 For me, it's intimate. I don't feel the global thing so much, right? It's intimate. I still think of, for instance, with Fresh Prince, we all were together having a great time, trying to really make something work, but also having such a good time and being having great partners that you're playing with so that we were always, you toss the ball, somebody caught it right away. It's very, very few instances of the ball dropping. You knew you could rely on these partners. We were a really good chain. We worked well together, but it felt intimate. Like, we were there doing it, and then on Friday, this live audience came in and we were doing a play for those people. It didn't feel like it was going out and being broadcast into the rest of the country, let alone the world, let alone decades later, that it would keep going and going and going. It didn't feel like any of that was happening. It felt far more intimate than goodness, because I think it would have felt, if it was so, you felt how gargantuan it was, it would have been intimidating, probably, you know? It also probably would have lost some of its truth. Like, we were having honest reactions to things, and we were very fortunate. We had writers that really listened and wanted to hear our feedback. So when we would go through the script and put it up on its feet and things didn't feel right, they wanted to hear, what did you think? And we'd say, you know, this scene, it doesn't feel right me talking to Will about this. I feel like I should be talking to my mom about this, just to feel so kind of forced, you know, or you'd have something physical that you'd have to do, and it just felt like, I feel like I'm kind of a dance hall girl waiting in a lineup. Like, we gotta, why am I just standing here? You know, we'd always figure it out so that they would make their adjustments, we'd make our adjustments, and the director would work with us, and we'd all make sure that it was as true and organic as possible. And they wanted to hear from us, which was nice. But that was all that process and all of us working together was what we were doing. We were being true to the piece. We weren't thinking about the global. We weren't thinking about the fact that people so many miles away, we're all having this experience or would be, you know, when I first heard that somebody said, I came back from France and I heard you in French. And I was like, what? Somebody's doing my voice and, you know, it's speaking French over, what? Yeah, I mean, I remember when I first heard that, it freaked me out because I just hadn't thought about it. You know, I knew we had gone past the U.S. I knew we weren't just in the U.S., but I hadn't thought about that. What goes into that and the translation and that in all these other countries, people were getting the jokes. They were all getting the jokes. You know, I didn't realize even many years later, I've had a hard time. It's been hard for me to really grasp how big the show was. And the thing that finally hit me over the head and was like, okay, I get it, show is a big deal, was when Jimmy Fallon did the Olympics, he opened the Olympics or something, doing Neil Young, his impersonation of Neil Young, singing the Fresh Prince theme as Neil Young, the way Neil Young would sing it at the Olympics and everyone got the joke. I was like, wait a minute, if you can, I mean, just singing the song is one thing for right now, the song, but to do it as Neil Young and his, you know, and everyone got it, I thought, okay. All right, that's pretty worldwide.