 Suspense! Autolite and its 96,000 dealers present tonight, two stars. Mr. Charles Lawton and Ms. June Havoc in blind date. A suspense play produced and edited by William Spear. Say, Hap, have you heard the one about the car that lost its head in a clutch, got its block knocked off, and hasn't had a break since? Slow down, Harlow, that story won't hold water. Well, maybe not, but here's one that will, the story of the autolite The battery that needs water only three times a year in normal car use. Autolite stay full batteries with their greater liquid reserve help to eliminate one of the major causes of battery failure. Still more, Harlow? I'll say, Hap, autolite stay full batteries have extra protection with fiberglass retaining mats for longer life. Why, in tests conducted according to SAE life cycle standards, autolite stay full batteries give 70% longer average life than batteries without the stay full features. So, folks, get an autolite stay full battery. And remember, you're always right with autolite. Oh, and a reminder, suspense on television may be seen in many parts of the country every Tuesday night. And now with blind date, and with the performances of Charles Lawton and June Havoc, autolite hopes once again to keep you in suspense. The demarco's name you'd said goodbye that left me alone backstage. I'm always late anyway. Eight acts on the bill, and I'm always the last to leave the theater. Say, just what do you mean coming into a lady's dressing room without knocking? Hi, cutie. Ah, I never heard of a call, boy. Who didn't know how to say, are you decent? Ah, relax, relax. Take it easy. We can't all be double-jointed. All right, what do you want? He's outside. Who is outside? Some John you won't like, says he's got a date with you. Oh, baby, you're closing tonight. Tomorrow you'll be in far off Detroit. Then you'll wish you'd done the loop with me once. Come on, let's you and me do our own circuit tonight. I have a date, thank you. And will you go out and tell him to come in, if you please? You can do better than him. Yeah? Yeah, me. Oh, for... Ah, you know, you've got real talent, honey. You need somebody to watch out for you. In the profession, I mean. Now, what's a cute little trick like you taking fourth billing to a lot of hooffers? No, you stick to your court. Yeah. Oh, Gloria, baby, this is your last night. I told you before, I don't like to be touched by you or anybody else. Eh, I'm beginning to think you mean it. Get out of here. Okay, okay. Your stage door Johnny ain't going to be no improvement. Believe me. The idea, the very idea. Doggone it. Where did I put that? I believe I'm on time. The clock on the regular tower has just struck a left. And I'm Vincent Hawthorne. Oh, yes, I'm... He walks in beauty like the night of cloudless climbs and starry skies. Come again? I'm not what you expected, of course. Well, I won't you come in, Mr. Hawthorne. Here, let me take your hat, Mr. Hawthorne. I'll only be a minute. I'm leaving Chicago. Close tonight, you know. Detroit tomorrow. I was elated, packing and on. Not quite dressed. That props anyway. A theatrical trunk. This is a big thrill to me. Gloria Lefe, theater, rush, Gloria Lefe, trends in bends. Yeah, that's me. Well, well, this is my first experience in meeting an artist. Well, really? Gloria. It's a lovely name, Gloria. It fits you, you're a very lovely girl. She had a woman's mouth with all its pearls complete. And for her eyes, what could such eyes do there? But weep and weep that they were born so fair. Well, it's something of your own. I only wish it were. That's a narrative poem of Keats, about a woman who turned into a serpent. Well, gee, that's a cheerful little earful, I must say. And what do you got there? That's a flower, a rose for you here. Oh, thanks. Yeah, I like roses. I thought it would look nice in your hair, Gloria. Oh, yeah, well, thanks, thanks a lot. That's real nice. For your hair, yes. And this. Now, this is something for both of us. Is that whiskey? No, no, hardly. It's wine. It's shabby. It is a fine bouquet. Should lend a note of cheer to our little restaurant. And two glasses. Gee, I thought of everything. Fine wine should always be sipped from crystal, don't you think? I planned on going out. Oh, you set me, but I thought... I'll only be a minute. I'll finish dressing behind the screen. Same, Mr. Hawthorne. Oh, yes? What's your first name? Vincent, my dear. Oh, save Vincent. Oh, thank you. Vincent, just so we get everything clear on both sides, I... Well, isn't that a funny situation, you see, because I don't quite know... Are you concerned because we are having what is called a blind date? Yeah, that's it. Yeah, you're in my mind. I just wanted it to be understood on both sides that I am not in the habit. Of course not. But lately, I've been thinking that after all, how is an artist like myself, who's spent practically all of her life training for a profession and then finally goes out on the road, since