 welcome back to another animation analysis and yes i'm taking another look at turning red mainly because of awesome facial shapes a lot of times it's about hands and things and i was looking at this trailer going all right i want to look at all of these and a lot of simplified shapes that read so well it was so cool but anyway it's not the beginning really nice look i'm already a big fan of the colors of the look and watching the whole trailer that opinion has not changed so i wonder if this character just has always eyelids like this she never goes higher except towards the end i think she's the only one that can get away with the translate like an icky head there but we can see that later but right off the bat we got some interesting posing interesting hands and of course those mouth shapes that change she cracks me up too there's a lot of good stuff in there in close-ups of course i love textures some great squash and then relaxation in that foot there like a detailed stuff i'm always a big fan especially here when you watch this here i love how the eyebrows this is for the students watching if you have eyebrows lifting you can't just have that it has to also affect the rest and then you can decide how far you can go it's definitely going to pull up the skin here you could potentially even pull up the nostrils if you want to go bigger but that is so important to connect the eyebrows with the lids so that it doesn't feel like the separate shape that you're moving around in your cg character but if you watch closely even this corner is moving ready just a bit it's crazy town it's almost like you have to frame through it but great look one if she has no glass in there that'd be awesome too again she cracks you up i love how she has that look over towards her going okay it's cute though look at that look at those shapes so this is this is why i want to look at it look at that this the pushed to the side without even pulling the the nose over and then switching over to this i love how those shapes just expand into this her the same thing it's so great this goes straight into my mouth shape reference library same thing here but even on something like this here when you have a big body move i love how we hold a lot in terms of there's no crazy wobble on the nose there's nothing where like that shape will come down and then go back up there's some interesting choices there here and there especially when she plays uh in the music class in terms of like one frame direction changes but it's great though when you still have that sense of bounce even in here if you watch the hand it's just enough it helps that this the hair it keeps swinging it's great though ike head road space come on you can get away with it on close-ups like that again you can see how much is that play with just a little slight relaxations same thing here the eyebrows that still moves this section through there so for the students watching you want to put in just enough facial details and you take this and you put wireframe on shaded so you can see the mesh and what is affected half lids she's always half lids i love this video we still see this hand it's like main animator intern what good pose though good finger pose again we're back into details squashing of defeat with a slight slide because we're going down and pushing out this way with a slight pivot from here i know i'm over analyzing this but telling your students gotta pay attention to all that stuff it's great that extra detail especially being up close you gotta put that in there cute walking again she says here okay she says her name i'm in all that stuff there and look and see there's not much going on in terms of a change and that's why i love it you can get away with pretty much just corners in out while maintaining the shape we still have some tongue animation because of the l for li is great though again it's just you can get away with a lot and that's one of the things actually i struggle a lot with too is the the over annunciation in the jaw and too many shapes and it's not needed you can you can really get away with a lot here i love this course hand pose there's a lot of nice arcs in this more on that later yeah there's already lots of great stuff when you're back into your i k world space head here love it even here though you got just enough like it's not you can't go straight over this is really like a flat i k head or something but it still has enough of an arc following that and as you do this again mouth shapes going from really big shapes still have asymmetry in there though right it's not it's not always mirrored so even in something like this but i love how we go from this and it really reads with all of that and the accents in the jaw so it's not it's still strong but it doesn't stop over one frame love all this look at that this is why i come from here this is a really nice clean appealing shape even this little arc in all of that now if you look at the mouth and look at the nose there's just a little up and down but compared to for instance if you watch like disney trailer where it's more the less stylized like this if you have big jaw moves and the big shape changes there that nose would be going for like really big fleshiness love that shape it's interesting to see where it's used and where it's not it's a little slight asymmetry there of course nice finger poses that'll pinky just a bit higher i love all this and even this here on that change you have a slight rotation change before we translate over yeah it's so great students telling you go frame by frame analyze and take notes i love this here that's great he definitely has an attitude dude again we are back into half lids i love the contrast of all of these i like that the group of them and then with the other we don't see in this frame this is interesting to see with holding the props but also like how like she's very strong in her moves where you have to look at she's very active she's very tense in all of this she needs to get a lot of stuff done as she says here right don't have time to lose so there's a lot of strong poses but also strong body tension like