 Wao, Jeremiah Andranius, ʻau ʻda, that's the first round of applause ʻma, last month ʻi ʻa ʻle, ʻen ʻes ʻnu ʻeg ʻdi ʻse ʻkutu ʻeg ʻfizi ʻtusel ʻi ʻokam ʻa ʻse ʻgatsak ʻi ʻka fet ʻle ʻi ʻo ʻa ʻmʻa ʻse ʻtibu ʻa ʻwao an I would ask for a special round of applause for the father Yodi pa pa, pa pa ka quide, say ti mama yoyo pa switchack, say ti mama look at the father with the children let's hear a round of applause for daddy Wao, wow wow wow Okay that was the Denri Valley There was another community in the northeast of St Lucia called Babunu. That is the heart of our African traditions. Babunu. Beneath the Lasso-Sie Mountain. Or sheltered by the Lasso-Sie Mountain. The descendants of Africans in Babunu have kept alive so many traditions. Give us bellicote, give us solo. They gave us a killer. One of the only surviving African religions. Religious customs in St. Lucia. They have continued and they continue and they continue. And we must appreciate and say a big welcome on stage with the tradition of the solo. With the tradition of the solo. Solo was just a few words about solo. Solo was used to be a tradition that heralded the Christmas season in St. Lucia. One of our most loved song and dance traditions in St. Lucia. But today that has solo has spread right through the year. And we have people like the secret band and so on doing it good all over the world with our solo music. So let's welcome on stage from the African community of Babunu in St. Lucia. Wule tabu. Put your hands together. Wule tabu. Wule tabu. Wule tabu. We can do it the other way around. But we are the most loved and I can say to you that we think we can have a good time. 风 风 风 风 风 风                                                                                                                                                                                                                    and he is there continuing to pass on the tradition, by all means to play, show your appreciation and encouragement. Thank you Mr. Sheshe. Wow, well that's the solo tradition and if you like it, we have more for you, we have more for you. One of the oldest surviving solo groups in St. Lucia comes from the Denri Valley who I spoke about recently. They have been thrilling us with solo music for years and years and as you can see there from the Denri Valley and if any of you know the Lasso Sier Mountain, you would know that Babono is on one side and the Denri Valley is on the other side. So all of them are family, African family developing the same traditions, the same African traditions that they continue and they keep surviving in St. Lucia. So from the culturally rich Denri Valley in St. Lucia, I want you to put your hands together and welcome on stage one of the giants of the solo tradition in St. Lucia, the Montego Bay solo group. Daniela Ne, Daniela Ne, Mwajedu Mwajekai Kito, Daniela Ne, Mwajedu Mwajekai Kito, Mwajedu Mwajekai Kito, Mwajedu Mwajekai Kito. Montego Bay and you turn me by Montego Bay solo group. We, we, we make up a tradition solo. You turn me by Montego Bay solo group. If you see the solo in real life, the winding of those ladies. We may, that is so central to solo to see some of these ladies and the winding that they do. But we appreciate them. Let's try it again for the Montego Bay solo group. Ap, Ras aizli. We will see we will turn commission with a copon call actual man. So some say valuted this way past ma damlam ahweu. Ex solo do. Solo do. ḏ γᵒ γᵍᵒ ᵗᵃ ᵍᶅᵈ ᵍᵏᶁ ᵇᵛᵒ ᵉ ᴝἌᵏ? ᵍᵒᵃ ᴌἁ ᵐᵉ ᴌᵇᵆ ᵉ。  bunları ᵸᵔᵉ ᵈᵡᵇ ᵇᵜᵇ, ᵈhNão normalized already before, � Chancellor给我 ἐᵜᵏᵍ ᵈᵍ�ᵒ,ingeᵇ ᵈᵇᵑ, ᵛᵃ ᵒᵉ ᵡ� hunch. the drums have been used as an integral part of a lot of our dance troops in St. Lucia and this particular drumming group has been famous for being working with a lot of our famous dance groups in St. Lucia. Some of you would remember names like Piticently See, Le Zafar, Shamalayan dancers. All of them had drummers with them dancing and so on. And so it is a pleasure to present this tradition of the drums to you. Dancers, the drummers ask you all to wait. Y'all will come in on the second number, okay? So they are playing something first and they will come in on the second number. And so we present to you and I want you to put a big round of applause to this drumming group because they came, they were founded by our master drummer who we lost in 2010, who we lost in 2010 to a vicious crime and we lost him. And I'm talking about none other than Afanesha Slabor. However, the drummers have continued and they have kept the name of the Lapo Cabwit alive and we thank God that we still have with us today the Lapo Cabwit drummers. Put your hands together. Show your appreciation for the Lapo Cabwit drummers. Dancers, not yet. Give them strength. They've been around for a long time and they are still there with thank God for Lapo Cabwit drummers. And if you will move by that last rhythm, there's a very good reason for that. That is the kumina. That is the kumina from Jamaica, a deep spiritual experience of African people. Thank you, Lapo Cabwit drummers. And for those of you just joining us, welcome to this gathering of descendants of Africans in celebration of our rich, rich traditions. And the gathering has just gotten much wider because we are now live on NTN. Can we give NTN a round of applause and say hello to the world watching us from NTN. We also want to say thank you to the Silver Shadow dancers who were the dancers that the drummers accompanied in the dance. It is a tradition of the drum in St. Lucia that we have been so strong in dance groups using drummers. Okay, now would you believe a lot of our music traditions are wrong, come from the drum, even though the drum isn't there with them. And you would realize that today our young people are going into our traditions and using it to make lyrics, to make lyrics and fill the world with our music. And I'm talking about none other than people like the denry segment boys and what they are doing. So let us support our young people, let us support the new generation of music of the African tradition. And we present on stage now, welcome them, the vie twizin boys, vie twizin. Sly and Maxwell, the vie twizin boys. Sly and Maxwell, the vie twizin boys. Sly and Maxwell, the vie twizin boys. kole hivle kole mwen kole kole kole hivle kole mwen kole kole kole hivle kole mwen rani kome kade kole kile frau simi pas le mwen kole ma kade kole pas de pigeon mwen mwen rani kole chimis rani kole sulie rani kole bulon senya kole kipabon kole kole kole hivle kole mwen kole kole kole kole kole bulon bhaisho bhaisho mese kimi naka satibaila aso ala hodh vle kole ako mese an ye pa kade kole debwa e kole laya e a ha bon bon balik low low no reading no reading bon botan sa mese lho jwa mwen e pa madem bo madem na di mwen inya kai kikakule botan sa i di mwen u vle tan sa ye diya debse u gi vle tan a we bon mese tan sa mkadi ola i di mwen i di mwen pa hodh i mwen vle kole mkade kole me di madem vini we vini pipwe bon low vini pipwe mwepu kai kole e blan u fin kole me do madem mkade kole me do kole kole kole kole kole kole na we kule kole kole kole kole �거든�ращ�comed� psychological n ᵗ ᵦᵡᵃ ᵗ  Okey ᵗ ᶰ ᶦ ᵗ ᵗ ᵘ ᵗ ᵘ � Rail Stage