Potterfield's coming back now, you know, how's she ever going to meet people? Get the point? Certainly. Of course, I understand that completely. We'll just have our little midnight supper. I was coming to that. When I was a little girl, say, by the way, did you ever catch an act called Diane? Diane? I'm not a positive. Well, you hardly have forgotten her, if you had. Diane was my mother. Oh, indeed. She was an, uh... An acrobatic dancer. Yeah. It's almost entirely her act that I'm doing. Really? Well, when we were playing Chicago once, when I was a little girl, we went to a little restaurant off the Gold Coast, which enjoyed largely theatrical clientele. It's called Gregory's. I thought we'd go there. Are you game, Mr. Hawker? It sounds delightful. You say that your mother is dead? Yes. Diane died three months ago. I'm terribly, terribly sorry, my dear. Well, thanks. Hey, say the flu- You were very close to your mother, weren't you? She was an artist, too. And she taught you how to accomplish all of those... Those remarkable feats that you've been performing on the stage. Diane taught me everything I know. It's really remarkable what you do at the end of your act. When you stand on that chair and bend all the way back so slowly, and then take the goblet of wine with your teeth and drink it. Well, thank you. I've worked hard. Of course, either you are double-jointed or you're not. Of course. What does she die of? You might say that when Bonneville began to die, mother began to die, too. It wasn't the money, but with radio, and... You see, you have to see a dancer and radio. In view of those circumstances, you could almost say that your mother was... Mother? I was born in London. London! We were thinking about playing Australia once. London has a great many miles from Australia, Gloria. I'd sure like to get over to London. They say Australia is great. London is a very lonely place. Ladies, I'll bet that's a big deal. It's full of lonely people. Oh, say, let's not... The world is full of lonely people, Gloria. In your short lifetime, has that fact come to your attention? Well, really, that kind of talk can ruin an evening. You're going to talk like that. I don't know about us. Well, here we... Hey, what are you doing? Put away that knife. I'm just opening our bottle, Gloria. I told you, I don't want to drink here. I want to go to Gregory's. Come on. Come on, let's put the show on the road. Here's one for the road. A glass of wine will do us both good. No. I don't like the looks of that knife. Nobody needs a knife that big to open a bottle with. This is a trick knife, see? We press the little button and the knife's gone, just like that disappears into the handle. Well, I don't like it. People get hurt with knives. No, no, you're wrong. You're wrong about that. People get... Knives are very handy instruments. Oh. No, a good knife is hard to find. A good knife is a friend, Gloria. The only friend you can depend on sometimes. They say steel is cold, but it's really warm. It's warm as the human body. Well, just for your information, I don't like your knife. And while we're at it, I don't think I like you either. I'm very sorry, Gloria. I'm sorry that my knife frightened me. I don't know. I think maybe you'd better go. Please, Gloria, don't be angry with me. I'm most anxious to take you to Gregory's, where you once went with your mother many, many years ago. I don't know. I think... We have something that you didn't have at that time, Champagne. Well, let... A quiet corner by candlelight will be music. I... See, what does a girl do when she draws a gentleman like you, huh? Why, she has a little glass of wine to celebrate. Good, good. Here we go. You haven't said anything about my dress. It's one for you. One for me. Here's to a pleasant evening, Vincent. No, Gloria. Here's to us. Okay, then. Here. Here's to us. That's a little better. That's nice. Vincent, I'd like to ask you a personal question. Certainly. What does somebody like you do for a living? I was a part of Rembrandt's and Silver's. Yeah? Sounds like a soft shoe, eh? No, they're wine merchants. Gloria, when you bend back like you do and you drink out of that glass, is that wine you drink? Oh, of course not. That's only colored water. Did you know that the cork in the bottle is sometimes more expensive than the wine itself? Oh, we don't say. Yes, it's imported from Spain, you know, imported. That's what cost the money, you see. Another thing I have wondered about, is it true that it's bad luck to whistle in a dressing room? Oh, that's silly. That's a chorus girl's superstition. Artists, they don't worry about that. Oh, I see. I'm most grateful that you answered my note this afternoon. Dinsen, why did you send the note to me with those six beautiful Cardoza sisters on the same bill? I thought them very ordinary girls. They're the least beautiful, not beautiful like you. No? Well, no. What made you answer my note? I had three birds this morning. Birds? Uh-huh. Tea