there's no crazy floppiness in his arm despite holding an object here and turning and you can see this later on in the music class hold on let me go forward although it's something short like this i do want to there are a lot of takes here where you have a an expression and down into a squash in the transition and up into something else there are a lot of these in this trailer so i think this could also go into your takes reference folder then you have this here you can see as she pushes up right she stretches out there's going to be more push on on this arm and you can see a little bit of moving this here this goes back to the students watch out when you do body mechanics right you got your arm i feel like a broken record but i always have to mention if she comes up every semester you bring up that arm yeah it's going to push her over this way she's going to be slightly off but there's still pressure on this that's going to still affect this right you still have movement in here and even at the end when she's done with that pose you can see that slight spreading of the fingers like there's a lot in this even like the arm pushing the shape over again pushing all of that you got your asymmetry in the face in the mouth shape and everything like that would be such a great study for students just to look at what goes into a shot like this and just the the mechanics and what body part influences the rest and force and pressure and so on every time i love it look at that face look at that face she cracks me up lots of great stuff in there but again if you look at her you can see how like there's there's so much tension in there even though she's walking and she's pushing this up here again it's not floppy there's a specific style to all of this by the way i love how the textures and the writing how the pen gets dark here as it goes over i know it's silly but i love all the close-up details of textures and and the random all it is now here i slightly hear fromage if you bring up the sound uh-huh french class uh-huh right italian french there love this guy again we're looking at the big big shapes just read really well after the flashy cheeks though so don't forget the tongue in there this is the one let me just go back with you for hands i love this here down into over into out but even here just the really nice clean shapes you always have that triangular shape you can break it up a little bit but it's still technically really clean shape that is something that actually in the recent assignment it was all about hands and fingers for the students and telling you gotta go in there frame by frame and make these work look at that gotta go in there i love this too how that arm comes out but then relaxes back in this slight little up and down in the in the wrist just that all of that stuff that i unfortunately torture my students with of course it's all in there this is the one where i always tell the students careful with sudden stops and one frame direction changes but in this case like she is so tense and it makes sense i love it that and with the sound i gotta bring the sound back so good that's really great i love all this this one cracked me up because she's falling asleep well as it's a ginormous sigh and i love that little the shakiness because you know as they're in here and this is all moving and shaking from uneven ground it goes back into her little attention detail there you can see it is on this character as well love the mirroring of poses let me see that look at that again the mouth shapes all that into a clean shape like this and also for students watching this just go through those mouth shapes and look at corners you could track those corners and how they have always nice arcs they're thought there's little twirls at the end the nice little ease in you can see how the corners it doesn't have just the jaw go up the corners go in as well to kind of relax that shape a little bit i like that it's a tiny little bit up and down in the eyebrows oh that's great yeah such great stuff here look at that holy moly really getting into those crazy anime shapes where you can see a really stretched mouth half eyebrows there half lids but again you can see this here they the arcs and the softness of the jaws that's something else that is tricky for a lot of students where they bring down the jaw but then it stops fairly harshly and goes it's a lot of like up and down where you graph it that's literally the curve linear keys and that just gives you a really harsh up and down and i think here i mean even here it it doesn't have like a crazy ease in down but then it's still masked by now the head goes over it's like the jaw is done and then pulls the head over but then also the mouth shapes continue to go down and up with a nice arc so you can still have expressive and strong stops but then the rest continues and gives you still the smoothness in the scene or in the scene in the just in that area but if you have just corners dialed in where they go from in to extreme here linear key jaw down linear key that's just something that a lot of students struggle with love that look at that high density there so many shapes here to look at and the course anyway go through this love all that even when she's like this it's barely higher it's not that much i wonder how many times you can see the white above there oh so many also great poses great great expressions in all this as well something like that might still got your it's like grouping of fingers you know i'm always going to look at fingers it's so great so it's really strong it's patient and just overall poses still got your asymmetry in terms of the height here always those really big mouth shapes i love all this and that is such a great transition there into that look at that of all this fingers out everything's out and fanning out so much fun this shot as a whole it has such a rhythm of the bounce with her but also look at her how she's got those arms back in there with this has kind of that that anticipation going back and got your line of action still very strong into this and then going into the lead here with the shoulders and