 Hello, I am Nemo and my question is, if you were the violin, what would be the most beautiful moment you will ever have experienced? If I... If you were the violin? If I was the violin, what would... That's hard to... And who says there aren't young people here? Ten. If I were the violin, well... You know, I... The violin becomes... It's almost... It is kind of like a living thing. The connection one feels with the violin is almost like it is... So you do feel like this violin is responding to the way you play. It responds when you play in tune. It starts to open up the sound, because the overtones ring in a different way and the violin starts to open up. So it makes you think that whoever played the violin beforehand affects the way this violin sounds now. So if I were this violin, I mean... This violin was... I think I'd be very pleased that... That Huberman played on me at one time. I think that's quite a privilege. And... I don't know. I think to be played I think it's what the violin was born to do. And that's its cause and its meaning. And I think if it's being played in beautiful music... You know, the Bach Concerto of Chaconne means nothing without the instrument. So it's part of the equation of something really, truly great. Which is a sort of a combination of Bach and the instrument and the player. They're all together and all have to work. I have the luckiest job in the world that I open up this case every day to go to work. And I have a relic, 1713 Stradivari, which we could have a whole symposium just on violin making and the glories of Stradivarius. I get to be inspired by this amazing thing every day. So... And I only wish I knew all of the stories that this violin does know, about Huberman and a couple of the owners before, but there's about 150 years where I really have no idea who is playing on this violin and I'm sure there are some great stories, but I just don't know what they are. Thank you. That was a very good question. Thank you. Behind you, yes. Well, I'm Lucia and I just want to ask you what's going through your mind when you're playing your favorite song on the violin? Yeah, that's what's going through my mind. Ed is a good question and I don't always even know how to answer that because as an artist you're playing, let's say Bach, you're getting inside the mind of the composer and you're kind of like an actor in a way. It's a little simplified, but like an actor taking on a role, a good actor really becomes the role. I just want to ask Meryl Streep what she's thinking about when she plays the character, some character she probably would say she loses herself inside that character and doesn't think about it, she just is that. And the same thing with music, you just have to become that music and tell the story that the composer... So when the magic happens on stage, when I feel the best concerts, when I feel I played the best, often related to the degree that I completely immersed myself, the brain is an amazing thing because it can do multitask. So you can play one thing and you can be aware of the pretty girl in the front row and somebody coughing in the back row, but when you're really involved, you block all of that and there have been concerts where I play and I feel I'm completely inside of the music and people come back and say, that they came away and took somebody from the second row who fainted, they took them away in a stretcher and then the people are coughing and it's like, I didn't even hear a thing, you know, because I immersed in the music.