 This is Kenny and today I'm going to talk about running the Silverline into the Architect software and also using it as an audio interface. So all Silverline series works with the Architect software but the thing about the standard and the special is that it doesn't have a mid-control accessible on the face plate. So if you want to get in control of that you need to get into the Architect in order to control the mid-range. So we were using the Insider in order to control the Silverline internally but the new Architect software is very smooth, well-updated, looks cool and modern and it's very smooth and visually really fun to look at. And also the mid-range control also is usable in the Architect even on the standard and the special. So for the demo I was using three guitar tracks. Two for the rhythm, one for the lead. The first guitar track, the rhythm guitar, I was running this guitar into the EL84 response and the second one I was using a Telecaster into a KT88 and then for the lead guitar I was using this Les Paul into the EL34 response. The EL84 has that nice juicy sits well in the mixed tone and it sounds like this. I set the bass in mid around 1 o'clock and then the treble a little bit lower than noon just to kind of sit back in the mix it doesn't get too in your face. Sounds really good and juicy. Perfect for that rhythm guitar tone. So for the second guitar I was using the Telecaster into the KT88 response into the Super Crunch. So you could hear that tone like this. Real nice and twangy as you can see I lowered the bass, raised the mid-range and treble around 1 o'clock and mid-range at 2 to really get that punchiness of a single coil in your face. And also the KT88 is the least compressed response out of all the tube responses. You can get more of that open full sounding and having the Super Crunch kind of compensate the compression that way so you're kind of balancing it out with the Telecaster. And for the lead guitar I'm back with my Les Paul and I ran the EL34 response. I lowered the treble a little bit, raised the bass in mid and gain a little bit around like 10 o'clock-ish because it's got a lot of gain on OD1 and also just to have fun and paying homage to the good old EVH tone I put on the tape echo and I made it a little bit of a slap. So what I did was I turned down the feedback to 0% the time is at 157 millisecond and then I just kind of set the level to where I felt it sounded good. So this is the tone. So having that slapback delay really kind of fattened the tone quite a lot so this is without where you could really hear that big white tone as if you're in a really big open room. So this is how I set the lead tone. Thanks for watching. The Silverline is an amazing amp to really get all sorts of tone in one amp and using the architect really opens up even more options to change voices and switch amps and compare sounds on the fly. So it's very highly recommended. Have it in your home studio, use it live anywhere. It's an amazing amp. So for more information please check out blackstaramps.com. Thanks for watching. See ya.