the elbows get your reversal ready for that type of move with that turn i'll love it into this i love how on that down we just wait a little bit with those arms and then they go down into all of this look at that it's just so great i mean athletes again she's got her side to side head moves with her appropriate dancing background i love this look at that shape i mean all of this here i'm always checking your asymmetry enough is oh she's always a little bit like almost like innocent and cute and am i the only one doing this in my right versus she just goes i am doing this i regret nothing yeah look at this oh man so great even here if you watch her that's what i was looking at before like she is done with the pose like she is really committed she is committed beautiful poses there look at that i love how that that foot points in words like that everybody's so committed and she is it's almost like she's not as strong with all the shapes but then at the end you can see like oh she held just long enough oh no it's too long while they are just i am in so great just the different character attitudes are great i love this too look at all those turn pivot off the toe into i love how we're here and then it slides forward let's get into this into this bend and again you have bending down you put pressure on there right then look at the feet there's still a little squash in the feet that that foot roll still goes down everything compresses down because we're putting force down on on the feet there just in terms of the edge of detail as always students like you would have your your main shot posed out like this and then you're done or you think you're done and then you start adding all of that again you see it here as well or for instance like the details you can see with it still the holes on the shapes the change into that all the extra stuff that you got to put in at the very end obviously depending on your style and you know what you want to get away with and how much time you have you got some flashes here it's fast forward a little bit even though like all of this here details of the lighting that isn't painterly almost it's very clean and stylized but silly of some realistic reflection and stuff but i love all this here the wobbliness that's later on when she realized that dad knew about it i mean they both both parents do but i love all this it's so cute then we go with like some really crazy renders i love all this makes me hungry too let's go back here hold on let's check surprise that well it is moving just a little bit as she pulls the eggs moving i was expecting more more drag so cute i love all this here set dressing that's when you look at that oh look at all the little things posed out the shapes and textures i love this i love set dressing my own shots again not that i'm doing crazy amount of shots at home but they never have something like this i can't wait to find objects and populate and then look at you know this like where is it busy or is it not even though you have stuff here the steam helps in isolating her in terms of silhouette it's cracking up too dad socks and sandals i'm gonna admit i do the same thing not ashamed of it this my grandma had something like this in france but she had toilet seat like that cracked me up still i'm always looking at those really clean changes of the shapes into that look at that even on the down like this where she realizes oh what is going on that nice soft and clean extension of the eyebrows and you can see everything is just widening just a little bit which is tough you might say this is a couple of shapes but i'm telling you students they love just animating too much just something like this just reading this so it doesn't feel swimmy this is just right but you still see the change here as she stops to get the shapes on the shoulders it's so subtle it's great though you might wonder why is this a great egg to me it's always less is more you also have to practice less is more not those crazy you know takes flailing around i mean there's a lot of really great stuff here like i said in moments like that that's definitely something you want to animate in practice the bottom mechanics and everything but at least for yourself you got to do something where it's just a shot like this how would you go about this in terms of just animating those little shapes slight change and the pupil is an iris just all of that just not to be underestimated and then we go back to a big take of course again there's a lot of it's a trailer of takes trailer of takes in its patients you can see how that arm goes first that's something else when you have a take so it shouldn't be all pose to pose you're gonna have certain things reacting first even if it's just one frame but you got arm down head down then coming up into that and the same thing here right you anticipate slightly down squash into over the arc and a stretch and you got your asymmetry again everything is in there really nice finger grouping i love all of that and even here when you have that slight relaxed hand and it's the the tension grabs this a bit more you can see that post change in the fingers there all the little things as a student telling you to write this down that okay well what is going on in the shot what are they doing like how many frames for the eyes to close seems to be two frames whole two frames and then open you can just count that and replicate again you don't want to copy stuff but then you're real but i think it's great to write it down and see what is going in this shot how are they doing it you can track things like her nose how it goes down over into this nice arc if you play just that section in real time again it doesn't just stop it has a slight ease in a slight return in this case just a frame but it doesn't just stop it also helps and of course with the overlapping of the hair and all that stuff take note and see what you can do on your own shot just as a practice run love this great design i love this too for the crazy town what's a dad doing in the background i love this too how it's the knees kind of in like that i know this seems like such the a