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Published on Sep 23, 2011
Almost every piece of data is tethered to something in the real world. When we work with numbers, we are often able (and willing) to ignore the real world objects and systems that these numbers represent.
In this presentation, Jer Thorp will discuss his work with names—designing an arrangement algorithm for the 9/11 Memorial in Manhattan. He'll walk through collaborative processes, admit to a series of failures and ultimately show how humans and software can combine to solve extraordinary problems.
The New York Times
Jer Thorp is an artist and educator from Vancouver, Canada, currently living in New York. A former geneticist, his digital art practice explores the many-folded boundaries between science and art. Recently, his work has been featured by The New York Times, The Guardian, BusinessWeek and the CBC.
Thorp's award-winning software-based work has been exhibited in Europe, Asia, North America, South America, and Australia and all over the web.
Jer has over a decade of teaching experience, in Langara College's Electronic Media Design Program, at the Vancouver Film school, and as an artist-in-residence at the Emily Carr University of Art and Design. Most recently, he has presented at Carnegie Mellon's School of Art, at Eyebeam in New York City, and at IBM's Center for Social Software in Cambridge.
Jer's unique collection of organic Flash experiments and generative artworks, has won numerous awards and has been featured in many art and design publications, both online and in print. Jer is a contributing editor for Wired UK.
He is currently Data Artist in Residence at the New York Times.