 then you go to your six, then you go back to your four. Okay, so that's it. Finish playing this key, adding the passing note to my four chord. That was it. One, two, three. The minor pentatonic scale, I make use of the pentatonic scale. That was the B minor pentatonic scale there. From the B minor pentatonic scale, I started from the five notes. So I did something like this. I was, I use this phrase on all the move. Okay? So you can see the kind of hammer-on thing there. So guys, number one movement I'm going to show you today is the two, five, one. Don't forget the key we are. This is my one and this is my two, three, four, five, six, seven, one. So when you hear your two, your two is the second notes of your A major scale. So this is it, one and two. Okay, so the two started from the two notes of your A major scale, which would be your two and five and one. Okay? So that is the first gospel movement I want to show you. So if you're going to your one chord, okay, you can do something like that. Okay? That's it. So that's the number one gospel movement. Then number two is the five, one, leading you to your four chord. The five one is two. This movement always lead you to your four chord. So number three movement is your seven and three. So we use this. This is it. We use this often, leading us to our six chord. Okay? You hear something like this. Okay, so that's your seven and three. Okay, leading you to your six chord progression. Number four gospel movement is also leading us to our six chord. You can do something like this. ["Ode to Joy"] What's up guys? Welcome to another episode of Bazley's Creek One. Today I will be showing you three gospel movements you can use going to your two chord progression the key there on the song is my is my a one seven always leading you to your C then you go to your two then you go to your four and five and one okay so that's it the first movement I did the first lick I played there leading into my two chord was this a chromatic work down the sustain note this thing helps to beautify your move is that if you're going in plain okay so that was the first move to my two chord okay this is my one this is my two this is my three this is my six this is my six this is my five five four three three two two one okay so the movement started from the six okay six this is my three don't forget the key we uh this is a a b and c sharp okay so one two three so six three one seven six four three flat three two before the next one one six seven one one six seven one then you drop to four four four four the 16th note so this was the key b and the progression of the song is five six four if you notice what I did on that song the first movement I played the bass line I played was this I took the same pattern the same movement to the five chord I took it to the six the ghost note underneath and everything the percussion underneath that's my riff took it to the five chord also to the six chord okay okay that's it as simple as this this is registered more in the minds of your audience take note of those things they really go a long way the key of a and my progression is four then one then five then one right these are my key progression on whatsoever song I want to jam on I want to play okay these are my main chord progression this is what defined that song this is what made that song to go that way okay the progression right now the passing note remember I'm on the key of a now the passing notes if you notice when picking out the progression or when choosing the progression it was not all the notes of the a major scale I made use of it was not all the notes right they are still the third note is not part of the progression the the sixth note is not part of the progression the seventh note is not part of the progression the one is part of the progression fine and we still have some basic like the flat five there is not part of the progression the flat six the flat seven is not part of the progression now these are what I will use to serve as my passing note to the actual main progression I'm going so another episode of basley quick one today I want to show you movement to connect four two three five six chord progression okay hope you're ready for this one so this movement is simple okay the key of the song is already on f so this is my key f and this is my one f sharp this is it the progression of the song started from your one give okay so the first lick I played there yeah does it so the lick started from my f sharp okay this is my f sharp this is my f sharp the high one one I know this is your one but don't start here this is it it's done okay one seven six seven one six seven five two five one then that lead led me to the seven chord which is my next chord progression you see that's it okay so the first movement I would like to show you there is don't forget the key we are okay leading us to our four chord flat five four three climb up to the one five your one what's up guys welcome to another episode of basley quick one so today I want to show you two different passing notes you can make use of on this worship song that I just finished playing okay they are simple to understand and very easy to play on to that love be the glory now this song I played this song on key a okay and every of the chord progression on that song is almost all the notes you have on your a major scale the only note I didn't touch there was the t was the seven okay now the song progression is just simple they are basic gospel progression you always come across okay so now this is the progression on to the love be the glory great things you have done on to the love be the glory great things you have done right now if you check the progression is like I said is almost all the notes you have on your a major scale these are the progression one four five six five then one I'm going to show you the first movement I made use of on that song was this the first passing movement passing notes I made use of was the on to sound more interesting okay now what I did was five one four drop to my four then I went to six five flat five seven just they work down to your three chromatic work down to your three two flat three three then drop to six now you're dropping to six the sixth movement was okay this is my one don't forget this is my two this is my three so I started from three from three I went to five one five six that's high to sound okay what's up guys welcome to another episode of baslady quick one today I will be showing you three gospel leagues movement you can make use of now the key of the song is b flat the first lick I did was this now the lick started from the five five three two two flat three three six seven one three six two three six does it