dad pose i don't know why there's something about this still though you got that going down ready to get up and put the pressure on that on that knee the elbow goes out those you know tiny stuff on the background so think about that nice grouping and nice posing of fingers of course well this here anytime we go into something like that ours people everything gets smaller and just that change from here to here it's basically about one frame that's great look at that because that's the other thing when you have a shot like this right how long is this let's watch us not long but fun right you got your as an assignment again this is for me always from a student perspective because they have a lot of like 10 frames 10 second 20 second shots this is so short but it's still a lot of fun because you have change of expressions you have gear change you can push the shapes you can also play with what goes first in terms of leading like it's all about the reaction so this is not going to do too much and then it goes down into your slight squash and stretch where the shape still expands and then you have like a really big transition over one frame with extra parts of the body that can drag into again a change of attitude attitude now you know it's a just change of expression there but still tracking your arcs you still have a nice settle right if you watch that nose tip here again it's a very short chop but it's still all very clean and you can still go into another expression at the end and this is really not long that's why I just really emphasize how a student just keep those shots short I love how the tears at the end here all separate watches it gets very it's like the mix of clean like super nice textures and then stylized elements there such a push shape I love this this cracked me up too I love that she's doing this to calm her down I hope that it'll like she goes away and then on stay back she comes back just that little flair stay back how long is this shot it's just enough it's not super long again for me super long it's been students do like 10 seconds 20 seconds let's see so this is you can see here the amount of jaw move you can see here so even though the jaw stops the locks we still have the shape corners go in and then as it's not super lock so the frame in with the jaw there and still see that the corners of the mouth still continue to go in and just look at what the corners are doing their arcs how how long they hold certain shapes but it's just never that you dial in a corner out and then hold there's always something to it where either the shapes relax or continue they hold they have they have arcs and that's a big thing to take away from this trailer for students just really look at how this moves it's a fast line this happened already there's a lot to do there but again you don't want to do everything in the jaw and then in the mouth shapes let's keep it simple enough I love how she has that reaction to what he just said I love that too how we have besides the dipole like the shoulder pads how she goes up but then goes down first with this arm with the lean and goes down stronger with this arm again just because of asymmetry that's something else where a lot of times this would be what students do and keep a lot of symmetrical arms without doing that that going up that going down but you cannot be symmetrical every now and then but you can still look at the easins and now it's in the transitions to make it just a bit more complex again arcs I mean if you track her nose here even all this hair it's beautiful small small arcs that still work I mean spacing and arcs is a big thing for students as well love that little that little shakiness in here all right we're going into more stuff here although I did like this here we're getting into this it's all very clean this is the focus here but we don't stop there and it just continues with well I'm gonna show you something else I'm gonna change the pose still right towards the end you know that finger moving in a bit more so now they are grouped out of this you can see how they are closer together than relax a bit I know I'm going on and on about fingers but like and something like this like this would be again a great shot for a student that has nothing to do with the face there are no crazy body mechanics but I'm just going to practice holding a prop constraints and finger animation how you can make it work so it's just subtle enough but we're still a little bit of contrast and change and it's not long I'm going to go back into like how long is the shot let's go back and it's not long so keep it that short in practice I just love anytime you have teeth like this in big shapes like that maybe just because of as a kid watching all those cartoons that always have those big clean shapes I love seeing that in this trailer this would be a great way to assignment too some big object wants to go somewhere and then two smaller characters have to push against it this is just more interesting than like a simple box lift even though I think everybody should do a box lift because it's not that easy to do either but that has a variation of weight plus then you can also do you know some of the weights more closely like close up we don't have any problems with like hips and legs but you can go into facial expressions right you can still do a weight shot and then see how that affects that character emotionally and so on there's lots of variations this cracked me up just because you can see a little slight bump here in this the winds pushes up the post it notes but then it's not like one two three it's all as one I don't know could be also fun to do one two three as a variation but this cracked me up just because I just animated something where something lands on something that also has like separate pieces and it goes into this direction a little déjà vu but I love this I would love to animate all of this all those little things done by hands the cable plus of course the main character with their reactions there you can see that little bling that sigh oh I think this is that this one where okay okay I don't know if do I need to do