 So this is one of these, um, chisels. It's called a flanger, um, dongle. Do I have any broccoli in my teeth? Yeah. You can't beat a flanger, donger. You're too friendly. They're pretty large. Oh, David, this is a fine vintage. Then come on over and have a coffee. That's so irritatingly cute. Or what are you, charismaticly, challenging? You're charmingly useless. Okay, so tick tock, Joanne. Here we are, back with our clock. And we're going to do a couple of things today. First, we're going to sand it. We're going to get off this writing here. We're going to get off our face template. So we're going to give it a nice quick sand, the belt sander. Belt sander. Belt sander it is. Okay, so we're going to do that. And then we're going to do a pre-seal with our art resin. We have it here all ready to go. And what's the pre-seal for, Dave? Well, good question. That's because some wood still has some moisture and some stuff going in there, still breathing a bit. And if we were to do a full coat, there's a chance that the wood could still be releasing some sort of air or something and could create bubbles in it. So a nice, really thin pre-seal. We'll just stop that first. Just to stop any bubbles from coming up. And then we'll do the final coat and then we'll be able to tell the time they're used to. That's right. Okay, here we go, Joanne. All righty. Hold your breath, close your eyes. It's going to get dusty. Okay, I'm ready. Look at that. All right, that's got to be enough. Okay. Okay, time present. Was that a joke and a dance? It was. So Joanne's heading downstairs to get some compressed air so we can just to get all the dust out of all the little grooves and stuff. And in the meantime, I'm going to tell you some clock stories. All right, so when they were building Big Ben, you know the huge tower in London? Big Ben, the clock, they called us. This was way back in the 40s, I think. And they said, we're looking for a resin that's super clear and non-toxic because they were concerned about their workers, the unions were coming and everything. And I said, if you're building a clock and you use resin, you should use art resin because it's no VOCs, non-toxic, don't have to wear a respirator. And it has the best non-yellowing performance. So, and I was like, why call it Big Ben? And it's actually Ben is the guy that used to own the little plot of land that they built Big Ben on. And he was actually really small, but they called it Big Ben because he said, if you're going to build a clock here, you have to call it name after me, but I want to be remembered as someone important. Any questions? What's the plan here? Just pour it and rub? Or do you want to just stand it and just use gloved hands? Let's just do that. So here we go. Gloved hands. You do the honors, please. Okay. So look at that. It's the best part. Isn't this fun? How does it make the wood look? Look at that. I know. Oh, beautiful. It's so pretty. So you just see all the different grains. You see all the texture. And it stays like that. So you could actually keep this clock outside. You could. No one tells time like this anymore. I know. It's true. It's time to bring back the old times. Wow. That was a double time. Did we catch that? That was really good, too. And I can see there's already some bubbles popping up here, I guess. Oh yeah. You know what that means. It's off-gassing? Yes. But we're not going to worry about torching it right now, right? For these bubbles because... Yeah, we'll just sand and then do our final coat. Necessary. So it's a good thing that we did this first pre-coat. So we might have to like just re-drill through there. Yeah. Okay, high five. High five. Until next time, guys. Yeah, we'll see you. Catch you next time. Okay, catch you. I don't know. Alright.