leaves. Oh, yes. That means good luck. And then when I got your note, naturally, I took it to Mamie. She does handwriting, too. And she said, you must be a fine gentleman. And otherwise, I wouldn't have answered you, because I've never had a blind date before. Then I'm most grateful to Mamie. Well, I... Well, I think it's about time we left. Oh, I don't know, Gloria. I see that you have a portable phonograph to travel with that. That's an old one. It's no good. It doesn't work too well. I've got to have it fixed. I'm very fond of music, Gloria. Well, what have you got? It doesn't work, honestly. Let's try one before we leave. Hey, Mr. Lucknike... What about this one? Moonlight Madonna? Why, that's the music you use in your act. Just play it. I told you, that phonograph doesn't work. Oh, come on. Why didn't... You're on, Gloria. See, that works fine, you see? All right. Now, come on. I've finished my drink. Let's go. Could we have another one and listen to the record? No. I've had enough, and you've had enough, too. So let's get this... Must you wear that fur piece? For your information, Mr. Wise Guy, this fur piece was given to Diane by Mr. Nat Kalsheim of the Morris office, and is practically unobtainable on today's market. You just can't get it nowadays. I can wear this anywhere, anywhere at all. What I mean, Gloria, is that it doesn't do you justice. Nothing, nothing is beautiful enough for a girl with lips. Don't you touch me. Oh. Don't you ever touch me, see? You, you, you shouldn't have done that. When I was a little girl, one night I was standing in the wings watching Diane on a stagehand, kissed me on the neck, and I just... Well, he's still carrying the scar on his forehead. I took the heel on my shoe, and I, I hit him, and he... Listen, don't you ever try to touch me again, see? Never. Come on, now. We had our wine, and it's a quarter after 11, and we're going to go. We're going right now, do you understand? We didn't hear the rest of this record, Gloria. You get out. You get out of my dressing room. I do not want to leave yet, Gloria. You, I'll show you, you... Hey, what are you, what are you doing? With no use, I have the key. You have the... Bill is the name of the stage-normand that I met coming in. A liberal gratuity, a gentle hint, and he obligingly left you and me alone. Gloria. And there we were, in the dressing room, backstage in that empty theater. Mr. Hawthorne, his knife, and me. Auto Light is bringing you Mr. Charles Lotton and Ms. June Havoc in blind date. Tonight's production in radio's outstanding theater of thrills suspends. Hey, Hap, listen to this. A letter from my old Arab pal, Hassam Ben-Odd, the Karachi camel keeper. Dear Harlow, he says, you win wager. I now have a dozen droopy dromedaries dying for a drink. What was the wager, Harlow? Oh, I bet him Auto Light's day full batteries could go without water longer than his camel. Oh, no. Oh, sure. And it's like taking candy from a kid. Those Auto Light's day full batteries need water only three times a year. And what's more? More. Sure. Auto Light's day full batteries have more power, are packed with potent pep and punch, more life. Auto Light's day full batteries gave 70% longer average life in recent tests based on SAE life cycle standards compared to batteries without the stay full features. Is that all? No, no, no, there's more. More life insurance. Auto Light's day full batteries have a fiberglass retaining mat safeguarding every positive plate. So get an Auto Light's day full battery. Remember, you're always right with Auto Light. And now Auto Light brings back to a Hollywood soundstage Charles Lotton and June Havoc in blind date. A tale well calculated to keep you in suspense. Get out. Get out of my dressing room. There is no reason to be afraid of me, Gloria. You take her while and sit down and listen to the music. Yeah. I don't want it. Now why did you do that? Because I don't want to have another drink here. I want to leave. Unlock that door. Now don't you be impatient, Gloria. We'll leave in a minute. Why can't we leave now? I want to get out for some fresh air. You aren't frightened. No, I'm not. And then why, why, why, why, why are you here? You promised to take me to Gregory's for supper. I've done four shows a day for six days and I'd like to relax and tomorrow I've got to go. That's your word. Listen, I'll, I'll even change my fur piece, Mr. Hawthorne. You know, Gloria, loneliness is a terrible thing. You can wander in a city of a million people and yet have no one to speak with. And you wander and you think there is no cure for loneliness and there is a cure. As I watched you there dancing on the stage, I knew that loneliness has a cure. Just a simple kiss will banish loneliness forever. Well, you're not going to kiss me. I'll tell you that much. I don't care how lonely you are. Well, I'm sick of this record to you. I wish I'd never answered your note. I'll tell you that much. But you did answer it and here