 Italian sacred repertoire. This was a period of revolutionary change in music. Right at 1600, right at the turn of the century, music changed forever from that, Renaissance four parts, rich polyphony, to what is recognized more really today, a melody, a chord-playing instrument, and a bass line, this, what they call then, new style music, took hold eventually. But after some controversy, there was like a letter-writing flame war between Monteverdi and Artusia, about what the future of music was to hold. We are doing all new style music, it is to say all 17th century music on our program tonight. Italy was the center of this major change in music. And we're doing sort of an Italian tour, not just in Rome, but also in Venice on the eastern coast as well, and throughout Italy. We begin with Francesco Cavalli's Cantate Domino e Exultante. New style, his enduring llama plume, comes from the city in which he was born. His family name was Grossi. His name endures as a herald of the sacred baroque, since he published in 1602, Certo con Certico in Basso Continuo, 100 concertos, through Mitzvah. This sacred song that you're about to hear is one of the examples of these works. One especially exciting feature is the sudden burst of fast notes that comes right along with the text. The Loci Quetzaldime, speedily, comes to this duet setting of Enchias Domus Domine. This is the house of the Lord. It is the third icon for the lords for the dedication of the church. The soprano, till you go a little further on, the baritone goes a little bit astray. There is a stream to where it's had its sort of urban origin, based in where for just a very grateful art museum, Manuel Salmon, Carrie Magui, we return to Finetti, Tota Pulcra S. O Maria. The text from the third and the first ends up on some second best verse for the physically immaculate conception. And the text adapted from the song, so it's just like what we already adapted. In Grosu to be more directly married, this is also an adaptation of that song, which sounds to apply more directly to Mary. This is Tota Pulcra S. O Maria.