another I did the teaser trailer but then I see this I go all right I love all this all those really big mouth shapes and really nice hand poses one of the few times you can see not have lids but look at the high frequency at the end such a short shot but again something really cool technically to practice you got your squash everybody's getting ready for that big stretch and really big shape but then you want to feel the tension so as they hold you still can have your arms and fingers and mouth shapes shake let's watch this again and you got your even a little prop animation how many frames is this I'm going from 21 43 to 21 58 so tiny what students do it do it keep the shot short at least you can finish it same thing here right going back lots of high frequency shake it's a little very clean mouth shapes but you can see the slight changes in that this was great too I just love this frame in general all the details that I love that the grabbing at the very clean extension of the hands also no blur on this so you can really read this is all blurry blurry blurry blurry so you have that moment of not I'm reading this moment and I love that that pull look look at this come on head is here legs are there it's great but even that is fun I mean come on watch this it's not long but you can practice something like that in terms of the holds like something like this where you hold it over one frame so they got your arcs in there you got the drag maybe like principles in there you can really push the eyeballs like coming out of their heads and a little prop animation I always love to do where is that paper going back here you have even this here moving short but you can still do a lot of awesome stuff her face come on this over one frame two from here to here it's great how does this look in real time look at that she really goes for it again something else that you can practice you can have whatever I replicate this or do something else where okay how far can I go in terms of shape changes post changes over one frame also still love that pose even though it's just one frame these are closer together than these like every frame is really thought about in terms of hand posing you can still see also with the lighting but it still reads all the hands are still clearly readable all those poses but that would be great practice shot too as for someone that goes into an action how far can you go in terms of one frame changes there it's interesting to how this shape here if I put my onion skinning on oh stop and go so you got this here and then bam the other hand is almost there but not really so even though it's subtle it almost feels like it's the same you still have a little bit of a change in this hand being slightly to the right so careful about strobing like this is so fast it doesn't really matter you mean like that's it's not that this is to me more like if you have a bouncing ball I don't go straight from character to bouncing ball but if your ball is here and it lands and it goes up in the same position same height and over one frame it just gives you that weird strobing feel I don't just make me think of that totally totally an aside there I love this half lids cute outfit though I know there's just something about all of this here the trail the characters even back into your mouth shapes right there's a lot of wool into like a lot of different O shapes there half lids but still look at this one you have still a slight move in those shapes go frame by frame and you can see even on this change it goes up a bit for your anticipation into the down but those corners do all have arcs let's go back here definitely a lot of one frame locks on jaws in this trailer it's usually what I would tell my students to avoid but here's a good example of how it still works because you want that accident of girl and it still reads enough because as it hits here there's still that change in here it's very subtle though also you know just a still frame like this just for you to study as a student okay how are those shapes well it's all you know there's still change in the in how big they are right how much there's a change between the opening here the height of the eyebrows or a corner pushed out so there's asymmetry is always present that's cute I love this too the puff and then how that affects the the props as I was like you know hair clothing props all that stuff I love looking at this simple shot too though again for me it's interesting and I keep repeating this because they are in a certain state of mind and then they go into another it's just a simple exercise of A to B and how do you transition from that or any changes you can see again a really nice arc there's so much you can look at in a small shot like this again all of that she's going back into that side to side that I mentioned before she always has a little side to side havelets there let's watch this you're you she's saying here you're you and it's basically this into just different versions of almost a circle but if there's nothing you know like super complex in terms of different mouth shapes but you can't like this is the style and that's something else too to look at like there's there's a specific style to all characters and how the shapes move so there's a consistency to it that's really cool and that's something else you have to look at as a student you might say it's really cool yeah but I mean that's what you do yes but I'm not as a student so you know this is you know for for students to hopefully as they're watching this you have to look at what are you establishing in your animation terms of the snappiness the style the shapes and then if you have a 10 20 second shot which a lot of them do be consistent because a lot of times it changes and it's not it's a bit all over the place so I don't know you as students you have a lot to think about in terms of your shapes a symmetry body mechanics and space and all that good stuff but still the back of your head still think in terms of consistency and how the character in a way doesn't go off model in terms of what you're doing with it I remember this from the teaser trailer