we are. Well, I'm like a girl who can make a mistake. No, Gloria, you didn't make a mistake. I'm a humble man and I apologize to you. Unlock the door. I have been studying you, Gloria, ever since I came into the dressing room tonight. There is more to you than just a pretty face. Oh, that kind of talk doesn't impress me. That kind of talk will get you exactly nowhere. Unlock the door. Now, what if I told you that you'd successfully passed the test? I really have been testing you. Oh, yeah. Yeah, when first I saw you six days ago, I knew there was a lot more to you than just a pretty face and that's why I've been to see you dance every day. I wanted to make sure and I came here tonight to test you. Well, what do you mean by that? Well, when I tried to kiss you, that was the test. I had to find out what you were like. A man has to be careful, too, about a girl, I mean. And when you wouldn't let me kiss you, I knew you were someone that I could... I don't get you at all. And now you're almost as if you were gonna cry. I have a confession, Gloria. I have cried a great deal in my life. Really? Have you really? A very great deal. Huh. Well, well, then look, now that I've passed your test, you know what kind of a girl I am, don't you? I know exactly what kind of a girl you are, Gloria. All right, and then we understand each other. I know you and you know me. All right, then come on, let's put the show on the road. There is just one thing. What? It's your dress. Well, so now it's my dress, is it? First it was with my fur piece, and now it's my dress. It's a very, very beautiful dress, but before we go out, I would like to see you for the last time in the costume you wear for your act. Oh, you would. Just what do you think? I like the green one best with the golden spotlight. Well, it's not here. I've already sent the trunk to the station. I don't believe that. What's this, then? That's my other trunk. You'll give me the key, will you? I will, no. All right, then I'll open it my own way. Put the knife away, will you? I'll tell you, Gloria, a knife is a very handy instrument. It's a very handy instrument to have. Stop that. Will you stop that? You're going to break the lock. Get away from that trunk. Don't you do that. Don't you ever try to take my knife away from me. Don't you ever try to take my knife away from me. I asked you to do a simple little thing. I asked you to wear your costume for me because you look very pretty in it. A simple thing like that will take only a minute of your time. You say it's packed and shipped. I don't think it is. I'm going to find out whether it is. No, no, no. I am going to find out. There, I got it. And here's the dress right on top. You're beautiful, green. I won't put it on. Do you hear me? I won't put it on for you or for anybody else. On top of everything else, you've broken my trunk. I just have that lock. Go behind that screen and put it on. I will. All right. All right, all right. I'll put it on. That's a good girl. You know, Gloria, I didn't mean anything by showing you my knife. It's only just that I want to see you. I want to see you exactly as you look when you're performing on the stage. You're so beautiful, Gloria. Your eyes are greener than the sea. You're so lovely. And all that isn't going to make me forget that knife or what you've done either. I'm just a humble man. I'm a human being the same as you are, but I'm only lonely, Gloria. I'm terribly, unendurably lonely. You've got friends, all right. How does that go? I have no friends at Lamia. No, not one. My presence in wide Corinth hardly known. My parents' bones are in their dustier and sepulchred where no kindly incense burns. Seeing all their luckless race are dead, save me, and I neglect the holy right for the heavy put on the costume. Yeah. Well, now here it is. All right, now you take your look, Mr. Hawthorne. Well... That's lovely. It is. All right, all right, then, then I can... What are you doing? How can you perform without music? Perform? Why else would I ask you to put on your costume if you were to dance for me? I'm not putting on a special act for anybody. You can't imagine the effect that this has on me. It is the way you twist and turn slowly and silently so slow, so lovely, and so alone. Oh, so very much alone. Alone? How could I be alone in a theater full of people? You can be alone in a city of a million people. You had no one in that theater, Gloria, even though it was crowded. And now here in your dressing room, you have me to watch you and you can perform for me alone. Hey, what's the idea of turning off the lights? All but the ones around your mirror. You see, that's your spotlight. You're on stage now that's for me and no one else. Oh, my... Don't you scream again. Don't you scream whatever you do. That upsets me. Look, if I do my act for you, if I do it just the way I do on the stage, and we won't this time just for you, if I do it for you like that, will you please go away? Yes, yes, Gloria. That's