know, he was kind of saying that Pusha went a little too far. Oh. And B Dot, B Dot said to him like, well, you brought up, I might have been Elliot. One of them there was like, you brought up Pusha's fiancee. If you brought up Pusha's fiancee and all bets off and Drake was like, yeah, I get it. I understand that, you know what I'm saying? But it's just like, I didn't like the fact that he's acting now as if Pusha isn't worth engaging. Like Drake's the bigger artist. But he isn't. He's not. But my point is you can't now act like you're the bigger artist. Oh, he wasn't worth engaging back then either. But you did. Exactly, you fucked up. But now they, but what I liked about it is he said, look, I'll take the L. He had no choice. That doesn't mean honest, but I'm glad he's being honest about you. You lost. No, that wasn't L. That's all I care about. Yeah, that wasn't L. If you're saying I took the L. Yeah. And now he tried to like carve out his own thing when he was like, it was like, listen, I didn't get out barred. I didn't get out whatever. Yes, you did, Drake. You did. Did he get out barred? Story of the honest, you got out barred. Absolutely you got out barred. And the Dupi freestyle was dope. But majority of it was shots at Kanye. You didn't really have anything for Pusha. How do you pronounce it? Kanye. Dupi. Dupi. Dupi. Dupi. Dupi. Dupi. Dupi. Dupi. Daman. Daman put the Dupi on the left hand side. Yeah. D- The Dupi on the left hand side. The Dupi on the left hand side. Oi! Hey. Oi. Oi. Oi. Is that a sound? Give us a sound, Twaitin. Give us a good Jamaican sound. Give us a good Jamaican ad-lib. Give us a good Jamaican sound. Where's the Dalar vahan? What? Medea. What's that mean? Oh, OK. Where's the kuchi, me want to dagger it? Lord have mercy. That's the name of the dance, right? What? Oh! You want to dagger? Dagger, dagger, dagger, dagger, dagger. Show some progressiveness in the Jamaican community. Me nobody even progression. Charlamagne, what's this nonsense you're talking?