it still cracks me up though that jump high goes down into this although that's when I would have put let's see squash in the toes squash in the toes do it do it simple thing but I like this I like that this gesture is cut off here I know it sounds silly but it's just a nice it's a it's a one-arm gesture it's not your typical two-arm w or the one-arm fan out I still like that the shape of that and I was slightly cutting it off I don't silly what I like that I like stuff like that but even here again I want to stress out this you can see that shape how it changes into a close it's like ease in and out but if you look at the corners of the nozzle there's nothing there and it's not like you watch this and it doesn't work it does because the whole style of it since the very beginning is push shapes like that and really fast transitions but again if this would be like in a more classical disney movie cjo a lot of other movies you would have a slight change in the corners like that muscle pulling the corners down and then going up would relax those corners there so this interesting again a consistency in all of this oh she cracks me up all of these guys cracked me up I love her a little why that what what like a very fast blink I love this too it's like a half blink yeah I love this again you don't have to do always a full blink because she's so she's so attentive here like what what that she doesn't want to lose focus I'm reading way too much into this but I like that choice that it's not it's not a full blink she doesn't want to lose side of this it's great shape there too just everything is really nicely posed out I love that it's underneath the arm they all have like the different the contrast opposing is great in this love this here when she goes up and there's so much rotation but the head is almost locked but not really it still doesn't feel broken but it's just this this more stylized look and focus on her look at this I love how the expression is not changing it's like okay this is normal palm let's do this so great that's great too uh I say great just because I look at this and go oh man this would be so much fun to just pose out over these copper frames that massive drag that contact so good it's so much fun to animate but watch how long the shot is okay well she does a lot more at the beginning let's watch this yeah it's okay it's well it's a longer shot with multiple characters but it could just be this right it could just be a character looking and punching and just the mechanics of that was even here you have that rotation of the body and that swing of the of the arm and that's still going to affect the head you can see how the head is not locked that comes up with a little bit of a little relaxation there change a little bit of wobble there just a little bit watch her nose it's great just enough attention to talk and smack her all day the other thing I was looking at is what I love is that she gets bam knock off screen but look at her I mean not her all of them but they all it's like she she falls maybe against the wall and it falls down but it's all implied through them watching and then watching the other fall and I love that because it's it's now about the reaction it's as you know it's a great shot idea where you have your big mechanics you have contact you have fun facial expressions and after that the object of interest in a way is gone and then it's all about them reacting and you can see like the head shake she she is delighted at that look at that mouth shape and then her going mmm it's cute too holding the nose there squeezing the fingers there's so much you can do I think this is great as a as a shot idea this into that real bounce of happiness oh it's so great again a lot of takes you get a lot of compression and is your patient extension love those poses though this is something I was looking at before where it's again attention to detail in terms of feet right he goes back and wants to turn and you got that turn in the foot with the pivot but it's not a foot roll activated straight up it has a slight bank to it because it pulled this way that's something that I would so critique for my students like everywhere you can see how you got the compression in here and then the change already in that turn that's the stuff you want to really look out for as you animate this you got again clean shapes for the hands yeah well that's the stuff that's really important that again a lot of students don't maybe don't think about just yet because I know this would be really complicated to animate in terms of the mechanics but once you're in there and you're done you're doing your polish your polish aspect you gotta think about stuff like that the pivots and then the the side to side banking so it's not just a channel that's activated where the foot world just goes up without any you know side to side rotation complexities in a way sure someone animate this by hand I love the the sense of mass here with the fur it's great this guy cracking up too I love that that turn where it goes into that and I love how tries to land but it does that split and then the fall the complexities of that turn and fall watch her so great okay how long is this shot this guy maybe that's the theme besides mouth shapes is length ready it's not long but look at how much fun this is you have besides the contrast right you got a big character small character then you have not exactly contacts not like it's a big punch or something but you have at least a reaction to it and then you got the physics of a fall where it's kind of like in a way it's a bouncing ball right but within that construct of a bouncing ball because you got your bounce here you got the complexities of okay what are the limbs doing so I was a bit rag doll but then not really because now you're going to very specific drag you pose love this into this where the head is you still have those moments of reading without too much blur and then you got the complexities and the change of that fall so great it's not long definitely complex and that's what I would do as a student you're really learning shape language and shape