all I want you to do. I just want you to do it as if you were on the stage. All right, all right. Sure. Sure. Oh, that's fine. Oh, that's great. Oh, that's so great. Turn a twist. Down, down, down, down, down. Go slowly, go slowly. Sorry. Why can't you do that for me? Why you won't come into theater when all those other people will watch you? I'm sorry, I'm sorry. It's such a small room when I do my kicks. Never mind, never mind. You go on with it. No, no, no, no. That's right. Oh, slowly, slowly. Please remember to do it slowly. I can't go on to my activity more. I can't do it. I'm a decent self-respecting girl. I accepted your invitation. I thought you were going to be nice because you're outright. I just can't see the place yet. I knew that when I came in that door tonight that you hated me and I'm accustomed to being hated. And let me tell you something. Every girl with a nice dress and a pretty face hates me, Gloria. I don't care anymore. I was lonely. I went to the theater. I saw you there on the stage. I thought you were beautiful. I thought if I could see you alone in the same costume that you could wear it just for me and perform just for me that I wouldn't be lonely anymore. There would be enough, but it isn't enough. Don't, don't. Don't, don't you come near me. Don't you touch me. A kiss is the cheapest thing in the world. No, no, no. A kiss means nothing to you. To me it means everything. Please. A kiss would cure my loneliness, Gloria. I'll never kiss you. I think you will. I think you will. Just touch it. Vincent, darling. What did you say? I said, darling. What did you say? What did you say? What did you say? If I really kissed you, huh? How do you mean? You said it. A kiss means everything to you. Do you want me to really kiss you? I can't believe it. Oh, I'd kiss you. Really, I would, but... What? No, I'm... I'm afraid of your night. Do you actually want to kiss me? Yes. Yes. Yes. Yes. Yes. Yes. Yes. Yes. Yes. Yes. Yes. But the knife scares me. Oh, I never meant to use that, Gloria. Yeah, you take it. They'd been looking for him ever since he left London. They knew all about him. So they let me go. Self-defense. Loneliness is a terrible thing, he said. Well, no matter how lonesome I get, I'll never have another blind date as long as I live. It's presented by AutoLite. Tonight's stars, Charles Lawton and June Havoc, in blind date. Mr. Lawton, if you'll release Miss Havoc from your clutches, I'd like to get her in mind. From clutches to cliches. Well, we might say that, yes, Mr. Lawton. All right, Mr. Wilcox, I'll do that. But I may say that it's being done with a great deal of reluctance, June. Thank you. Mr. Wilcox, I'll bet you won't want me to tell you about the AutoLite stay-full battery in my car. I surely do, June. What is the woman's slant? Well, Harlow, women are traditionally supposed to be unaware of an automobile's innards. However, I'm one who wants to know what's in my car. Well, more women should for more women drive cars today than ever before. And an AutoLite stay-full battery is my insurance that I'll get to the studio and other appointments on schedule. I get a hurry call, step on the starter, and I'm off. June, you've got the best car-starting insurance there is with an AutoLite stay-full battery. It's made by AutoLite makers of over 400 other products for cars, trucks, airplanes, and boats in 28 AutoLite plants from coast to coast. AutoLite also makes complete electrical systems for many makes of America's finest cars, batteries, spark plugs, generators, starting motors, coils, distributors, all engineered to fit together perfectly, work together perfectly, because they're a perfect team. So friends, don't accept electrical parts that are supposed to be as good. Ask for and insist on AutoLite, original factory parts at your neighborhood service station, car dealer, garage, or repair shop. Remember, you're always right with AutoLite. Next Thursday for suspense, Van Johnson will be our star. The play is called Defense Rest, and it is, as we say... A tale well calculated to keep you in suspense. AutoLite's suspense play was produced and edited by William Spear and directed by Norman McDonnell. Music for suspense is composed by Lucian Morrowak and conducted by Lud Bluskin. Blind date was a radio play by E. Jack Newman and Harrison Negley. During the next 10 weeks, Charles Lawton will appear at eastern universities and concert halls, reading from his favorite books. June Havoc will soon be seen starring in the universal international picture, the story of Molly X. In the coming weeks, you will hear such stars as Edward Arnold, Betty Davis, and Victor Moutour. Don't forget, next Thursday, same time, AutoLite will present suspense, starring Van Johnson. You can buy AutoLite's day full batteries, AutoLite resistor spark plugs, AutoLite electrical parts at your neighborhood AutoLite dealers. Switch to AutoLite. Good night. This is CBS, the Columbia Broadcasting System.