changes for clean silhouettes fast timing and then still wait wait it's almost like weight plus fun right this is your weight assignment but you can do all that fun stuff there and just when you think it's all done that's your extra accent look at those cheeks it's your it's not it's not a trumpet but this is your lesbian style bam you can see that extra drop for this and I love also how the pivot is off of here just keeping those toes up like on that land you don't have a the foot drop on it because that kid is so tense so freaked out that you can feel it in the tension was the toes you can see the toes but the foot never relaxes into a flat foot there so great but even this imagine none of this and then you have just this guy just the weight of that practice your arcs so when you have this drop here you can see that that stops because obviously its surface on surface it stops but then the momentum continues bam on that leg coming down it'll overshoot them back on this leg because anyway that's not your your typical weight assignment you get some fun poses and again it's not long but you practice weight and your spacing all of this so great I love it I love it same thing here big takes again it's the trailer of takes the change into that but look at the bounciness and again the arcs of the nose has a really nice twirl in there and then the up and down and it's not super soft right you still want to feel that so much to look at oh man this is one of my favorites I love her talk about mouth shapes she goes oh that's a big change from a I can nice silhouette to oh I love how you gotta look at the arcs of the corners but also the jaw right she goes oh into like she hits that pose but then it still continues as an incipation to the M I look at the arc of that jaw jaw goes out arcs in for really really nice M and then ready inhale for the G and you got that one frame of G like the corn is up to say it oh I love this and I'm nerding out but I just love clean shapes what can I say and I love this too that the push oh it cracked me up what can I say it's silly and I love it you know what I'm gonna say here right short shot just a blank but look at the enough detail in a slight head turn the change of the eyebrows telling you just do this students just do that practice a short shot and then you can go into something like this which is not big either in terms of length right so much to do it's great that cracked me up too okay your classic anime run here arms back that's a fun shot too though in terms of just the mechanics you got your run into a jump land transform into a bigger object launch it's short can't see too much but that would be fun as an exercise too because runs and walks are hard so like you want to do this for a 10 second shot that's why you want to keep it short and you have nice contrast you know like maybe your assignment I think that's boring I don't do a run like you should but even then all right well then do a run just a couple steps right and then into a jump and you can really look at those really nice poses beginning to patient I don't know so what you can do in a short shot to have fun this cracked me up too the hair at the end this guy's cool too though shapes oh look at that this goes back into wall lights big shapes I love it this is great too one of the few moments where we see a little bit more I just like the trio I just like the character designs and what they're doing this is something I always wanted to do where it's a character that has a mechanical arms like a robot arm I'm really going to do it I think very soon it's that and a break of an arm anyway so I'm trying to do more stuff at home and that's one of the things I want to do I love this here how push that is but it's just the idea of an arm changing shape into something heavier now for her it's just the anticipation then the throw but I would love to animate something where this arm transforms something to something big and heavy and then how that arm then plops down and pulls and drags the character and how the character has to deal with something heavier on the side it's just something I want to animate clean shapes love it this I love that you know I love it all of this here and then the path of it too pulls their hair it's great so great that you got your sound barrier oh it's great but this guy I love that besides this come on how is this not fun do a big take and you can go into those big shapes but I love how it burns through the hair I love that with all this here so great that's the end it is the end so cool I love it I love it I thought maybe I should not do another one but I can't help myself it's just great like I learned so much from this the wobble in the ball in and out in and out was the path it just there's so much you can always watch and go through and frame through and it's the detail work of this is so great got your the tongue shape again it's not just the tongue up has a little animation there changes in that shape so much for for a student there's so much in here where I would really take this to heart and look at how long are those shots and how much is packed into a shot in terms of posing and facial stuff and mechanics and just contrast and fun it doesn't have to be a long shot and that way you can actually finish it and go from A to Z anyway that is that it's a long analysis but it's also really cool oh man I want to end on this here a combination of this that the hold and I love how small in a way the change in that turn is I don't want to be loud let me just go and say no and no again so good all right I'm gonna end it with that hope you liked it hope it's especially insightful and educational hope it is I hope it's a there's enough balance of me saying it's awesome plus teaching I hope thank you to all the people who animated on this great I can't wait to watch it and that is that if you like it you the page like a subscribe get a throw that in there at the end subscribe so you don't miss any of these but whatever it's the page the YouTube page I'll leave it at that thanks for watching let's go back to this it's so awesome and I'll see you my next upload